(Progressive Rock) [LP] [24/96] King Crimson - 15 LP, 1970 - 1984, FLAC (tracks+.cue)

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid + Osage brush)
Ultrasonic Cleaning (40 kHz) for 30? at 45°C with Audio Desk Systeme cleaning fluid (as needed).
TURNTABLE: Dr. Feickert Woodpecker + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Dynavector DV DRT XV-1t
PHONO STAGE: Allnic H-1500 II Plus (+22 dB GAIN, charged 177 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC
CABLES:
FONO ACUSTICA ALLEGRO Interconnect Cable TS/RCA made expressly for me (for connecting phono preamp and ADC system)
SYNERGISTIC Research USB Active SE Cable with Enigma Tuning Circuits (for connecting ADC system and PC)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)
AND ALSO...
FURUTECH Destat II, Static charge remover
Onzow Zerodust (to clean the needle)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
SOFTWARE:
SoundForge Pro 10.0 (record 24/96)
Izotope RX3 Advanced (big clicks repair)
ClickRepair.
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor ClickRepair (whenever possible), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser Ree 3Q, being the difference between channels of ±0,3 db

foobar2000 1.3.3 / Dynamic Range Meter 1.1.1
log date: 2014-09-03 11:31:44
--------------------------------------------------------------------------------
Analyzed: King Crimson / In the Court of the Crimson King {UK Repress, 1970}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -0.46 dB -14.59 dB 7:19 ?-A1 21st Century Schizoid Man, Including Mirrors
DR11 -5.43 dB -19.00 dB 6:05 ?-A2 I Talk To The Wind
DR12 -2.10 dB -19.51 dB 8:48 ?-A3 Epitaph
DR14 -7.60 dB -27.20 dB 12:13 ?-B1 Moonchild
DR12 -1.26 dB -16.45 dB 9:23 ?-B2 The Court Of The Crimson King
--------------------------------------------------------------------------------
Number of tracks: 5
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2861 kbps
Codec: FLAC

SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner.
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid + Osage brush)
Ultrasonic Cleaning (40 kHz) for 30?-60' at 35°C max. with personal blend of wetting agents and surfactants.
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Dynavector DV DRT XV-1t
PHONO STAGE: Allnic H-3000 (+22 dB GAIN, charge impedance 118 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC
CABLES:
FONO ACUSTICA ALLEGRO Interconnect Cable TS/RCA made expressly for me (for connecting phono preamp and ADC system)
SYNERGISTIC Research USB Active SE Cable with Enigma Tuning Circuits (for connecting ADC system and PC)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)
AND ALSO...
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
ALLNIC Speednic
SOFTWARE:
Adobe Audition CS6 (record 24/96)
Izotope RX3 Advanced (big clicks repair)
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

foobar2000 1.3.3 / Dynamic Range Meter 1.1.1
log date: 2015-09-23 00:54:59
--------------------------------------------------------------------------------
Analyzed: King Crimson / In the wake of Poseidon {Original UK}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR10 -16.62 dB -35.32 dB 0:50 ?-A1 Peace - A Beginning
DR13 -0.46 dB -17.10 dB 8:02 ?-A2 Pictures Of A City
DR14 -6.00 dB -23.69 dB 4:36 ?-A3 Cadence And Cascade
DR13 -0.94 dB -17.32 dB 7:57 ?-A4 In The Wake Of Poseidon
DR12 -10.46 dB -28.86 dB 1:15 ?-B1 Peace - A Theme
DR13 -1.57 dB -17.63 dB 4:54 ?-B2 Cat Food
DR11 -0.64 dB -17.32 dB 11:37 ?-B3 The Devil's Triangle
DR15 -2.06 dB -23.29 dB 1:53 ?-B4 Peace - An End
--------------------------------------------------------------------------------
Number of tracks: 8
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2430 kbps
Codec: FLAC
================================================================================

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner.
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid + Osage brush)
Ultrasonic Cleaning (40 kHz) for 30′-60' at 35°C max. with personal blend of wetting agents and surfactants.
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Transfiguration Axia S
PHONO STAGE: Allnic H-3000 (+28 dB GAIN, charge impedance 70 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC
CABLES:
FONO ACUSTICA ALLEGRO Interconnect balanced Cable XLR 0,5 m (for connecting phono preamp and ADC system)
AudioQuest Cinnamon USB
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)
AND ALSO...
Onzow Zerodust stylus tip cleaner
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPhone (Dr. Feickert) speed verifier
ALLNIC Speednic
SOFTWARE:
Adobe Audition CC 2015 (record 32/96)/ASIO4ALL 2.13
Izotope RX5 Advanced (manual clicks repair)
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

foobar2000 1.3.9 / Dynamic Range Meter 1.1.0
log date: 2016-05-25 18:08:05
--------------------------------------------------------------------------------
Analyzed: King Crimson / Lizard {Original UK}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -1.13 dB -16.92 dB 6:28 ?-A1 Cirkus (Including Entry Of The Chameleons)
DR13 -1.84 dB -18.68 dB 5:38 ?-A2 Indoor Games
DR11 -1.92 dB -16.83 dB 4:24 ?-A3 Happy Family
DR12 -11.39 dB -28.95 dB 2:44 ?-A4 Lady Of The Dancing Water
DR11 -1.13 dB -18.01 dB 4:34 ?-Ba LIZARD-Prince Rupert Awakes
DR14 -1.70 dB -22.25 dB 6:39 ?-Bb LIZARD-Bolero - The Peacock's Tale
DR13 -0.27 dB -18.61 dB 10:56 ?-Bc LIZARD-The Battle Of Glass Tears (Including Dawn Song, Last Skirmish, Prince Rupert's Lament)
DR11 -2.47 dB -19.86 dB 1:07 ?-Bd LIZARD-Big Top
--------------------------------------------------------------------------------
Number of tracks: 8
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2510 kbps
Codec: FLAC
================================================================================

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid + Osage brush)
Ultrasonic Cleaning (40 kHz) for 30? at 45°C with Audio Desk Systeme cleaning fluid (as needed).
TURNTABLE: Dr. Feickert Woodpecker + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Dynavector DV DRT XV-1t
PHONO STAGE: Allnic H-1500 II Plus (+22 dB GAIN, charged 177 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC
CABLES:
FONO ACUSTICA ALLEGRO Interconnect Cable TS/RCA made expressly for me (for connecting phono preamp and ADC system)
SYNERGISTIC Research USB Active SE Cable with Enigma Tuning Circuits (for connecting ADC system and PC)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)
AND ALSO...
FURUTECH Destat II, Static charge remover
Onzow Zerodust (to clean the needle)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
SOFTWARE:
SoundForge Pro 10.0 (record 24/96)
Izotope RX3 Advanced (big clicks repair)
ClickRepair.
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor ClickRepair (whenever possible), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser Ree 3Q, being the difference between channels of ±0,3 db

foobar2000 1.3.3 / Dynamic Range Meter 1.1.1
log date: 2014-09-10 14:06:44
--------------------------------------------------------------------------------
Analyzed: King Crimson / Lizard {SPAIN Repress, 1986}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -0.83 dB -16.36 dB 6:28 ?-A1 Cirkus (Including Entry Of The Chameleons)
DR12 -0.47 dB -16.44 dB 5:39 ?-A2 Indoor Games
DR11 -0.68 dB -13.84 dB 4:24 ?-A3 Happy Family
DR12 -8.66 dB -25.13 dB 2:44 ?-A4 Lady Of The Dancing Water
DR11 -0.97 dB -16.79 dB 4:35 ?-B1 LIZARD-Prince Rupert Awakes
DR13 -0.47 dB -20.27 dB 6:37 ?-B2 LIZARD-Bolero - The Peacock's Tale
DR11 -0.45 dB -16.27 dB 10:59 ?-B3 LIZARD-The Battle Of Glass Tears
DR10 -2.42 dB -19.11 dB 1:12 ?-B4 LIZARD-Big Top
--------------------------------------------------------------------------------
Number of tracks: 8
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2628 kbps
Codec: FLAC
================================================================================

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner.
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid + Osage brush)
Ultrasonic Cleaning (40 kHz) for 30?-60' at 35°C max. with personal blend of wetting agents and surfactants.
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Transfiguration Axia S
PHONO STAGE: Allnic H-3000 (+28 dB GAIN, charge impedance 70 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC
CABLES:
FONO ACUSTICA ALLEGRO Interconnect balanced Cable XLR 0,5 m (for connecting phono preamp and ADC system)
AudioQuest Cinnamon USB
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)
AND ALSO...
Onzow Zerodust stylus tip cleaner
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPhone (Dr. Feickert) speed verifier
ALLNIC Speednic
SOFTWARE:
Adobe Audition CC 2015 (record 32/96)/ASIO4ALL 2.13
Izotope RX5 Advanced (manual clicks repair)
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

foobar2000 1.3.9 / Dynamic Range Meter 1.1.0
log date: 2016-05-18 20:19:34
--------------------------------------------------------------------------------
Analyzed: King Crimson / Islands {Original UK}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -4.23 dB -22.71 dB 10:17 ?-A1 Formentera Lady
DR14 -1.70 dB -20.08 dB 7:33 ?-A2 Sailor's Tale
DR15 -3.45 dB -25.55 dB 4:25 ?-A3 The Letters
DR14 -0.52 dB -18.59 dB 5:35 ?-B1 Ladies Of The Road
DR11 -6.06 dB -22.68 dB 4:15 ?-B2 Prelude, Song Of The Gulls
DR15 -1.43 dB -24.68 dB 11:53 ?-B3 Islands
--------------------------------------------------------------------------------
Number of tracks: 6
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2357 kbps
Codec: FLAC
================================================================================

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid + Osage brush)
Ultrasonic Cleaning (40 kHz) for 30? at 45°C with Audio Desk Systeme cleaning fluid (as needed).
TURNTABLE: Dr. Feickert Woodpecker + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Dynavector DV DRT XV-1t
PHONO STAGE: Allnic H-1500 II Plus (+22 dB GAIN, charged 177 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC
CABLES:
FONO ACUSTICA ALLEGRO Interconnect Cable TS/RCA made expressly for me (for connecting phono preamp and ADC system)
SYNERGISTIC Research USB Active SE Cable with Enigma Tuning Circuits (for connecting ADC system and PC)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)
AND ALSO...
FURUTECH Destat II, Static charge remover
Onzow Zerodust (to clean the needle)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
SOFTWARE:
SoundForge Pro 10.0 (record 24/96)
Izotope RX3 Advanced (big clicks repair)
ClickRepair.
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor ClickRepair (whenever possible), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser Ree 3Q, being the difference between channels of ±0,3 db

foobar2000 1.3.3 / Dynamic Range Meter 1.1.1
log date: 2014-09-17 13:32:23
--------------------------------------------------------------------------------
Analyzed: King Crimson / Islands {Original US}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -4.93 dB -21.72 dB 10:18 ?-A1 Formentera Lady
DR14 -0.46 dB -18.07 dB 7:32 ?-A2 Sailor's Tale
DR15 -1.75 dB -23.16 dB 4:24 ?-A3 The Letters
DR14 -1.00 dB -18.27 dB 5:35 ?-B1 Ladies Of The Road
DR11 -4.42 dB -21.46 dB 4:16 ?-B2 Prelude, Song Of The Gulls
DR14 -6.50 dB -26.34 dB 11:55 ?-B3 Islands
--------------------------------------------------------------------------------
Number of tracks: 6
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2558 kbps
Codec: FLAC
================================================================================

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner.
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid)
Ultrasonic Cleaning (45-65 kHz) for 60' at 40°C max. with personal blend of wetting agents and surfactants.
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Transfiguration Axia S
PHONO STAGE: Clear Audio Balanced Reference (charge impedance 100 ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC
CABLES:
FONO ACUSTICA ALLEGRO XLR (0,5 m)
AudioQuest Cinnamon USB
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)
AND ALSO...
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
ALLNIC Speednic
SOFTWARE:
Adobe Audition CC 2015 (record 32/96 with ASIO4ALL)
Izotope RX5 Advanced
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.

foobar2000 1.3.9 / Dynamic Range Meter 1.1.0
log date: 2016-07-29 12:11:24
--------------------------------------------------------------------------------
Analyzed: King Crimson / Larks tongues in aspic {UK}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR13 -0.31 dB -20.66 dB 13:33 ?-A1 Larks' Tongues In Aspic, Part One
DR13 -6.55 dB -24.35 dB 2:56 ?-A2 Book Of Saturday
DR12 -5.84 dB -23.00 dB 7:41 ?-A3 Exiles
DR14 -3.54 dB -22.82 dB 7:53 ?-B1 Easy Money
DR14 -5.03 dB -25.74 dB 7:26 ?-B2 The Talking Drum
DR13 -2.12 dB -20.72 dB 7:05 ?-B3 Larks' Tongues In Aspic, Part Two
--------------------------------------------------------------------------------
Number of tracks: 6
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2765 kbps
Codec: FLAC
================================================================================

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid + Osage brush)
Ultrasonic Cleaning (40 kHz) for 30?-60' at 45°C max. with personal blend of wetting agents and surfactants.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Dynavector DV DRT XV-1t
PHONO STAGE: Allnic H-1500 II Plus (+22 dB GAIN, charged 177 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC
CABLES:
FONO ACUSTICA ALLEGRO Interconnect Cable TS/RCA made expressly for me (for connecting phono preamp and ADC system)
SYNERGISTIC Research USB Active SE Cable with Enigma Tuning Circuits (for connecting ADC system and PC)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)
AND ALSO...
FURUTECH Destat II, Static charge remover
Onzow Zerodust (to clean the needle)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
SOFTWARE:
SoundForge Pro 10.0 (record 24/96)
Izotope RX3 Advanced (big clicks repair)
ClickRepair.
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor ClickRepair (whenever possible an manual mode), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

foobar2000 1.3.3 / Dynamic Range Meter 1.1.1
log date: 2014-09-26 16:12:03
--------------------------------------------------------------------------------
Analyzed: King Crimson / Larks' Tongues In Aspic {Original US}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR13 -0.40 dB -19.10 dB 13:39 ?-A1 Larks Tongues In Aspic, Part One
DR12 -5.59 dB -22.15 dB 2:59 ?-A2 Book Of Saturday
DR12 -4.45 dB -20.23 dB 7:42 ?-A3 Exiles
DR14 -0.50 dB -18.58 dB 7:53 ?-B1 Easy Money
DR13 -2.03 dB -21.53 dB 7:30 ?-B2 The Talking Drum
DR12 -1.32 dB -17.64 dB 7:12 ?-B3 Larks Tongues In Aspic, Part Two
--------------------------------------------------------------------------------
Number of tracks: 6
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3046 kbps
Codec: FLAC
================================================================================

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner.
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid + Osage brush)
Ultrasonic Cleaning (40 kHz) for 30?-60' at 35°C max. with personal blend of wetting agents and surfactants.
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Dynavector DV DRT XV-1t
PHONO STAGE: Allnic H-3000 (+22 dB GAIN, charge impedance 118 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC
CABLES:
FONO ACUSTICA ALLEGRO Interconnect Cable TS/RCA made expressly for me (for connecting phono preamp and ADC system)
SYNERGISTIC Research USB Active SE Cable with Enigma Tuning Circuits (for connecting ADC system and PC)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)
AND ALSO...
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
ALLNIC Speednic
SOFTWARE:
Adobe Audition CS6 (record 24/96)
Izotope RX3 Advanced (big clicks repair)
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

foobar2000 1.3.3 / Dynamic Range Meter 1.1.1
log date: 2015-12-22 20:58:53
--------------------------------------------------------------------------------
Analyzed: King Crimson / Red {UK, Porky}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR13 -3.53 dB -18.60 dB 6:17 ?-A1 Red
DR10 -2.49 dB -15.89 dB 6:05 ?-A2 Fallen Angel
DR11 -2.84 dB -16.61 dB 7:10 ?-A3 One More Red Nightmare
DR11 -1.18 dB -18.32 dB 8:12 ?-B1 Providence
DR12 -0.46 dB -16.75 dB 12:17 ?-B2 Starless
--------------------------------------------------------------------------------
Number of tracks: 5
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2768 kbps
Codec: FLAC
================================================================================

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER vinyl record cleaner.
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid + Osage brush)
Ultrasonic Cleaning (40 kHz) for 30?-60? at 32°C max. with personal blend of wetting agents and surfactants.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
The Clean Continuous Battery Power Supply (CBPS) Dr. Feickert for turntable
TONEARM: Reed 3Q 10,5? (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Dynavector DV DRT XV-1t
PHONO STAGE: Allnic H-3000 (+22 dB GAIN, charge impedance 177 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC
CABLES:
FONO ACUSTICA ALLEGRO Interconnect Cable TS/RCA made expressly for me (for connecting phono preamp and ADC system)
SYNERGISTIC Research USB Active SE Cable with Enigma Tuning Circuits (for connecting ADC system and PC)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)
AND ALSO…
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
SOFTWARE:
Adobe Audition CS6 (record 24/96)
Izotope RX3 Advanced (big clicks repair)
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV –> FLAC)
PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with iZotope RX), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it’s own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

foobar2000 1.3.3 / Dynamic Range Meter 1.1.1
log date: 2015-12-04 20:54:06
--------------------------------------------------------------------------------
Analyzed: King Crimson / Starless and Bible black (Original UK}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -3.70 dB -16.78 dB 4:03 ?-A1 The Great Deceiver
DR11 -2.70 dB -16.80 dB 4:06 ?-A2 Lament
DR13 -2.92 dB -20.55 dB 3:42 ?-A3 We'll Let You Know
DR12 -4.85 dB -22.13 dB 4:40 ?-A4 The Night Watch
DR13 -8.03 dB -28.10 dB 5:41 ?-A5 Trio
DR13 -5.39 dB -23.13 dB 4:06 ?-A6 The Mincer
DR12 -2.79 dB -20.76 dB 9:09 ?-B1 Starless And Bible Black
DR12 -2.95 dB -20.66 dB 11:13 ?-B2 Fracture
--------------------------------------------------------------------------------
Number of tracks: 8
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2693 kbps
Codec: FLAC
================================================================================

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
RECORD REVIRGINIZER vinyl record cleaner.
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid + Osage brush)
Ultrasonic Cleaning (40 kHz) for 30?-60' at 35°C max. with personal blend of wetting agents and surfactants.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
The Clean Continuous Battery Power Supply (CBPS) Dr. Feickert
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Dynavector DV DRT XV-1t
PHONO STAGE: Allnic H-3000 (+22 dB GAIN, charge impedance 177 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC
CABLES:
FONO ACUSTICA ALLEGRO Interconnect Cable TS/RCA made expressly for me (for connecting phono preamp and ADC system)
SYNERGISTIC Research USB Active SE Cable with Enigma Tuning Circuits (for connecting ADC system and PC)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)
AND ALSO...
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
SOFTWARE:
Adobe Audition CS6 (record 24/96)
Izotope RX3 Advanced (big clicks repair)
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

Analyzed: King Crimson / Starless And Bible Black {Original US}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -1.62 dB -16.35 dB 4:02 ?-A1 The Great Deceiver
DR11 -1.76 dB -16.61 dB 4:05 ?-A2 Lament
DR14 -3.48 dB -22.24 dB 3:42 ?-A3 We'll Let You Know
DR11 -3.92 dB -20.68 dB 4:40 ?-A4 The Night Watch
DR12 -6.60 dB -26.57 dB 5:40 ?-A5 Trio
DR13 -6.44 dB -24.20 dB 4:07 ?-A6 The Mincer
DR13 -5.50 dB -24.70 dB 9:12 ?-B1 Starless And Bible Black
DR12 -2.05 dB -19.23 dB 11:13 ?-B2 Fracture
--------------------------------------------------------------------------------
Number of tracks: 8
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2741 kbps
Codec: FLAC
===============================================

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid + Osage brush)
Ultrasonic Cleaning (40 kHz) for 30? at 45°C with Audio Desk Systeme cleaning fluid (as needed).
TURNTABLE: Dr. Feickert Woodpecker + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Dynavector DV DRT XV-1t
PHONO STAGE: Allnic H-1500 II Plus (+22 dB GAIN, charged 177 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC
CABLES:
FONO ACUSTICA ALLEGRO Interconnect Cable TS/RCA made expressly for me (for connecting phono preamp and ADC system)
SYNERGISTIC Research USB Active SE Cable with Enigma Tuning Circuits (for connecting ADC system and PC)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)
AND ALSO...
FURUTECH Destat II, Static charge remover
Onzow Zerodust (to clean the needle)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
SOFTWARE:
SoundForge Pro 10.0 (record 24/96)
Izotope RX3 Advanced (big clicks repair)
ClickRepair.
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor ClickRepair (whenever possible), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser Ree 3Q, being the difference between channels of ±0,3 db

foobar2000 1.3.3 / Dynamic Range Meter 1.1.1
log date: 2014-09-05 19:12:03
--------------------------------------------------------------------------------
Analyzed: King Crimson / Starless And Bible Black {Spanish Reissue, 1986 }
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -1.18 dB -15.64 dB 4:03 ?-A1 The Great Deceiver
DR12 -0.46 dB -15.93 dB 4:02 ?-A2 Lament
DR13 -1.72 dB -19.05 dB 3:37 ?-A3 We'll Let You Know
DR12 -6.88 dB -25.10 dB 4:45 ?-A4 The Night Watch
DR13 -8.46 dB -27.39 dB 5:34 ?-A5 Trio
DR13 -3.99 dB -22.55 dB 4:08 ?-A6 The Mincer
DR13 -2.54 dB -21.08 dB 9:14 ?-B1 Starless And Bible Black
DR12 -2.01 dB -18.47 dB 11:10 ?-B2 Fracture
--------------------------------------------------------------------------------
Number of tracks: 8
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2902 kbps
Codec: FLAC
================================================================================

RIG/EQUIPMENT:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner (if necessary).
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + goat hair brush)
ULTRASONIC CLEANING (dual 45-65 kHz) for 60' at 40°C max. with personal blend of wetting agents and surfactants
and final rinse in different ultrasonic bath at 40 Khz.
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: CLEARAUDIO Tangential TT3
CARTRIDGE: CLEARAUDIO TITANIUM V2
PHONO STAGE: Allnic H-3000 (+22 dB GAIN, charge impedance 278 Ohm)
DC SYSTEMS: Lavry AD11 ---> RME Fireface UC via cable coaxial digital OYAIDE.
CABLES:
FONO ACUSTICA ALLEGRO Interconnect balanced Cable XLR 0,5 m (for connecting phono preamp and ADC system)
AUDIOPHEELING USB Statement 0,75 m (for connecting PC and ADC system)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (2 for connecting signal from the PC to the amplifier and 2 for turntable to amplifier Hegel)
AND ALSO...
Zerostat 3 Milty
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPhone (Dr. Feickert) speed verifier
ALLNIC Speednic
The Original Dereneville-Magic-Mat
SOFTWARE:
Adobe Audition CC 2015 (record 32/96)/ASIO RME Fireface
Izotope RX5 Advanced (manual clicks repair)
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2017-07-06 21:39:40
--------------------------------------------------------------------------------
Analyzed: King Crimson / Discipline {UK}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -0.02 dB -16.35 dB 4:43 ?-A1 Elephant Talk
DR13 -1.19 dB -16.37 dB 5:12 ?-A2 Frame By Frame
DR11 -1.51 dB -15.82 dB 3:51 ?-A3 Matte Kudasai
DR12 0.00 dB -14.99 dB 4:33 ?-A4 Indiscipline
DR13 0.00 dB -15.13 dB 6:27 ?-B1 Thela Hun Ginjeet
DR13 -3.28 dB -19.50 dB 8:23 ?-B2 The Sheltering Sky
DR15 0.00 dB -17.24 dB 5:01 ?-B3 Discipline
--------------------------------------------------------------------------------
Number of tracks: 7
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2691 kbps
Codec: FLAC
================================================================================

RIG/EQUIPMENT:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner (if necessary).
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + goat hair brush)
ULTRASONIC CLEANING (dual 45-65 kHz) for 60' at 40°C max. with personal blend of wetting agents and surfactants
and final rinse in different ultrasonic bath at 40 Khz.
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: CLEARAUDIO Tangential TT3
CARTRIDGE: CLEARAUDIO TITANIUM V2
PHONO STAGE: Allnic H-3000 (+22 dB GAIN, charge impedance 278 Ohm)
DC SYSTEMS: Lavry AD11 ---> RME Fireface UC via cable coaxial digital OYAIDE.
CABLES:
FONO ACUSTICA ALLEGRO Interconnect balanced Cable XLR 0,5 m (for connecting phono preamp and ADC system)
AUDIOPHEELING USB Statement 0,75 m (for connecting PC and ADC system)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (2 for connecting signal from the PC to the amplifier and 2 for turntable to amplifier Hegel)
AND ALSO...
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPhone (Dr. Feickert) speed verifier
ALLNIC Speednic
The Original Dereneville-Magic-Mat
SOFTWARE:
Adobe Audition CC 2015 (record 32/96)/ASIO RME Fireface
Izotope RX5 Advanced (manual clicks repair)
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2017-08-18 12:02:05
--------------------------------------------------------------------------------
Analyzed: King Crimson / Beat {UK}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -0.06 dB -16.87 dB 4:23 ?-A1 Neal And Jack And Me
DR13 0.00 dB -15.80 dB 3:55 ?-A2 Heartbeat
DR13 -0.02 dB -16.14 dB 3:36 ?-A3 Sartori In Tangier
DR12 0.00 dB -13.89 dB 4:23 ?-A4 Waiting Man
DR13 -1.25 dB -16.47 dB 4:47 ?-B1 Neurotica
DR11 -2.99 dB -16.68 dB 3:23 ?-B2 Two Hands
DR12 -1.05 dB -15.90 dB 4:13 ?-B3 The Howler
DR12 -0.98 dB -17.80 dB 6:32 ?-B4 Requiem
--------------------------------------------------------------------------------
Number of tracks: 8
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2863 kbps
Codec: FLAC
================================================================================

RIG/EQUIPMENT:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner (if necessary).
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + goat hair brush)
ULTRASONIC CLEANING (dual 45-65 kHz) for 60' at 40°C max. with personal blend of wetting agents and surfactants
and final rinse in different ultrasonic bath at 40 Khz.
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: CLEARAUDIO Tangential TT3
CARTRIDGE: CLEARAUDIO TITANIUM V2
PHONO STAGE: Allnic H-3000 (+22 dB GAIN, charge impedance 278 Ohm)
DC SYSTEMS: Lavry AD11 ---> RME Fireface UC via cable coaxial digital OYAIDE.
CABLES:
FONO ACUSTICA ALLEGRO Interconnect balanced Cable XLR 0,5 m (for connecting phono preamp and ADC system)
AUDIOPHEELING USB Statement 0,75 m (for connecting PC and ADC system)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (2 for connecting signal from the PC to the amplifier and 2 for turntable to amplifier Hegel)
AND ALSO...
Zerostat 3 Milty
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPhone (Dr. Feickert) speed verifier
ALLNIC Speednic
The Original Dereneville-Magic-Mat
SOFTWARE:
Adobe Audition CC 2015 (record 32/96)/ASIO RME Fireface
Izotope RX5 Advanced (manual clicks repair)
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2017-07-07 22:13:50
--------------------------------------------------------------------------------
Analyzed: King Crimson / Three Of A Perfect Pair {UK}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -0.46 dB -16.87 dB 4:14 ?-A1 Three Of A Perfect Pair
DR14 0.00 dB -17.94 dB 3:51 ?-A2 Model Man
DR13 -3.18 dB -19.54 dB 5:20 ?-A3 Sleepless
DR15 -0.03 dB -17.53 dB 3:06 ?-A4 Man With An Open Heart
DR13 -3.24 dB -19.10 dB 4:46 ?-A5 Nuages (That Which Passes, Passes Like Clouds)
DR16 -2.38 dB -22.03 dB 7:05 ?-B1 Industry
DR14 -1.17 dB -20.15 dB 3:17 ?-B2 Dig Me
DR13 -4.05 dB -20.49 dB 3:30 ?-B3 No Warning
DR15 -0.94 dB -18.44 dB 6:04 ?-B4 Lark's Tongues In Aspic Part III
--------------------------------------------------------------------------------
Number of tracks: 9
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2752 kbps
Codec: FLAC
================================================================================