]George Duke - Three Originals (1993) [FLAC] {Originals from 1975-76} Жанр: Jazz-Pop, Crossover Jazz Дата записи: 1974 - 1976 Дата выпуска: 1993 Производитель диска, страна: MPS 519 198-2 Тип: Compilation Аудио кодек: FLAC Тип рипа: (tracks) - Macintosh ripped Битрейт аудио: lossless Включает: Full artwork, jpg Продолжительность: 60:02 + 58:33 Источник: torrent Трэклист: CD 1: I Love The Blues, She Heard My Cry All songs by George Duke except: "Sister Serene" by Leon 'Ndugu' Chancier and "Mashavu" by Emil Richards Recorded: 1974 - (P) 1975 MPS Records (MPS 15.459) 1. Chariot 2:58 2. Look Into Her Eyes 3:24 3. Sister Serene 4:30 4. That's What She Said 4:29 5. Mashavu 1:48 6. Rokkinrowl, I Don't Know 3:25 7. Prepare Yourself 5:26 8. Giant Child Within Us - Ego 6:37 9. Someday 2:40 10. Love The Blues, She Heard My Cry 5.26 The Aura Will Prevail All songs by George Duke except "Echidna's Arf" by Frank Zappa and "Uncle Remus" by George Duke & Frank Zappa Recorded: January 1975 - (P) 1975 MPS Records (MPS 15.448) 11. Dawn 4:54 12. For Love (I Came Your Friend) 4:34 13. Foosh 3:08 14. Floop De Loop 6:43 CD 2: 1. Malibu 4.07 2. Fools 4:29 3. Echidna's Arf 3:33 4. Uncle Remus 5:09 5. The Aura 1:26 Liberated Fantasies All songs by George Duke except "Don't Be Shy" by George Duke & S. Reed, "Back To Where We Never Left" by George Duke & Leon 'Ndugu' Chancier and "I C'n Hear That" by George Duke, Leon 'Ndugu' Chancier, Alphonso Johnson & Airto Moreira. Recorded: January 1976 - (P) 1976 MPS Records (MPS 15.474) 6. Don't Be Shy 2.58 7. Seeing You 4:30 8. Back To Where We Never Left 6:28 9. What The... 0.33 10. Tryin' & Cryin' 5:25 11. I On Hear That 5:/8 12. After The Love 2:30 13. Tzina (Excerpts From Act II Scene II) 2:30 14. Liberated Fantasies 9:37 Состав: I Love The Blues, She Heard My Cry George Duke - keyboards (except 5, 10), vocals (2, 6, 7, 9, 10) Leon 'Ndugu' Chancier - drums (except 5, 10) Tom Fowler - bass (1, 6) Lee Ritenour - guitar (1, 6, 8) Flora Purim - vocals (2) Byron Miller-bass (2, 3,4, 7) George Johnson - guitar (2, 7) Airto Moreira - percussion (2, 4) Daryl Stuermer - guitar (4) Emil Richards - marimba (4), percussion (5) John Wittenberg - violin (4, 8) Janet Ferguson Hoff - voice (6) Ruth Underwood - marimba, gongs, percussion (8) Bruce Fowler - trombone (8) Johnny 'Guitar' Watson - vocals, guitar (10) Leon 'Ndugu' Chancier, Debra Fay, Pat Norris, Chris Norris, Donna Correa, Larry Robinson & Roger Dollarhide - background vocals (10) The Aura Will Prevail George Duke - keyboards, electronics, vocals, moog bass (3, 7) Leon 'Ndugu' Chancier - drums, congas, mystery voice (2), vocal (5) Alphonso 'Slim' Johnson - bass (except 3, 7) Airto Moreira - percussion (1, 5) Sylvia St. James, Kathy Woehrle & Gee Janzen - vocals (5) Liberated Fantasies George Duke - keyboards, vocals Embamba - bass Leon 'Ndugu' Chancier - drums, vocal (9) Napoleon Murphy Brock - lead vocal (5), background vocal (2, 9) Janet Ferguson Hoff - background vocal (2) Bonnie Bowdon Amaro - vocal (7, 9) David Amaro - acoustic guitar (7) Daryl Stuermer - guitar (5, 9) George Johnson - guitar (1) Ruth Underwood - voice of riddle (4) Rashid Duke -vocal (4) Emil Richards - marimba (6) Airto Moreira - percussion (6, 7, 9)
THE AURA HAS PREVAILED "I thinк that one should be constantly renewing their goals, otherwise it's easy to get stagnant. I always want to find something else to do. Once you're successful at one thing, then it's good to move on to another challenge", George Duke explained in a 1984 Down Beat interview. A glance at his resume up to now suggests that George Duke has succeeded in whatever musical context he searched for new challenges: as a session player in demand he played straightahead jazz with Cannonbal! Adderley, Harry 'Sweets' Edison, and Sonny Rollins; he explored the realms of fusion and funk side by side with Jean-Luc Ponty, Billy Cobham, and Stanley Clarke; and - to make it brief - worked as a musician and / or producer with almost everyone from A to Z in any possible (and impossible) style-from Joan Armatrading to Frank Zappa, playing avantgarde jazz as well as zany rock; one of the pinnacles of Duke's astounding career being probably the cooperation with the late Miles Davis on his albums "Tutu" and "Amandla". George Duke started his professional career as leader of a house band (also featuring the at that time unknown singer Al Jarreau) which accompanied giants such as Dizzy Gillespie or Dexter Gordon at San Francisco's Half Note jazz club. In 1966, while still studying at the San Francisco Conservatory of Music, Duke was discovered at the Jazz Workshop, another San Francisco jazz club, by the German producer Hans Georg Brunner-Schwer, who actually wanted to attend a concert of the Les McCann Trio. As a matter of luck the producer caught a gig by the George Duke Quartet instead, and so the then 20-year-old pianist got the chance to debut with his jazz group on Brunner-Schwer's MPS label. Although in retrospect neither George Duke himself nor Brunner-Schwer consider this debut album an artistic revelation, it paved the way for years of cooperation which yielded a whole string of more interesting records. Duke, however, took the chance of exposing his talents and pushed his career on higher levels. Following a prestigious engagement with trumpeter Don Ellis' progressive big band, George Duke teamed up with French violinist Jean-Luc Ponty, through whom he met Frank Zappa, who should have a major influence on his further musical development. From 1970 to 1975, interrupted only by a two-year interlude with Cannonball Adderley, by George Duke performed and recorded with various Frank Zappa ensembles. During his time with what was probably the Mothers Of Invention's most popular line-up, Duke became acquainted with rock & roll (check out his ironic reflection in "Rokkinrowl") and electric keyboards. As a pioneer of the rather new technology of synthesizers, George Duke has to be mentioned in the same breath as Chick Corea, Joe Zawinul, Herbie Hancock, Don Preston, Jan Hammer, and Sun Ra. From being a "too serious" and "straitlaced black-tie jazz player", as he considered himself retrospectively in 1984, he developed into a humorous and open-minded musical frontier crosser. During these years George Duke formed his own voice in music: a unique melange of profound instrumental skills and soulful vocals with a fine sense for ear-catching melodies and э refreshing touch of ironic wit. The three albums presented in this two-cd edition had been recorded towards the end of Duke's second period with Frank Zappa, which produced classics such as "Overnite Sensation", "Apostrophe(')", "Roxy And Elsewhere", and "One Size Fits AM", and feature the Zappa alumni Ruth Underwood, Tom and Bruce Fowler, Napoleon Murphy Brock, Emil Richards, and Janet Ferguson Hoff, who were joined by some of the finest fusion musicians of that time: Brazilian expatriates Airto Moreira and Flora Purim, West Coast cat Lee Ritenour, Santana's drummer Leon 'Ndugu' Chancier, session cracks Alphonso Johnson and Daryl Stuermer, as well as Johnny 'Guitar' Watson. The music of "I Love The Blues, She Heard My Cry", "The Aura Will Prevail", and "Liberated Fantasies" is both reflecting the influence Frank Zappa's freaked-out stuff had on George Duke and indicating the keyboardists later dedication to fusion, funk, and soul music. "Uncle Remus" and "Echidna's Arf", songs which had been released previously by Zappa on "Apostrophe(')" and "Roxy And Elsewhere" respectively, display most obviously George Duke's Mothers (Of Invention) fixation. But you can also detect the distinct influence of Zappa's compositional signature in Duke's own "That's What She Said", a complex, polyrhythmic tune featuring Emil Richards' wizardry on marimba and the violin of John Wittenberg, standing in for the Mothers' protagonists Ruth Underwood and Jean-Luc Ponty. "The funkiness of my music is the blackness of my music", said George Duke. What he meant that becomes apparent in funky tunes like "Prepare Yourself", "Don't Be Shy", or the gospel-inspired "Chariot", which also recalls James 'Blood' Ulmer's saying that "jazz is the teacher, funk is the preacher". But the name of George Duke stands for stylistic versatility. "Rokkinrowl" offers a rare opportunity to catch Lee Ritenour playing on his rocking edge. The airy fusion of "Look Into Her Eyes" or "I C'n Hear That" is reminiscent of early Return To Forever recordings. Then there are dreamy ballads like "Sister Serene", "Fools", and "Seeing You", or a soulful blues duet by George Duke and Johnny 'Guitar' Watson on "I Love The Blues, She Heard My Cry". The smooth "After The Love" and sparkling sambas like "Malibu" or "Liberated Fantasies" add some Brazilian flavor to these recordings. Little drolleries such as Emil Richards' solo percussion performance "Mashavu" or "What The ..." seem to be nonsense for nonsense's sake. If you listen to these recordings you can get more than just an idea of the various talents of George Duke. But talking about him and his music means talking about fun, too. Because George Duke always enjoyed taking his chance to smuggle in some surprising absurdity into a love song, a ballad, a whatever. And ... ain't this what living {and making music) is really all about?
Combined LOG.txt Artwork\Booklet1.jpg Artwork\Booklet2.jpg Artwork\Booklet3.jpg Artwork\Booklet4.jpg Artwork\Booklet5.jpg Artwork\Booklet6.jpg Artwork\Tray Back.jpg Artwork\Tray Front.jpg CD1\01 Chariot.flac CD1\02 Look Into Her Eyes.flac CD1\03 Sister Serene.flac CD1\04 That's What She Said.flac CD1\05 Mashavu.flac CD1\06 Rokkinrowl, I Don't Know.flac CD1\07 Prepare Yourself.flac CD1\08 Giant Child Within Us - Ego.flac CD1\09 Someday.flac CD1\10 I Love The Blues, She Heard My Cry.flac CD1\11 Dawn.flac CD1\12 For Love (I Come Your Friend).flac CD1\13 Foosh.flac CD1\14 Floop De Loop.flac CD1\fingerprint.ffp.txt CD1\LOG.txt CD1\tau.txt CD2\01 Malibu.flac CD2\02 Fools.flac CD2\03 Echidna's Arf.flac CD2\04 Uncle Remus.flac CD2\05 The Aura.flac CD2\06 Don't Be Shy.flac CD2\07 Seeing You.flac CD2\08 Back To Where We Never Left.flac CD2\09 What The....flac CD2\10 Tryin' & Cryin'.flac CD2\11 I C'n Hear That.flac CD2\12 After The Love.flac CD2\13 Tzina (Excerpts From Act II Scene II).flac CD2\14 Liberated Fantasies.flac CD2\fingerprint.ffp.txt CD2\LOG.txt CD2\tau.txt
1911368132 31653260 01 Chariot.wav 2982822797 36202028 02 Look Into Her Eyes.wav 1636593097 48058460 03 Sister Serene.wav 2242951996 47515148 04 That's What She Said.wav 676073031 19380524 05 Mashavu.wav 2444802231 36655964 06 Rokkinrowl, I Don't Know.wav 371305429 57823964 07 Prepare Yourself.wav 1670303348 70261340 08 Giant Child Within Us - Ego.wav 1935355983 28122908 09 Someday.wav 2098677987 57442940 10 I Love The Blues, She Heard My Cry.wav 3464750486 52049804 11 Dawn.wav 3329183091 49608428 12 For Love (I Come Your Friend).wav 2361381894 34017020 13 Foosh.wav 1460214296 71841884 14 Floop De Loop.wav auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01 Chariot.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [02 Look Into Her Eyes.wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Processing file: [03 Sister Serene.wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Processing file: [04 That's What She Said.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [05 Mashavu.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [06 Rokkinrowl, I Don't Know.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [07 Prepare Yourself.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [08 Giant Child Within Us - Ego.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [09 Someday.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [10 I Love The Blues, She Heard My Cry.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [11 Dawn.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [12 For Love (I Come Your Friend).wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [13 Foosh.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [14 Floop De Loop.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100%
227799919 43751948 01 Malibu.wav 1240872490 48757004 02 Fools.wav 3395796880 38220044 03 Echidna's Arf.wav 2030707991 54879260 04 Uncle Remus.wav 740803235 15598508 05 The Aura.wav 2291444892 31881404 06 Don't Be Shy.wav 1771632444 47823260 07 Seeing You.wav 924709498 68125724 08 Back To Where We Never Left.wav 1191895478 5774204 09 What The....wav 37911844 61457804 10 Tryin' & Cryin'.wav 4249191595 56236364 11 I C'n Hear That.wav 211624671 26923388 12 After The Love.wav 2411954889 26471804 13 Tzina (Excerpts From Act II Scene II).wav 2837542048 99078044 14 Liberated Fantasies.wav auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01 Malibu.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [02 Fools.wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Processing file: [03 Echidna's Arf.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [04 Uncle Remus.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [05 The Aura.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [06 Don't Be Shy.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [07 Seeing You.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [08 Back To Where We Never Left.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [09 What The....wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [10 Tryin' & Cryin'.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [11 I C'n Hear That.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [12 After The Love.wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Processing file: [13 Tzina (Excerpts From Act II Scene II).wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [14 Liberated Fantasies.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100%
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