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(Vocal Jazz, Swing, Traditional Pop) June Christy - Something Cool [The Complete Mono & Stereo Versions] - 2001, FLAC (image+.cue), lossless

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June Christy - Something Cool
[The Complete Mono & Stereo Versions]

Жанр: Vocal Jazz, Swing, Traditional Pop
Страна-производитель диска: USA
Год издания: 2001
Издатель (лейбл): Capitol Jazz
Номер по каталогу: 7243 5 34069 2 9
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 68:39
Источник (релизер): собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:
Mono versions:
1. Something Cool Bill Barnes 4:17
2. It Could Happen To You J. Van Heusen, J. Burke 1:55
3. Lonely House K. Weill, L. Hughes 3:56
4. This Time The Dream's On Me H. Arlen, J. Mercer 1:29
5. The Night We Called It A Day M. Dennis, T. Adair 4:48
6. Midnight Sun Mercer, Hampton, Burke 3:13
7. I'll Take Romance B. Oakland, O. Hammerstein 2:19
8. A Stranger Called The Blues M. Torme, R. Wells 3:56
9. I Should Care Stordahl, Weston, Cahn 2:08
10. Softly As In A Morning O. Hammerstein, S. Romberg 2:13
11. I'm Thrilled S. Lippman, S. Dee 2:39
Stereo versions:
12. Something Cool Bill Barnes 4:57
13. It Could Happen To You J. Van Heusen, J. Burke 2:00
14. Lonely House K. Weill, L. Hughes 4:03
15. This Time The Dream's On Me H. Arlen, J. Mercer 1:36
16. The Night We Called It A Day M. Dennis, T. Adair 4:53
17. Midnight Sun Mercer, Hampton, Burke 3:31
18. I'll Take Romance B. Oakland, O. Hammerstein 2:20
19. A Stranger Called The Blues M. Torme, R. Wells 4:19
20. I Should Care Stordahl, Weston, Cahn 2:11
21. Softly As In A Morning Sunrise O. Hammerstein, S. Romberg 2:14
22. I'm Thrilled S. Lippman, S. Dee 2:47
June Christy - Something Cool

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 20. February 2013, 19:26
June Christy / Something Cool
Used drive  :         TSSTcorp CDDVDW   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
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    ---------------------------------------------------------
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       22  | 65:51.57 |  2:47.70 |    296382    |   308976
Range status and errors
Selected range
     Filename C:\RIP\June Christy - Something Cool.wav
     Peak level 97.0 %
     Extraction speed 3.4 X
     Range quality 100.0 %
     Test CRC 704FE536
     Copy CRC 704FE536
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 3)  [2B96C331]  (AR v2)
Track  2  accurately ripped (confidence 3)  [14EB571B]  (AR v2)
Track  3  accurately ripped (confidence 3)  [2BCECC82]  (AR v2)
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Track  7  accurately ripped (confidence 3)  [F5F09D0A]  (AR v2)
Track  8  accurately ripped (confidence 3)  [F9ECA6D9]  (AR v2)
Track  9  accurately ripped (confidence 3)  [CF27942B]  (AR v2)
Track 10  accurately ripped (confidence 3)  [6D0BF539]  (AR v2)
Track 11  accurately ripped (confidence 3)  [93384F65]  (AR v2)
Track 12  accurately ripped (confidence 3)  [5FCAD642]  (AR v2)
Track 13  accurately ripped (confidence 3)  [131C77F8]  (AR v2)
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Track 16  accurately ripped (confidence 3)  [76287C66]  (AR v2)
Track 17  accurately ripped (confidence 3)  [21483592]  (AR v2)
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Track 19  accurately ripped (confidence 3)  [C5828B74]  (AR v2)
Track 20  accurately ripped (confidence 3)  [1100290D]  (AR v2)
Track 21  accurately ripped (confidence 3)  [7DA057CF]  (AR v2)
Track 22  accurately ripped (confidence 2)  [2A83F917]  (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum 61ACE9C732BE245FCE0F0FEFD3D42C4F849195124EED25B8DB3400CB79C73DA1 ====

Доп. информация: Компиляция, включающая 2 версии классического альбома Джун Кристи:
-моно (запись 1953-1955гг., релиз 1954г. - 10''LP (треки №1-3, 6-9), релиз 1955г. - 12'' LP (те же треки + 4, 5, 10, 11))
-стерео (запись и релиз 1960г.)

In 1960, June Christy and arranger Pete Rugulo re-recorded the original mono 1955 SOMETHING COOL arrangements in stereo. This 2001 remastered edition contains both versions. June Christy's SOMETHING COOL, originally released as a 10-inch LP in 1954. single-handedly inaugurated the cool-jazz vocals movement. Christy had been a star vocalist with the Stan Kenton Orchestra in the late '40s, enjoying such major hits as "Tampico" and "Shoo Fly Pie & Apple Pan Dowdy." Soon after she left the band, she began working with key Kenton arranger Pete Rugolo and a slew of top West Coast studio musicians (including her husband, tenor saxophonist Bob Cooper) on her first solo album for Capitol Records. The result was SOMETHING COOL, which is both a winning showcase for Christy's wistful style and a landmark of cool-jazz modernism. From the start, Christy established herself as an artist who strove for the very best in song selection, arrangements, and notably intelligent interpretation. There were perhaps other vocalists with greater vocal equipment but few could match June Christy's artistic integrity. The celebrated title track is the soliloquy of a female barfly of a certain age, reminiscing (and fantasizing) about better days to a fellow male patron who just might buy her another drink. It remains Christy's signature performance to this day. Other highlights include a swinging "It Could Happen To You," "Midnight Sun," and an ambitious arrangement of Kurt Weill's "Lonely House."

Vocals – June Christy
Arranged By, Conductor – Pete Rugolo
Bass – Harry Babasin (tracks: 4, 5, 11), Joe Mondragon (tracks: 2, 3, 6 to 10, 12 to 22)
Drums – Larry Bunker (tracks: 12 to 22), Shelly Manne (tracks: 2 to 5, 7 to 11)
Flute – Ted Nash (2) (tracks: 1 to 3, 7 to 9)
Flute [Alto] – Bud Shank (tracks: 4, 5, 11), Harry Klee (tracks: 4, 5, 11)
French Horn – John Graas (tracks: 2, 3, 7 to 9), Vincent DeRosa (tracks: 4, 5, 11, 13 to 16, 18 to 20, 22)
Guitar – Howard Roberts (tracks: 2 to 5, 7 to 11), Jack Marshall (tracks: 12 to 22)
Piano – Claude Williamson (tracks: 4, 5, 11), Joe Castro (tracks: 12 to 22), Russ Freeman (tracks: 2, 3, 7 to 9)
Reeds – Buddy Collette (tracks: 13, 18, 19, 22), Chuck Gentry (tracks: 12 to 22)
Saxophone [Alto Saxophone Soloist] – Bud Shank
Saxophone [Alto], Flute – Bud Shank (tracks: 1 to 5, 7 to 22), Harry Klee (tracks: 2 to 5, 7 to 9, 11, 12, 14 to 17, 20, 21)
Saxophone [Baritone] – Bob Gordon (2) (tracks: 4, 5, 10, 11), Chuck Gentry (tracks: 1, 6 to 8), Johnny Rotella* (tracks: 2, 3, 9)
Saxophone [Tenor] – Jimmy Giuffre (tracks: 4, 5, 10, 11), Ted Nash (2) (tracks: 1 to 3, 6 to 9)
Saxophone [Tenor], Flute – Bob Cooper (tracks: 1 to 3, 7 to 10, 12 to 22), Paul Horn (tracks: 12 to 22)
Trombone – Frank Rosolino (tracks: 4, 5, 11 to 22), Harry Betts (tracks: 2 to 5, 7 to 9, 11, 12, 17, 21), Herbie Harper* (tracks: 1, 10), Milt Bernhart (tracks: 1 to 5, 7 to 22), Tommy Pederson (tracks: 1 to 3, 6 to 9)
Trombone [Bass] – George Roberts (tracks: 1, 12 to 22)
Trumpet – Conrad Gozzo, Conte Candoli (tracks: 10, 12 to 22), Frank Beach (tracks: 6, 12 to 22), Maynard Ferguson (tracks: 1 to 5, 7 to 9, 11), Ollie Mitchell (tracks: 12, 17, 21), Shorty Rogers (tracks: 1 to 5, 7 to 11)
Tuba – Paul Sarmento (tracks: 2 to 5, 7 to 9, 11), Phil Stephens (tracks: 13 to 16, 18 to 20, 22)

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