[TR24][OF] Munchner Rundfunkorchester, Peter Dijkstra - Arvo Part: Te Deum - 2015 (Classical sacred) WEB

01 - Te Deum
02 - Wallfahrtslied / Pilgrims' Song
03 - Kyrie
04 - Gloria
05 - Dopo la vittoria
06 - Credo
07 - Sanctus
08 - Agnus Dei

foobar2000 1.3.8 / Dynamic Range Meter 1.1.1
log date: 2015-07-10 21:01:22
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Analyzed: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester, Peter Dijkstra / Pärt: Te Deum
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DR Peak RMS Duration Track
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DR13 -2.21 dB -21.67 dB 31:25 01-Te Deum
DR12 -4.48 dB -21.75 dB 8:18 02-Wallfahrtslied / Pilgrims’ Song
DR15 -4.22 dB -29.04 dB 3:30 03-Kyrie
DR12 -1.48 dB -18.63 dB 4:10 04-Gloria
DR14 -0.20 dB -21.48 dB 9:42 05-Dopo la vittoria
DR13 -1.95 dB -19.19 dB 4:18 06-Credo
DR12 -13.14 dB -30.05 dB 3:24 07-Sanctus
DR12 -12.71 dB -31.52 dB 2:23 08-Agnus Dei
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Number of tracks: 8
Official DR value: DR13
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1202 kbps
Codec: FLAC
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München, Prinzregententheater: Te Deum, Wallfahrtslied (13./15.02.2014), Berliner Messe (23./25.02.2012)
München, Herkulessaal der Residenz: Dopo la vittoria (11./13.07.2012)

Product Description
On this latest BR-KLASSIK recording of sacred music by Estonian composer Arvo Pärt (b. 1935), the regularly award-winning Chor des Bayerischen Rundfunks, conducted by Peter Dijkstra, is joined by the Münchner Rundfunkorchester, a frequent occurrence in their concert series that regularly include sacred music from the 19th through the 21st c. The present three compositions were written in 1984 and 1990 in the composer's own tintinnabulation style of composition (from the Latin word for the 'ringing of bells'). In his Te Deum, Pärt makes a conscious departure from the traditionally powerful and festive sound of such precursors as Charpentier, Bruckner and Verdi. The restraint of the Wallfahrtslied (Pilgrims' Song), a setting of Psalm 121, evokes the ancient Judeo-Christian tradition of psalm recitation. The Berliner Messe (Berlin Mass) is so named because it was first performed in the city's St. Hedwig's Cathedral (1990) to mark the German Katholikentag (Catholics Day).
Review
"Another--thought completely contrasting--leading composer of today, showing the diverse riches our age offers. The sparse grandeur of Part's music is given fine performances." --Gramophone Editor's Choice, July 2015