[TR24][OF] Nicky Holland - Nicky Holland - 1992/2017 (Adult Alternative, Pop-Rock)

Pianist/vocalist Nicky Holland was born in Hertfordshire and began studying piano at a young age; while attending the Royal Academy of Music, she grew inspired by the music of Carole King. After graduating, Holland furthered her studies at the City University in London, and with classmates Virginia Astley and Kate St. John she formed the Ravishing Beauties in 1981. The trio had the chance to play all sorts of rock & roll and punk clubs, rubbing shoulders with Julian Cope and the Teardrop Explodes, and later supporting them on their national tours.
WaitingHolland later worked as a lounge vocalist and piano player four nights a week, constantly expanding her repertoire while performing cocktail music, blues, classical music and her own songs. She finally found her escape from the lounge with Fun Boy Three, and played piano on the group's version of George Gershwin's "Summertime," which coasted up the charts in England. Holland was soon tapped as the musical director for Fun Boy Three, signing on to tour Europe and the U.S. after recording Waiting, an album produced by David Byrne.
In 1983, Holland began writing her first scores for TV and film, and sang and played keyboards in a new group called the Escape, which supported Tears for Fears on their British tour in 1983. After the Escape broke up, she was offered the opportunity to go on a worldwide, three-month tour with Tears for Fears; the tour lasted much longer, however, and she continued working with the group through 1987. Holland shared co-writer credits on five songs on the group's Seeds of Love album, including "Rhythm of Life," which later became a hit for Oleta Adams. She also wrote part of the score for the film She's Having a Baby.
After relocating to New York in the late '80s, she met Ryuichi Sakamoto and toured Japan and the U.S. with his band in 1990. Holland signed to Epic Associated in the fall of 1990, and spent the next year writing, recording and mixing her self-titled debut album, released in 1991. Her keyboard playing and singing could also be heard on recordings by Cyndi Lauper, Celine Dion, Kathy Sledge and Lisa Taylor, among others.

On her eponymous debut, Nicky Holland performs U.K. flavored smooth pop in a similar vein to the music of Sade, Basia, and Swing Out Sister. This is one of those releases that is very enjoyable to listen to, but the material doesn't stick with the listener. Holland has an adequate voice and the production and musicianship are fine, but the music is not memorable. A sign of a great album is that it haunts the listener between listens, which compels them to return for more listens. This is not a great album; but for those in-the-moment listens, it's good.