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[TR24][OF] Jimmy Smith - The Complete Verve Singles - 2016 (Jazz, Blues, Soul Jazz, Hard Bop, Jazz-Funk)

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Jimmy Smith / The Complete Verve Singles
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2016
Жанр: Jazz, Blues, Soul Jazz, Hard Bop, Jazz-Funk
Издатель(лейбл): Verve Reissues
Продолжительность: 02:36:46
Наличие сканов в содержимом раздачи: Front
Источник (релизер):
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0

01. Ol' Man River (02:52)
02. Bashin' (02:39)
03. Step Right Up (Pt. 1 & Pt. 2) (04:14)
04. Walk On The Wild Side (Pt. 1) (02:37)
05. Walk On The Wild Side (Pt. 2) (03:38)
06. Walk Right In (02:17)
07. Blueberry Hill (02:14)
08. Hobo Flats (Pt. 1) (02:38)
09. Hobo Flats (Pt. 2) (02:37)
10. Theme From "Any Number Can Win" (02:12)
11. What I'd Say (Single Version) [feat. Kenny Burrell] (02:31)
12. Who's Afraid Of Virginia Woolf (Pt. 1) (02:38)
13. Who's Afraid Of Virginia Woolf (Pt. 2) (02:32)
14. The Cat (02:57)
15. Basin Street Blues (02:40)
16. Goldfinger (Pt. 1) (02:48)
17. Goldfinger (Pt. 2) (02:54)
18. Organ Grinder Swing (Single Version) [feat. Grady Tate] (02:17)
19. I'll Close My Eyes (Single Version) [feat. Kenny Burrell] (03:24)
20. Got My Mojo Workin' (Pt. 1) (03:00)
21. Got My Mojo Workin' (Pt. 2) (02:41)
22. Love Theme From "Where The Spies Are" (Single Version) (02:56)
23. Slow Theme From "Where The Spies Are" (Single Version) (02:38)
24. Title No. 1 (Single Version) (04:26)
25. Boom Boom (03:47)
26. Hoochie Coochie Man (Pt. 1) (02:58)
27. Hoochie Coochie Man (Pt. 2) (03:14)
28. Who Do I Love (Pt. 1) (03:06)
29. Who Do I Love (Single Edit) (02:43)
30. Cat In A Tree (Pt. 1) (02:59)
31. Cat In A Tree (Pt. 2) (02:23)
32. Funky Broadway (02:30)
33. Respect (02:18)
34. Mickey Mouse (03:22)
35. T - Bone Steak (04:58)
36. Chain Of Fools (02:37)
37. Chain Of Fools (Pt. 2/Single Edit) (02:35)
38. Mission Impossible (Single Version) (02:53)
39. The Gentle Rain (02:41)
40. By The Time I Get To Phoenix (Single Version) (02:57)
41. Groove Drops (04:16)
42. Theme From "The Night Visitor" (02:59)
43. One Bad Apple (Single Version) (02:24)
44. Ain't Too Proud To Beg (Single Version) (03:10)
45. Jimmy Smith Is A Midnight Cowboy (Single Version) (03:33)
46. Recession Or Depression (Single Edit) (02:09)
47. Sagg Shootin' His Arrow (Single Version) (02:58)
48. For Everyone Under The Sun (Single Version) (03:02)
49. Lolita (Single Version) (04:22)
50. Straight Ahead (Single Version) (03:26)
51. And I Love You So (Single Version) (04:09)
52. Ritual (Funky 5/4) (03:57)

Код:

foobar2000 1.3.14 / Dynamic Range Meter 1.1.1
log date: 2017-02-11 20:57:53
--------------------------------------------------------------------------------
Analyzed: Jimmy Smith / The Complete Verve Singles
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR9       -0.27 dB   -12.21 dB      2:52 01-Ol' Man River
DR11      -0.22 dB   -14.32 dB      2:39 02-Bashin'
DR10      -0.21 dB   -13.21 dB      4:14 03-Step Right Up (Pt. 1 & Pt. 2)
DR8        0.00 dB   -10.66 dB      2:37 04-Walk On The Wild Side (Pt. 1)
DR6        0.00 dB    -8.80 dB      3:38 05-Walk On The Wild Side (Pt. 2)
DR10      -0.14 dB   -12.65 dB      2:17 06-Walk Right In
DR10      -0.17 dB   -12.07 dB      2:14 07-Blueberry Hill
DR10       0.00 dB   -11.40 dB      2:38 08-Hobo Flats (Pt. 1)
DR9       -0.13 dB   -11.60 dB      2:37 09-Hobo Flats (Pt. 2)
DR10       0.00 dB   -11.65 dB      2:12 10-Theme From ''Any Number Can Win''
DR11      -0.06 dB   -12.35 dB      2:31 11-What I'd Say (Single Version) [feat. Kenny Burrell]
DR10      -0.30 dB   -12.38 dB      2:38 12-Who's Afraid Of Virginia Woolf (Pt. 1)
DR10      -0.24 dB   -12.59 dB      2:32 13-Who's Afraid Of Virginia Woolf (Pt. 2)
DR11      -0.24 dB   -13.22 dB      2:57 14-The Cat
DR9       -0.19 dB   -11.75 dB      2:40 15-Basin Street Blues
DR12      -0.14 dB   -15.40 dB      2:48 16-Goldfinger (Pt. 1)
DR11      -0.04 dB   -13.95 dB      2:54 17-Goldfinger (Pt. 2)
DR11      -0.11 dB   -13.75 dB      2:17 18-Organ Grinder Swing (Single Version) [feat. Grady Tate]
DR14      -0.19 dB   -18.78 dB      3:24 19-I'll Close My Eyes (Single Version) [feat. Kenny Burrell]
DR12       0.00 dB   -14.59 dB      3:00 20-Got My Mojo Workin' (Pt. 1)
DR13       0.00 dB   -15.71 dB      2:41 21-Got My Mojo Workin' (Pt. 2)
DR10      -0.01 dB   -12.84 dB      2:56 22-Love Theme From ''Where The Spies Are'' (Single Version)
DR10      -0.12 dB   -14.31 dB      2:38 23-Slow Theme From ''Where The Spies Are'' (Single Version)
DR11       0.00 dB   -13.23 dB      4:26 24-Title No. 1 (Single Version)
DR10       0.00 dB   -12.51 dB      3:47 25-Boom Boom
DR11      -0.08 dB   -13.67 dB      2:58 26-Hoochie Coochie Man (Pt. 1)
DR10       0.00 dB   -12.25 dB      3:14 27-Hoochie Coochie Man (Pt. 2)
DR10      -0.20 dB   -12.47 dB      3:06 01-Who Do I Love (Pt. 1)
DR11      -0.15 dB   -12.97 dB      2:43 02-Who Do I Love (Single Edit)
DR12      -0.29 dB   -15.42 dB      2:59 03-Cat In A Tree (Pt. 1)
DR10      -0.14 dB   -12.79 dB      2:23 04-Cat In A Tree (Pt. 2)
DR13      -0.26 dB   -15.10 dB      2:30 05-Funky Broadway
DR11      -0.25 dB   -13.05 dB      2:18 06-Respect
DR12      -0.08 dB   -14.81 dB      3:22 07-Mickey Mouse
DR13      -0.07 dB   -15.74 dB      4:58 08-T - Bone Steak
DR11      -0.36 dB   -13.49 dB      2:37 09-Chain Of Fools (Pt. 1)
DR12      -0.24 dB   -13.50 dB      2:35 10-Chain Of Fools (Pt. 2 - Single Edit)
DR11      -0.53 dB   -13.10 dB      2:53 11-Mission Impossible (Single Version)
DR11      -0.25 dB   -13.87 dB      2:41 12-The Gentle Rain
DR12      -0.16 dB   -16.07 dB      2:57 13-By The Time I Get To Phoenix (Single Version)
DR11       0.00 dB   -14.44 dB      4:16 14-Groove Drops
DR12      -0.18 dB   -17.28 dB      2:59 15-Theme From ''The Night Visitor''
DR11       0.00 dB   -13.16 dB      2:24 16-One Bad Apple (Single Version)
DR12       0.00 dB   -13.62 dB      3:10 17-Ain't Too Proud To Beg (Single Version)
DR11      -0.24 dB   -13.81 dB      3:33 18-Jimmy Smith Is A Midnight Cowboy (Single Version)
DR12      -0.15 dB   -14.20 dB      2:09 19-Recession Or Depression (Single Edit)
DR10      -0.18 dB   -12.46 dB      2:58 20-Sagg Shootin' His Arrow (Single Version)
DR11      -0.18 dB   -13.35 dB      3:02 21-For Everyone Under The Sun (Single Version)
DR12      -1.12 dB   -15.09 dB      4:22 22-Lolita (Single Version)
DR11      -0.16 dB   -14.62 dB      3:26 23-Straight Ahead (Single Version)
DR11      -0.22 dB   -13.93 dB      4:09 24-And I Love You So (Single Version)
DR12      -0.29 dB   -15.88 dB      3:57 25-Ritual (Funky 5/4)
--------------------------------------------------------------------------------
Number of tracks:  52
Official DR value: DR11
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           3163 kbps
Codec:             FLAC
================================================================================

Jimmy Smith wasn't the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and style made him a top instrumentalist in the 1950s and '60s, while a number of rock and R&B keyboardists would learn valuable lessons from Smith's example. James Oscar Smith was born in Norristown, Pennsylvania on December 8, 1928 (some sources cite his birth year as 1925). Smith's father was a musician and entertainer, and young Jimmy joined his song-and-dance act when he was six years old. By the time he was 12, Smith was an accomplished stride piano player who won local talent contests, but when his father began having problems with his knee and gave up performing to work as a plasterer, Jimmy quit school after eighth grade and began working odd jobs to help support the family. At 15, Smith joined the Navy, and when he returned home, he attended music school on the GI Bill, studying at the Hamilton School of Music and the Ornstein School, both based in Philadelphia. In 1951, Smith began playing with several R&B acts in Philadelphia while working with his father during the day, but after hearing pioneering organ player Wild Bill Davis, Smith was inspired to switch instruments. Smith bought a Hammond B-3 organ and set up a practice space in a warehouse where he and his father were working; Smith refined the rudiments of his style over the next year (informed more closely by horn players than other keyboard artists, and employing innovative use of the bass pedals and drawbars), and he began playing Philadelphia clubs in 1955. In early 1956, Smith made his New York debut at the legendary Harlem nightspot Small's Paradise, and Smith was soon spotted by Alfred Lion, who ran the well-respected jazz label Blue Note Records. Lion signed Smith to a record deal, and between popular early albums such as The Incredible Jimmy Smith at Club Baby Grand and The Champ and legendary appearances at New York's Birdland and the Newport Jazz Festival, Smith became the hottest new name in jazz. A prolific recording artist, Smith recorded more than 30 albums for Blue Note between 1956 and 1963, collaborating with the likes of Kenny Burrell, Stanley Turrentine, and Jackie McLean, and in 1963, Smith signed a new record deal with Verve. Smith's first album for Verve, Bashin': The Unpredictable Jimmy Smith, was a critical and commercial success, and the track "Walk on the Wild Side" became a minor hit. Smith maintained his busy performing and recording schedule throughout the 1960s, and in 1966 he cut a pair of celebrated album with guitarist Wes Montgomery. In 1972, Smith's contract with Verve expired, and tired of his demanding tour schedule, he and his wife opened a supper club in California's San Fernando Valley. Smith performed regularly at the club, but it went out of business after only a few years. While Smith continued to record regularly for a variety of labels, his days as a star appeared to be over. However, in the late '80s, Smith began recording for the Milestone label, cutting several well-reviewed albums that reminded jazz fans Smith was still a master at his instrument, as did a number of live performances with fellow organ virtuoso Joey DeFrancesco. In 1987, producer Quincy Jones invited Smith to play on the sessions for Michael Jackson's album Bad. And Smith found a new generation of fans when hip-hop DJs began sampling Smith's funky organ grooves; the Beastie Boys famously used Smith's "Root Down (And Get It)" for their song "Root Down," and other Smith performances became the basis for tracks by Nas, Gang Starr, Kool G Rap, and DJ Shadow. In 1995, Smith returned to Verve Records for the album Damn!, and on 2001's Dot Com Blues, Smith teamed up with a variety of blues and R&B stars, including Etta James, B.B. King, Keb' Mo', and Dr. John. In 2004, Smith was honored as a Jazz Master by the National Endowment for the Arts; that same year, Smith relocated from Los Angeles to Scottsdale, Arizona. Several months after settling in Scottsdale, Smith's wife succumbed to cancer, and while he continued to perform and record, Jimmy Smith was found dead in his home less than a year later, on February 8, 2005. His final album, Legacy, was released several months after his passing.

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