Vocal)

Список форумов » Hi-Res ФОРМАТЫ, ОЦИФРОВКИ » Hi-Res stereo и многоканальная музыка » Классика и классика в современной обработке (многоканальная музыка)

Статистика раздачи

Размер: 6.3 ГБ | | Скачали: 2

Сидеров: 12 [0 байт/сек] Личеров: 3 [0 байт/сек]

Пред. тема | След. тема

Автор

Сообщение

Гость

Michael Tilson Thomas, San Francisco Symphony
Gustav Mahler - Symphony No. 8 "Symphony of a Thousand", Symphony No. 10 (Adagio)

Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2009
Жанр: Classical/Orchestral/Choral/Vocal
Издатель (лейбл): San Francisco Symphony
Продолжительность: 01:51:49
Наличие сканов в содержимом раздачи: Буклет PDF

Треклист:
Disc 1:
01 Symphony No. 10 in F Sharp minor (Incomplete): Adagio
Gustav Mahler: Symphony No. 8 in E flat major ‘Symphony of a thousand’
Part 1.
02 Hymnus – Veni, Creator Spiritus
03 Accende Lumen Sensibus
04 Infunde Amorem Cordibus
05 Gloria Patri Domino
Disc 2:
Part 2.
01 Poco Adagio
02 Waldung, Sie Schwankt Heran
03 Ewiger Wonnebrand
04 Wie Felsenabgrund Mir Zu Füssen
05 Gerettet Ist Das Edle Glied
06 Hier Ist Die Aussicht Frei
07 Dir, Der Unberührbaren
08 Du Schwebst Zu Höhen
09 Bei Dem Bronn, Zu Dem Schon Weiland
10 Komm, Hebe Dich Zu Höhern Sphären
11 Blicket Auf
12 Alles Vergängliche

Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.0, 2.0

Доп. информация: SFO 821936-0021-2 (2008)
2x SACD rip via PS3 to 2x iso (6.3GB)
Источник (релизер): ManWhoCan (PS³SACD)
http://sa-cd.net/showtitle/6058
Оркестр: San Francisco Symphony
Композитор: Gustav Mahler
Дирижер: Michael Tilson Thomas (conductor)

Erin Wall
Eliza van den Heever
Laura Claycomb
Katarina Karneus
Yvonne Naef
Anthony Dean Griffey
Quinn Kelsey
James Morris
San Francisco Symphony Chorus
San Francisco Girls Chorus
Pacific Boychoir

Код:

foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта:  2018-01-10 15:53:46
--------------------------------------------------------------------------------
Анализ:   San Francisco Symphony - Michael Tilson Thomas, cond. / Gustav Mahler: Symphony No. 10 - Symphony No. 8 in E-flat Major - Part I
--------------------------------------------------------------------------------
DR         Пики         RMS           Продолжительность трека
--------------------------------------------------------------------------------
DR16       0.00 дБ   -25.18 дБ     27:57 01-Symphony No. 10 I. Adagio
DR14      -5.82 дБ   -24.58 дБ      7:28 02-Symphony No. 8 in E-flat Major Part I. - I. Hymnus - Veni, creator spiritus
DR12     -12.07 дБ   -25.72 дБ      4:29 03-II. Accende lumen sensibus
DR14      -3.29 дБ   -22.36 дБ      8:56 04-III. Infunde amorem cordibus
DR13      -3.63 дБ   -21.01 дБ      2:38 05-IV. Gloria Patri Domino
--------------------------------------------------------------------------------
Количество треков: 5
Реальные значения DR: DR14
Частота:   2822400 Гц / Частота PCM: 352800 Гц
Каналов:   5
Разрядность:   24
Битрейт:   14112 кбит/с
Кодек:   DST64
================================================================================
--------------------------------------------------------------------------------
Анализ:   San Francisco Symphony - Michael Tilson Thomas, cond. / Gustav Mahler: Symphony No. 10 - Symphony No. 8 in E-flat Major - Part I
--------------------------------------------------------------------------------
DR         Пики         RMS           Продолжительность трека
--------------------------------------------------------------------------------
DR17      -4.89 дБ   -24.71 дБ     27:57 01-Symphony No. 10 I. Adagio
DR14      -6.60 дБ   -23.96 дБ      7:28 02-Symphony No. 8 in E-flat Major Part I. - I. Hymnus - Veni, creator spiritus
DR12     -11.99 дБ   -25.66 дБ      4:29 03-II. Accende lumen sensibus
DR14      -3.25 дБ   -20.93 дБ      8:56 04-III. Infunde amorem cordibus
DR12      -3.83 дБ   -19.65 дБ      2:38 05-IV. Gloria Patri Domino
--------------------------------------------------------------------------------
Количество треков: 5
Реальные значения DR: DR14
Частота:   2822400 Гц / Частота PCM: 352800 Гц
Каналов:   2
Разрядность:   24
Битрейт:   5645 кбит/с
Кодек:   DST64
================================================================================
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта:  2018-01-10 16:31:34
--------------------------------------------------------------------------------
Анализ:   San Francisco Symphony - Michael Tilson Thomas, cond. / Gustav Mahler: Symphony No. 8 in E-flat Major - Part II
--------------------------------------------------------------------------------
DR         Пики         RMS           Продолжительность трека
--------------------------------------------------------------------------------
DR13     -10.53 дБ   -25.34 дБ     11:13 01-Part II - I. Poco Adagio
DR13     -11.07 дБ   -25.90 дБ      4:58 02-II. Waldung, sie schwankt heran
DR13      -9.17 дБ   -25.52 дБ      1:15 03-III. Ewiger Wonnebrand
DR13      -7.93 дБ   -24.81 дБ      4:36 04-IV. Wie Felsenabgrund mir zu Fuessen
DR14      -7.29 дБ   -25.27 дБ      5:40 05-V. Gerettet ist das edle Glied
DR13       0.00 дБ   -25.47 дБ      4:20 06-VI. Hier ist die Aussicht frei
DR13     -10.53 дБ   -25.74 дБ      5:02 07-VII. Dir, der Unberuehrbaren
DR12      -9.53 дБ   -25.67 дБ      1:19 08-VIII. Du schwebst zu Hoehen
DR14      -8.25 дБ   -25.37 дБ      7:59 09-IX. Bei dem Bronn, der schon weiland
DR12     -12.83 дБ   -25.95 дБ      1:17 10-X. Komme, hebe dich zu hoehern Sphaeren
DR13      -8.18 дБ   -25.02 дБ      6:33 11-XI. Blicket auf
DR13      -3.10 дБ   -22.26 дБ      6:14 12-XII. Alles Vergaengliche
--------------------------------------------------------------------------------
Количество треков: 12
Реальные значения DR: DR13
Частота:   2822400 Гц / Частота PCM: 352800 Гц
Каналов:   5
Разрядность:   24
Битрейт:   14112 кбит/с
Кодек:   DST64
================================================================================
--------------------------------------------------------------------------------
Анализ:   San Francisco Symphony - Michael Tilson Thomas, cond. / Gustav Mahler: Symphony No. 8 in E-flat Major - Part II
--------------------------------------------------------------------------------
DR         Пики         RMS           Продолжительность трека
--------------------------------------------------------------------------------
DR13     -10.44 дБ   -25.09 дБ     11:13 01-Part II - I. Poco Adagio
DR12     -12.99 дБ   -25.88 дБ      4:58 02-II. Waldung, sie schwankt heran
DR12     -11.96 дБ   -25.36 дБ      1:15 03-III. Ewiger Wonnebrand
DR13      -8.21 дБ   -24.12 дБ      4:36 04-IV. Wie Felsenabgrund mir zu Fuessen
DR14      -6.98 дБ   -25.01 дБ      5:40 05-V. Gerettet ist das edle Glied
DR14     -10.13 дБ   -25.43 дБ      4:20 06-VI. Hier ist die Aussicht frei
DR13      -8.01 дБ   -25.68 дБ      5:02 07-VII. Dir, der Unberuehrbaren
DR13     -11.02 дБ   -25.52 дБ      1:19 08-VIII. Du schwebst zu Hoehen
DR15      -8.37 дБ   -25.10 дБ      7:59 09-IX. Bei dem Bronn, der schon weiland
DR12     -12.83 дБ   -25.90 дБ      1:17 10-X. Komme, hebe dich zu hoehern Sphaeren
DR13      -7.80 дБ   -24.69 дБ      6:33 11-XI. Blicket auf
DR13      -3.96 дБ   -21.62 дБ      6:14 12-XII. Alles Vergaengliche
--------------------------------------------------------------------------------
Количество треков: 12
Реальные значения DR: DR13
Частота:   2822400 Гц / Частота PCM: 352800 Гц
Каналов:   2
Разрядность:   24
Битрейт:   5645 кбит/с
Кодек:   DST64
================================================================================

Michael Tilson Thomas is among today’s foremost interpreters of Mahler, & critic Mark Swed, writing in the Los Angeles Times, has called MTT & the San Francisco Symphony Orchestra “The most exciting Mahler combination anywhere right now”.
Mahler was given to large public statements, & his 7th Symphony is the most extravagant of these. At the same time, its many moments of tenderness & intimacy look ahead to the music he was still to write, Das Lied von der Erde, the 9th Symphony, & the impassioned Adagio from the work left uncompleted when he died, the 10th Symphony.
On this recording, we encounter the most expansive music Mahler wrote, alongside a work of deep introspection.
Goethe’s Faust is a recklessly inclusive composition, to which Mahler must have looked as he planned his own unprecedentedly global symphonies. In his 8th, joining Faust to Veni, creator spiritus—linking the complexities of Goethe’s humanism to the question-less faith of an 8th century Christian hymn—Mahler sought to create a similarly encompassing work.
It was not with Faust that the 8th Symphony began. In June 1906, when Mahler arrived at Maiernigg on Lake Wörth in Southern Austria, where he had bought a plot of land, he had no ideas for a new composition. Then, on the 1st day he went to his studio, the Spiritus creator suddenly took hold of him & drove him on for the next 8 weeks until the greatest part of his work was done. He was quick to perceive that Veni, creator spiritus was but a beginning, that he dared tackle that Holy of Holies in German literature, the final scene of Faust, & that the bridge between the texts was to be found in the 3rd stanza of the hymn: “Ignite our Reason with Light/Fill our hearts with Love.” Mahler then worked with astonishing speed, sketching between June & August 1906 completing the score the next summer.
AllMusic:
In spite of its small flaws, this is undeniably a great performance of Mahler’s 8th. It has the right balance of line & harmony, the right feel for mass & momentum, the right sense of being in & of the moment, & above all, the sheer audacity to pull off the whole mighty & monumental work. Conductor Michael Tilson Thomas is not quite as precise as he should be at every point in the score. Some entrances are not exact, some sonorities are not properly balanced, & some tempo relationships are not as tight as they could be. But these are small flaws in comparison with the greatness of Tilson Thomas’ conception & the magnificence of his execution. Similarly, the San Francisco Symphony is not quite as together as they could be in every bar of the piece. There are slips in ensemble, as well as the occasional flub that such virtuoso writing orchestral can cause in even the best bands. But again, the tremendous verve & enormous power the San Francisco musicians bring to the music more than make up for their few mistakes.
High praise goes to James Morris for his stentorian bass, & to Erin Wall for her clarion soprano, but another soloist’s diction is on-again, off-again. The San Francisco Symphony Chorus deserves cheers for its strength & agility, as do the children’s choruses for their purity of tone, but both groups have occasional intonation problems. The weaknesses, though, are insignificant in the face of the sweep & grandeur of the total performance, which grabs listeners from the 1st bar & doesn’t let go until they are left, starry-eyed & laughing, at the last ringing chord of the final Chorus Mysticus.
This great 8th is paired on the recording with a reading of the opening movement of Mahler’s 10th that makes its composer sound like a self-pitying, self-absorbed weakling. That such a puny & pusillanimous account comes before the 1st movement of the 7th in the program is deeply regrettable.
Played back on a standard stereo system, the performance sounds dim & distant unless turned up to the highest volume, & even then it’s not significantly better. When it’s played on a quadraphonic super-audio system, however, the performers seem to step into your living room, or, put another way, they’re inviting you to step into their concert hall.
TheGuardian:
It has taken Michael Tilson Thomas & the San Francisco Symphony 8 years to work their way through the Mahler canon, & this final installment, like all its predecessors taken from concerts in Davis Symphony Hall, San Francisco, more or less confirms the strengths & weaknesses of the cycle as a whole. Very much on the plus side are the superlative orchestral playing, which is as consistently fine & well integrated as in any Mahler cycle currently available on disc, & the exceptional dynamic range & refinement of the recorded sound, which is demonstrated even more spectacularly than before in the grandeur & aural spectacle of the choral 8th. Doubts linger, though, about Tilson Thomas’s conducting, whose objectivity seems intended to contrast as much as possible with the heart-on-sleeve approach to Mahler epitomised by Leonard Bernstein. Sometimes Tilson Thomas is just too cool & detached for this most subjective & self-referential of great composers; there’s a whole tragic dimension missing to the gloriously played account of the 1st movement of the 10th Symphony that prefaces the main work here, while the 8th lacks dramatic power in the 1st part, & the gathering sense of inwardness in the 2nd, however beautifully balanced & lucid it all is musically.

Правила, инструкции, FAQ!!!

Торрент

Скачать торрент

[ Размер 32.39 КБ / Просмотров 13 ]

Статус

Проверен

Размер

6.3 ГБ

Приватный:

Нет (DHT включён)

.torrent скачан

Как залить торрент? | Как скачать Torrent? | Ошибка в торренте? Качайте магнет

Страница 1 из 1

Сейчас эту тему просматривают: нет зарегистрированных пользователей и гости: 1

Вы не можете начинать темы
Вы не можете отвечать на сообщения
Вы не можете редактировать свои сообщения
Вы не можете удалять свои сообщения
Вы не можете добавлять вложения

Перейти:

Ресурс не предоставляет электронные версии произведений, а занимается лишь коллекционированием и каталогизацией ссылок, присылаемых и публикуемых на форуме нашими читателями. Если вы являетесь правообладателем какого-либо представленного материала и не желаете чтобы ссылка на него находилась в нашем каталоге, свяжитесь с нами и мы незамедлительно удалим её. Файлы для обмена на трекере предоставлены пользователями сайта, и администрация не несёт ответственности за их содержание. Просьба не заливать файлы, защищенные авторскими правами, а также файлы нелегального содержания!

Пользовательское соглашение | Для правообладателей | Реклама на сайте