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(Vocal Jazz) [CD] Mina Agossi - E-Z Pass to Brooklyn - 2001, FLAC (tracks), lossless

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Mina Agossi / E-Z Pass to Brooklyn
Жанр: Vocal Jazz
Носитель: CD
Год издания: 2001
Страна: France
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 0:51:04
Источник (релизер): wicing
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Caravan (4:16)
02. Mabo (5:45)
03. Explore (5:18)
04. Cyber Reality (3:48)
05. 2000 Bells (2:59)
06. Ain't Misbehavin' (3:02)
07. Zaboum (4:18)
08. Euphoria (5:02)
09. Butterflies (2:53)
10. Uruk (4:54)
11. Eat it (3:23)
12. Machine Gun (5:29)

Код:

*** MediaInfo Mac // Plain text file report
2012-09-26 17:29:57 +0200
--> Mina Agossi - E-Z Pass to Brooklyn - 2001 [boccherini]
Information for Files:
1 Caravan.flac
 Audio Codecs Used -> FLAC
 File Format -> FLAC
 Play Time -> 4mn 15s
 Total File Size -> 29.2 MiB
 Total Stream BitRate -> 958 Kbps
 Title (Tag) -> Caravan
 Encoded with -> Max 0.9.1
 Number of Audio Channels -> 2
 Sampling Rate -> 44.1 KHz
 Bit Depth -> 16 bits
2 Mabo.flac
 Audio Codecs Used -> FLAC
 File Format -> FLAC
 Play Time -> 5mn 44s
 Total File Size -> 37.0 MiB
 Total Stream BitRate -> 900 Kbps
 Title (Tag) -> Mabo
 Encoded with -> Max 0.9.1
 Number of Audio Channels -> 2
 Sampling Rate -> 44.1 KHz
 Bit Depth -> 16 bits
3 Explore.flac
 Audio Codecs Used -> FLAC
 File Format -> FLAC
 Play Time -> 5mn 18s
 Total File Size -> 36.0 MiB
 Total Stream BitRate -> 948 Kbps
 Title (Tag) -> Explore
 Encoded with -> Max 0.9.1
 Number of Audio Channels -> 2
 Sampling Rate -> 44.1 KHz
 Bit Depth -> 16 bits
4 Cyber Reality.flac
 Audio Codecs Used -> FLAC
 File Format -> FLAC
 Play Time -> 3mn 48s
 Total File Size -> 24.1 MiB
 Total Stream BitRate -> 886 Kbps
 Title (Tag) -> Cyber Reality
 Encoded with -> Max 0.9.1
 Number of Audio Channels -> 2
 Sampling Rate -> 44.1 KHz
 Bit Depth -> 16 bits
5 2000 Bells.flac
 Audio Codecs Used -> FLAC
 File Format -> FLAC
 Play Time -> 2mn 59s
 Total File Size -> 20.7 MiB
 Total Stream BitRate -> 968 Kbps
 Title (Tag) -> 2000 Bells
 Encoded with -> Max 0.9.1
 Number of Audio Channels -> 2
 Sampling Rate -> 44.1 KHz
 Bit Depth -> 16 bits
6 Ain't Misbehavin'.flac
 Audio Codecs Used -> FLAC
 File Format -> FLAC
 Play Time -> 3mn 2s
 Total File Size -> 19.2 MiB
 Total Stream BitRate -> 885 Kbps
 Title (Tag) -> Ain't Misbehavin'
 Encoded with -> Max 0.9.1
 Number of Audio Channels -> 2
 Sampling Rate -> 44.1 KHz
 Bit Depth -> 16 bits
7 Zaboum.flac
 Audio Codecs Used -> FLAC
 File Format -> FLAC
 Play Time -> 4mn 18s
 Total File Size -> 25.8 MiB
 Total Stream BitRate -> 839 Kbps
 Title (Tag) -> Zaboum
 Encoded with -> Max 0.9.1
 Number of Audio Channels -> 2
 Sampling Rate -> 44.1 KHz
 Bit Depth -> 16 bits
8 Euphoria.flac
 Audio Codecs Used -> FLAC
 File Format -> FLAC
 Play Time -> 5mn 2s
 Total File Size -> 32.5 MiB
 Total Stream BitRate -> 902 Kbps
 Title (Tag) -> Euphoria
 Encoded with -> Max 0.9.1
 Number of Audio Channels -> 2
 Sampling Rate -> 44.1 KHz
 Bit Depth -> 16 bits
9 Butterflies.flac
 Audio Codecs Used -> FLAC
 File Format -> FLAC
 Play Time -> 2mn 53s
 Total File Size -> 15.0 MiB
 Total Stream BitRate -> 724 Kbps
 Title (Tag) -> Butterflies
 Encoded with -> Max 0.9.1
 Number of Audio Channels -> 2
 Sampling Rate -> 44.1 KHz
 Bit Depth -> 16 bits
10 Uruk.flac
 Audio Codecs Used -> FLAC
 File Format -> FLAC
 Play Time -> 4mn 53s
 Total File Size -> 28.7 MiB
 Total Stream BitRate -> 819 Kbps
 Title (Tag) -> Uruk
 Encoded with -> Max 0.9.1
 Number of Audio Channels -> 2
 Sampling Rate -> 44.1 KHz
 Bit Depth -> 16 bits
11 Eat it.flac
 Audio Codecs Used -> FLAC
 File Format -> FLAC
 Play Time -> 3mn 23s
 Total File Size -> 21.2 MiB
 Total Stream BitRate -> 877 Kbps
 Title (Tag) -> Eat it
 Encoded with -> Max 0.9.1
 Number of Audio Channels -> 2
 Sampling Rate -> 44.1 KHz
 Bit Depth -> 16 bits
12 Machine Gun.flac
 Audio Codecs Used -> FLAC
 File Format -> FLAC
 Play Time -> 5mn 29s
 Total File Size -> 35.8 MiB
 Total Stream BitRate -> 911 Kbps
 Title (Tag) -> Machine Gun
 Encoded with -> Max 0.9.1
 Number of Audio Channels -> 2
 Sampling Rate -> 44.1 KHz
 Bit Depth -> 16 bits

Код:

-----------------------
DON'T MODIFY THIS FILE
-----------------------
PERFORMER: auCDtect Task Manager, ver. 1.5.1RC3 build 1.5.1.4
Copyright (c) 2008-2010 y-soft. All rights reserved
[url=http://y-soft.org]http://y-soft.org[/url]
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 12 - Machine Gun.flac
  Size: 37500381 Hash: 07F9D004BAD471AFD836941A3753E9D8 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 7277309DF6B69C7BEAF7F6DC1FF91A725E43D26B
FILE: 11 - Eat it.flac
  Size: 22257254 Hash: EE12611FF8C9AA78758F8FBF3BECB677 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 363B585839393EEFE815B0D016F358DC1BA24CDB
FILE: 10 - Uruk.flac
  Size: 30091579 Hash: 6ECFA73BBF43803F66E340BBB0B610DA Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 0C40C748178F4F66CA6DF6DD5ACCB6540418E577
FILE: 09 - Butterflies.flac
  Size: 15695280 Hash: 89E79D39EB6C2E46225CFAEDC4D833CF Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: D66C1549583FA94EFABE4EB0972217E0ABCC3119
FILE: 08 - Euphoria.flac
  Size: 34053649 Hash: 4DE2894847D962EDAA331DBA6B764A4D Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 816A8FDF6E345D2EAE4D3B61EF83C384194E4FBE
FILE: 07 - Zaboum.flac
  Size: 27058667 Hash: 9160EB7F8B11D1DB6FF4F0B6DCAD6899 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 40B11679C22209CCF00C71A40CAC4F39B08E1736
FILE: 06 - Ain't Misbehavin'.flac
  Size: 20157966 Hash: 948FB5FA23246C1A7AD9458BB10AF926 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 4457F52B1ADE547BCC98976CA2C10D5BE45028D3
FILE: 05 - 2000 Bells.flac
  Size: 21707995 Hash: E376531392C404D2FE6E73570D37D335 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 6A6AC91A73957C64F97DC2128FF8735D48273450
FILE: 04 - Cyber Reality.flac
  Size: 25275370 Hash: 3A4FD64A68B2CB6CA37BCE3B13B7C446 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: F5FED79DBA6F5DFA5C5483E1E5B06094D8B165BE
FILE: 03 - Explore.flac
  Size: 37747177 Hash: 906E25C8B2A5275087E1558AB95D005B Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: C22A5F8E19ED2EB55D23841C73329EFB0D01F4A1
FILE: 02 - Mabo.flac
  Size: 38779204 Hash: D94CAFE178B6FE222F09FBD19222609C Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: B9AF2062E0E9382B83FD354A6F977D49F38F6BE3
FILE: 01 - Caravan.flac
  Size: 30654584 Hash: BF2B0AF6DE185C5994E3CF6B55B64AFD Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 32694173C91B8D4EB05C65D0280842E5A142136E

Born in 1972, the half-French, half-Beninese Mina Agossi spent much of her youth studying in and traveling to places like Niger, Morocco, and Ivory Coast. While in school for theater in France, a local saxophonist gave her 500 francs to sing on-stage with him, and although Agossi had had no formal experience in music, she immediately fell in love with performing and decided to pursue singing as a career. In 1993 she joined her first group, a swing and New Orleans jazz band that played gigs in France and Ireland. As she became more interested in modern jazz, the young singer decided to start recording under her own name, releasing a few bare-boned jazz albums in Europe. Bringing her own interpretation to jazz brought Agossi her fair share of critics and fans alike, and she began receiving offers to sing with artists like Archie Shepp, Mukta, and Adam Pieronscyk. In 2001, soon after September 11, Agossi recorded her live album EZ Pass to Brooklyn with Alexander Hiele on bass and Bertrand Perrin on drums, the same group that accompanied her on her next record, Carrousel. In 2004 the British label Candid signed Agossi, releasing Zaboum!! in Europe the following year and Well You Needn't in 2006.

Recorded in October 2001, Mina Agossi’s E-Z Pass to Brooklyn has already been making the rounds in the Francophone world for some time, where at least one reviewer has lauded the effort as “incroyable” and even goes on to say, “Chaque morceau est une surprise.” Another reviewer favourably chimes in, “jamais vous n’avez entendu quelque chose comme E-Z Pass to Brooklyn.”
“Incredible.” “Each song is a surprise.” “You’ve never heard anything like E-Z Pass to Brooklyn.” Bold statements, all of these. But Agossi herself is bold, feisty. Along with bassist Alexandre Hièle and drummer Bertrand Perrin, she subjects Ellington’s “Caravan” to an abrasive, exotic, Moroccan treatment; twists Fats Waller’s “Ain’t Misbehavin’” into a hushed, spoken, hip-hop number; and even takes on Jimi Hendrix’s “Machine Gun” amid versions of her own compositions, such as “Cyber Reality” and “Eat It” (not a Weird Al Yankovic cover, tempting as that might be to imagine). I suppose, however, that these small selections of critical commentary could be read with a literal mind, presenting us with a much more equivocal meaning, one that might come closer to a proper appraisal of Agossi’s first credited solo album (her fourth overall).
A truism: boldness does not good art make; nor is it synonymous with beauty. Chris Ofili’s portrait of the Madonna in elephant dung may radically recast subject matter more closely associated with Giotto, but that doesn’t mean I would prefer to hang Ofili’s work on my wall at home. In a musical parallel, we have Agossi’s assemblage of styles, none of which—or the many, many combinations thereof—ever rises above the boisterous and confrontational, or aspires to the various manifestations of beauty found in Ella, Lady Day, Dianne Reeves, or Dianna Krall. As if anticipating that "female jazz vocal" might be too confining a category for Agossi, one German website suggested comparisons with Björk. While this does work in spots, it still isn’t quite accurate. Agossi lacks the Icelandic diva’s vocal dynamics and artistic flair; and, furthermore, for all her love of fusion and experimentation, Björk never eschews the indie pop appeal that first brought her notoriety. Little of that same kind of appeal is to be found here.
None of this is intended to argue that Agossi should be written off. Far from it. It’s possible that her next outing will see her better suited to the material, both original and appropriated, and vice versa. In this way the boldness might become less of a gimmick and more of a real, thoughtful accent to the music. For all its artistic bravado, E-Z Pass to Brooklyn is so passionate as to be melodramatic, so enthusiastic as to be wearisome, so ambitious as to be amateurish.

Mina Agossi - vocals
Alex Hiele - bass
Bertrand Perrin - drums

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