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(Fusion) [CD] Larry Coryell & Steve Khan - Two for the Road - 1978 (2015 Japan Edition), FLAC (tracks+.cue), lossless

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Larry Coryell & Steve Khan - Two for the Road
Жанр: Fusion
Носитель: CD
Страна-производитель диска (релиза): Япония
Год издания: 2015
Издатель (лейбл): Sony Music Labels Inc.
Номер по каталогу: SICJ-101
Страна исполнителя (группы): США
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 58:04
Источник (релизер): perception1111
Наличие сканов в содержимом раздачи: да
Треклист:
01. Spain (Corea) - 5:29
02. Bouquet (Hutcherson) - 5:48
03. Son of Stiff Neck (Khan-Coryell) - 5:41
04. Ju Ju (Shorter) - 3:18
05. St. Gallen (Coryell) - 7:29
06. Footprints (Shorter) - 5:53
07. General Mojo's Well Laid Plan (Swallow) - 4:21
08. Toronto Under the Sign of Capricorn (Coryell) - 8:10
09. For Philip and Django (Coryell) - 4:33
10. Rodrigo Reflections (Coryell) - 7:22
Состав:
Larry Coryell, Steve Khan (#1-7) - acoustic guitar
Recorded in 1975-1978.

Код:

X Lossless Decoder version 20160920 (149.2)
XLD extraction logfile from 2018-03-01 07:43:49 +0800
Larry Coryell & Steve Khan / Two For The Road
Used drive : Apple SuperDrive (revision 2.00)
Media type : Pressed CD
Ripper mode             : XLD Secure Ripper
Disable audio cache     : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction  : 6
Max retry count         : 20
Gap status              : Analyzed, Appended
TOC of the extracted CD
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        8  | 37:59:33 | 08:09:65 |    170958    |   207697
        9  | 46:09:23 | 04:33:17 |    207698    |   228189
       10  | 50:42:40 | 07:21:73 |    228190    |   261337
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    Track 02 : OK (v2, confidence 4/4)
    Track 03 : OK (v2, confidence 4/4)
    Track 04 : OK (v2, confidence 4/4)
    Track 05 : OK (v2, confidence 4/4)
    Track 06 : OK (v2, confidence 4/4)
    Track 07 : OK (v2, confidence 4/4)
    Track 08 : OK (v2, confidence 4/4)
    Track 09 : OK (v2, confidence 4/4)
    Track 10 : OK (v2, confidence 4/4)
        ->All tracks accurately ripped.
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Код:

TITLE "Two for the Road"
PERFORMER "Larry Coryell & Steve Khan"
REM GENRE "Jazz"
REM DATE "1978"
REM DISCID 6D0D9C0A
REM REPLAYGAIN_ALBUM_GAIN -3.74 dB
REM REPLAYGAIN_ALBUM_PEAK 1.000000
FILE "01 - Spain.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Spain"
    ISRC USAR11500021
    REM REPLAYGAIN_TRACK_GAIN -4.71 dB
    REM REPLAYGAIN_TRACK_PEAK 0.992889
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Bouquet"
    ISRC USAR11500022
    REM REPLAYGAIN_TRACK_GAIN 0.47 dB
    REM REPLAYGAIN_TRACK_PEAK 0.981812
    INDEX 00 05:26:59
FILE "02 - Bouquet.flac" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Son of Stiff Neck"
    ISRC USAR11500023
    REM REPLAYGAIN_TRACK_GAIN -5.50 dB
    REM REPLAYGAIN_TRACK_PEAK 0.981476
    INDEX 00 05:46:38
FILE "03 - Son of Stiff Neck.flac" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Ju Ju"
    ISRC USAR11500024
    REM REPLAYGAIN_TRACK_GAIN -7.12 dB
    REM REPLAYGAIN_TRACK_PEAK 0.986267
    INDEX 00 05:39:33
FILE "04 - Ju Ju.flac" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "St. Gallen"
    ISRC USAR11500025
    REM REPLAYGAIN_TRACK_GAIN -1.04 dB
    REM REPLAYGAIN_TRACK_PEAK 0.996002
    INDEX 00 03:16:08
FILE "05 - St. Gallen.flac" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Footprints"
    ISRC USAR11500026
    REM REPLAYGAIN_TRACK_GAIN -1.68 dB
    REM REPLAYGAIN_TRACK_PEAK 0.999512
    INDEX 00 07:27:23
FILE "06 - Footprints.flac" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "General Mojo's Well Laid Plan"
    ISRC USAR11500027
    REM REPLAYGAIN_TRACK_GAIN -2.86 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 00 05:51:62
FILE "07 - General Mojo's Well Laid Plan.flac" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Toronto Under the Sign of Capricorn"
    ISRC USBB11500003
    REM REPLAYGAIN_TRACK_GAIN -4.09 dB
    REM REPLAYGAIN_TRACK_PEAK 0.994843
    INDEX 00 04:16:65
FILE "08 - Toronto Under the Sign of Capricorn.flac" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "For Philip and Django"
    ISRC USBB11500004
    REM REPLAYGAIN_TRACK_GAIN -1.79 dB
    REM REPLAYGAIN_TRACK_PEAK 0.966309
    INDEX 00 08:08:63
FILE "09 - For Philip and Django.flac" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Rodrigo Reflections"
    ISRC USBB11500005
    REM REPLAYGAIN_TRACK_GAIN -3.87 dB
    REM REPLAYGAIN_TRACK_PEAK 0.997467
    INDEX 00 04:31:61
FILE "10 - Rodrigo Reflections.flac" WAVE
    INDEX 01 00:00:00

Код:

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Intermittently on the road as an acoustic duo between gaps in the schedules of their respective ultra-hip fusion bands, Larry Coryell and Steve Khan managed to record several shows and then panned the tape stream to find the nuggets for posterity. There are choices that might have been made out of the fashions of the day, such as the version of Chick Corea's "Spain" that opens the album's first side. Thankfully there are also selections that are here because both guitarists must have realized they were playing magnificently.
Coryell's flair for Wayne Shorter extends beyond simply mastering the tunes to conceptualizing unique guitar settings. Parts of "Juju"'s head are pronounced in simple, chiming harmonics, a delightful way of pointing out that these players understand the guitar in its totality, not just the parts of it that can be used to impress speedfreaks. The hot version of "Footprints" doesn't really express the mystery of Shorter's original mood, yet is terrifically in line with the Django Reinhardt approach to playing a tune, once again full of the kinds of activities fans of acoustic guitar music will find pleasurable.
"St. Gallen" is, in some ways, a remarkable performance. The long introduction sounds like a solo from Coryell, parts of which might be the missing link between him and Derek Bailey. An episode thick with minor seconds and low, throbbing dissonance is only one of many stops on a route that in some ways is as breathtaking as the "milk run" that leaves the St. Gallen station and heads into the Swiss Alps, stopping at farmhouses along the way to pick up fresh dairy shipments. Prior to evoking this image, the piece in its initial moments includes passages of purely show-off rapidity culminating in a lethal swipe at the bridge, the equivalent of a mad critic throwing a knife at a fusion guitarist mid-solo stream.
Khan's admiration for his partner is evident from the liner notes alone. His own style is edgy and observant, and while he doesn't sound simply like someone trying to keep up, he too easily agrees to participate in moments of pieces that come off as more or less typical jamming, such as "Son of Stiff Neck." As for the previously mentioned "Spain," it's too bad they went there -- although anybody performing on this scene during this era was expected to play this "In the Midnight Hour" of jazz standards. A chord emphasized much beyond its importance immediately sets the stage for a flat performance in which the main question listeners might ask themselves is why are there so many notes in the theme -- not the desired reaction when performing a head. The live recording quality is excellent, the tracks fading quickly when the applause begins.

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