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Mark Helias (w. Ellery Eskelin, Mark Feldman, Mike Sarin, Tom Rainey) / Fictionary [Live]
Жанр: Free Jazz, Avant-Garde, Contemporary
Страна-производитель диска: USA
Год издания: 1998
Издатель (лейбл): GM Recordings
Номер по каталогу: GM3037CD
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:54:51
Источник (релизер): вата (badbetty)
Наличие сканов в содержимом раздачи: нет
Треклист:
1. The Comb Over (9:40)
2. Looking Up from Heaven (6:21)
3. Hands Down (10:52)
4. Fictionary * (7:42)
5. Area 51 * (10:49)
6. Douglas Fir * (2:29)
7. Haymaker (6:56)
All compositions by Mark Helias.
Recorded live at the 1995 Groningen Jazz Festival * and the 1996 Nijmegen Music Meeting.
Executive Producer: Gunther Schuller
Performers:
Mark Helias - bass
Mark Feldman - violin
Ellery Eskelin - tenor saxophone
Mike Sarin - drums (tracks: 1 to 3, 7)
Tom Rainey - drums * (tracks: 4 to 6)
* Notes▼
Tracks 1 to 3 and 7 recorded at the Nijmegen Music Meeting, November 3, 1996
Tracks 4 to 6 recorded at the Groningen Jazz Festival, October 13, 1995
Код:
X Lossless Decoder version 20110611 (135.0)
XLD extraction logfile from 2011-06-27 15:01:37 -0700
Mark Helias / Fictionary
Used drive : MATSHITA DVD-R   UJ-857D (revision KCVB)
Ripper mode             : XLD Secure Ripper
Disable audio cache     : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction  : 102
Max retry count         : 100
Gap status              : Analyzed, Appended
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  | 00:00:00 | 09:40:64 |         0    |    43563
        2  | 09:40:64 | 06:21:33 |     43564    |    72171
        3  | 16:02:22 | 10:52:15 |     72172    |   121086
        4  | 26:54:37 | 07:42:20 |    121087    |   155756
        5  | 34:36:57 | 10:49:15 |    155757    |   204446
        6  | 45:25:72 | 02:29:30 |    204447    |   215651
        7  | 47:55:27 | 06:56:35 |    215652    |   246886
AccurateRip Summary
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    Track 02 : OK (confidence 2)
    Track 03 : OK (confidence 2)
    Track 04 : OK (confidence 2)
    Track 05 : OK (confidence 2)
    Track 06 : OK (confidence 2)
    Track 07 : OK (confidence 2)
        ->All tracks accurately ripped.
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Track 01
    Filename : /XLD/Mark Helias - 1998 - Fictionary [FLAC]/01 The Comb Over.flac
               /XLD/Mark Helias - 1998 - Fictionary [MPEG-4 AAC (320)]/01 The Comb Over.m4a
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Track 02
    Filename : /XLD/Mark Helias - 1998 - Fictionary [FLAC]/02 Looking Up From Heaven.flac
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Track 03
    Filename : /XLD/Mark Helias - 1998 - Fictionary [FLAC]/03 Hands Down.flac
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Track 04
    Filename : /XLD/Mark Helias - 1998 - Fictionary [FLAC]/04 Fictionary*.flac
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Track 05
    Filename : /XLD/Mark Helias - 1998 - Fictionary [FLAC]/05 Area 51*.flac
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Track 06
    Filename : /XLD/Mark Helias - 1998 - Fictionary [FLAC]/06 Douglas Fir*.flac
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Track 07
    Filename : /XLD/Mark Helias - 1998 - Fictionary [FLAC]/07 Haymaker.flac
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No errors occurred
End of status report
Код:
TITLE "Fictionary"
PERFORMER "Mark Helias"
REM GENRE "Jazz"
REM DATE "1998"
REM DISCID 6D0CDB07
REM REPLAYGAIN_ALBUM_GAIN -2.21 dB
REM REPLAYGAIN_ALBUM_PEAK 0.902374
FILE "01 The Comb Over.flac" WAVE
  TRACK 01 AUDIO
    TITLE "The Comb Over"
    REM REPLAYGAIN_TRACK_GAIN -2.47 dB
    REM REPLAYGAIN_TRACK_PEAK 0.893066
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Looking Up From Heaven"
    REM REPLAYGAIN_TRACK_GAIN 0.17 dB
    REM REPLAYGAIN_TRACK_PEAK 0.824127
    INDEX 00 09:39:22
FILE "02 Looking Up From Heaven.flac" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Hands Down"
    REM REPLAYGAIN_TRACK_GAIN -1.70 dB
    REM REPLAYGAIN_TRACK_PEAK 0.867889
    INDEX 00 06:20:11
FILE "03 Hands Down.flac" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Fictionary*"
    REM REPLAYGAIN_TRACK_GAIN -1.62 dB
    REM REPLAYGAIN_TRACK_PEAK 0.898132
    INDEX 00 10:50:48
FILE "04 Fictionary_.flac" WAVE
    INDEX 01 00:00:00
FILE "05 Area 51_.flac" WAVE
  TRACK 05 AUDIO
    TITLE "Area 51*"
    REM REPLAYGAIN_TRACK_GAIN -2.97 dB
    REM REPLAYGAIN_TRACK_PEAK 0.902374
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Douglas Fir*"
    REM REPLAYGAIN_TRACK_GAIN 0.47 dB
    REM REPLAYGAIN_TRACK_PEAK 0.798462
    INDEX 00 10:47:65
FILE "06 Douglas Fir_.flac" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Haymaker"
    REM REPLAYGAIN_TRACK_GAIN -2.81 dB
    REM REPLAYGAIN_TRACK_PEAK 0.879028
    INDEX 00 02:26:73
FILE "07 Haymaker.flac" WAVE
    INDEX 01 00:00:00
This premiere US release (and GM debut) has captured the electricity of Mark Helias’s live performance prowess at two different Dutch music festivals in 1995 (the Groningen Jazz Festival) and 1996 (Nijmegen Music Meeting). Helias is joined by NYC downtown’s Mark Feldman (violin), Ellery Eskelin (tenor) and drummers Tom Rainey or Mike Sarin in a setting of compositions that exude balance and form, rhythmic interaction, odd metrical sub-divisions and open form improvisation.
A veteran of many groups including those led by such masters as Anthony Davis, Don Cherry, Cecil Taylor, Ray Anderson and Anthony Braxton, Helias’s present quintet has been praised by Pulse! magazine for its ability to “slide across musical planes with the kind of witty, graceful inevitability that bespeaks well-honed craft and an ever more recognizable voice.”
http://www.gmrecordings.com/gm3037.htm
Mark Helias: Fictionary
By JIM SANTELLA, Published: September 1, 1998
A creative composer and bassist, Mark Helias gathers familiar harmonies and fresh melodies, combines them with checkered rhythms, and produces music guaranteed to hold your interest. Fictionary was recorded at performances in the Netherlands for the Groningen Jazz Festival and the Nijmegen Music Meeting in 1995 and '96, respectively. The quartet, which combines Ellery Eskelin's tenor saxophone with Mark Feldman's violin, Helias' bass, and drums, is aptly named Attack The Future. Tom Rainey was the drummer for the 1995 appearance; Mike Sarin for the latter ( You can find background information at http://home.earthlink.net/~radiolegs/ ).
Each of these compositions are by Helias, who slides and bends notes on his bass to express melodies that linger and form pleasant group interaction. "Fictionary" is a slow dramatic piece that emphasizes the artists' interplay. Rainey's percussion marks are syncopated and varied enough to keep the ensemble loose while the others maintain a lyrical team approach. "Area 51" incorporates space and fresh creative expression, while "Douglas Fir" wafts gently with stoic charm. At times the creativity boils over into loud rants, but Helias' walking bass is always there to return a sense of swing and normalcy. The gentle ballad "Looking Up From Heaven" includes lyrical solo work from Helias and Feldman. Their stringed instruments are expressive and infer a Third Stream connection.
"Hands Down" is a lively dance number from the European tradition that allows time for Eskelin and Feldman to stretch out. The saxophonist pushes the envelope with confidence, while the violinist offers virtuoso-like melodies. The quartet offers a fusion of dramatic European dance music with creative improvisation. Highly recommended.
This is a rather intriguing program, taken from a pair of Mark Helias Quartet performances at European festivals. Bassist Helias is an underrated composer, and, of his seven originals, the lyrical "Looking Up from Heaven" is one that deserves to be covered by others. Tenor saxophonist Ellery Eskelin's forceful flights contrast well with violinist Mark Feldman's more grounded (but no less explorative) improvisations. The drummers (Mike Sarin is on four numbers, while Tom Rainey is on the other three) are supportive and stimulating. The music overall has strong melodies and plots, with the freer sections being logical outgrowths of the themes. Although two of the seven selections ("Hands Down" and "Area 51") are over ten minutes long, none of the performances overstay their welcome, and some are quite concise. The blend between the instruments (particularly the violin and the tenor) is quite appealing, and the music is never predictable, yet is ultimately logical. A continually fascinating set of surprising music. ~ Scott Yanow
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