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(Vocal Jazz, Contemporary Soul, Blue Note) [CD] Jose James (with Jason Moran, John Patitucci, Eric Harland) - Yesterday I Had The Blues: The Music of Billie Holiday - 2015, FLAC (tracks+.cue), lossless

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Yesterday I Had The Blues
The Music of Billie Holiday
José James
Жанр: Vocal Jazz, Contemporary Soul
Страна-производитель диска: USA
Год издания: 2015
Издатель (лейбл): Blue Note
Номер по каталогу: 00600406536204
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 49:13
Источник (релизер): спасибо i6Respawns
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Good Morning Heartache
2. Body and Soul
3. Fine and Mellow
4. I Thought About You
5. What a Little Moonlight Can Do
6. Tenderly
7. Lover Man
8. God Bless the Child
9. Strange Fruit

Код:

X Lossless Decoder version 20141129 (148.1)
XLD extraction logfile from 2015-03-27 19:58:58 -0400
José James / Yesterday I Had The Blues - The Music Of Billie Holiday
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Media type : Pressed CD
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Disable audio cache     : OK for the drive with a cache less than 1375KiB
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TOC of the extracted CD
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Код:

TITLE "Yesterday I Had The Blues - The Music Of Billie Holiday"
PERFORMER "Jose James"
CATALOG 0600406536204
REM GENRE "Jazz"
REM DATE "2015"
REM DISCNUMBER 1
REM TOTALDISCS 1
REM DISCID 7D0B9D09
REM REPLAYGAIN_ALBUM_GAIN -2.84 dB
REM REPLAYGAIN_ALBUM_PEAK 0.946472
FILE "01 - Good Morning Heartache.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Good Morning Heartache"
    ISRC JPPO01411631
    REM REPLAYGAIN_TRACK_GAIN -0.21 dB
    REM REPLAYGAIN_TRACK_PEAK 0.940247
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Body And Soul"
    ISRC JPPO01411632
    REM REPLAYGAIN_TRACK_GAIN -2.68 dB
    REM REPLAYGAIN_TRACK_PEAK 0.943024
    INDEX 00 05:52:20
FILE "02 - Body And Soul.flac" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Fine And Mellow"
    ISRC JPPO01411633
    REM REPLAYGAIN_TRACK_GAIN -4.06 dB
    REM REPLAYGAIN_TRACK_PEAK 0.946472
    INDEX 00 05:57:17
FILE "03 - Fine And Mellow.flac" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "I Thought About You"
    ISRC JPPO01411634
    REM REPLAYGAIN_TRACK_GAIN -2.48 dB
    REM REPLAYGAIN_TRACK_PEAK 0.942047
    INDEX 00 05:11:03
FILE "04 - I Thought About You.flac" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "What A Little Moonlight Can Do"
    ISRC JPPO01411635
    REM REPLAYGAIN_TRACK_GAIN -3.73 dB
    REM REPLAYGAIN_TRACK_PEAK 0.945129
    INDEX 00 05:24:60
FILE "05 - What A Little Moonlight Can Do.flac" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Tenderly"
    ISRC JPPO01411636
    REM REPLAYGAIN_TRACK_GAIN -0.48 dB
    REM REPLAYGAIN_TRACK_PEAK 0.863678
    INDEX 00 05:38:16
FILE "06 - Tenderly.flac" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Lover Man"
    ISRC JPPO01411637
    REM REPLAYGAIN_TRACK_GAIN -3.48 dB
    REM REPLAYGAIN_TRACK_PEAK 0.945557
    INDEX 00 03:24:44
FILE "07 - Lover Man.flac" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "God Bless The Child"
    ISRC JPPO01411638
    REM REPLAYGAIN_TRACK_GAIN -3.30 dB
    REM REPLAYGAIN_TRACK_PEAK 0.944885
    INDEX 00 06:42:10
FILE "08 - God Bless The Child.flac" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Strange Fruit"
    ISRC JPPO01411639
    REM REPLAYGAIN_TRACK_GAIN -1.70 dB
    REM REPLAYGAIN_TRACK_PEAK 0.936096
    INDEX 00 06:15:08
FILE "09 - Strange Fruit.flac" WAVE
    INDEX 01 00:00:00

With a string of genre-busting albums behind him, collaborations with everyone from Nicola Conte to Basement Jaxx, and a stellar performance at last year’s Love Supreme Festival, it seems José James can do no wrong. He has embraced hip-hop, rock and jazz. On early, groundbreaking tracks like Park Bench People (from his debut album The Dreamer), he staked out a piece of Gil Scott-Heron’s territory. Last year’s While You Were Sleeping featured both electric and acoustic rock guitar, reflecting his youthful passion for bands like Nirvana.
The velvet-voiced singer from Minneapolis, now reportedly resident in London, has been making a lot of new friends here, and with good reason: he doesn’t go in for the tiresome histrionics witnessed on talent show TV; his delivery is gentle and cool, dreamy and ecstatic, as if transfixed by the vision in his head. The result is a compelling intimacy of style that gives the impression that he’s singing just for you. His recordings have been among the most interesting and original in recent vocal jazz.
James is not afraid to take risks, and with this new tribute to Billie Holiday, he sets himself a target: the tunes are so well known and have been so often covered that he can now be judged alongside the greatest singers in jazz – including Billie herself. How well he pulls it off is a matter for debate.
He’s kept it stripped-down and simple, with just a piano trio led by Jason Moran, with John Pattitucci on bass and Eric Harland on drums. So far, so good. Now comes the problem: José is a hipster. It isn’t that he lacks passion, but his usual mode of expression is restrained and inward, casual, as if he can’t quite be bothered. This becomes apparent on songs like What a Little Moonlight Can Do. When played uptempo like this, the song’s vocal delivery needs to be snappier, otherwise the singer risks trailing in the band’s wake. Likewise on Fine and Mellow (cue some gender-reassigned lyrics), he doesn’t seem convincingly engaged. On Body and Soul, featuring some beautiful soloing from Moran, the last note José hits would have benefitted from the attention of producer Don Was.
But on the sixth track, a passionate version of Tenderly, José breaks free of his cool and hits his style. All of a sudden he’s in focus. The whole album should have been like this. And it continues: Lover Man leans on a simple bluesy bass-line from Pattitucci. James’s yearning vocal bursts out angrily on the line ‘No one’s here to love me’, as if raging at his lonely fate. God Bless the Child is another slow blues, Moran switching to Fender Rhodes for the first time, with a lovely variation in dynamic and a drawn-out ritardando ending.
But the album's closer Strange Fruit is the No.1 reason to listen to this album, for all its minor faults. Because no one can sing this tune unless they mean it. And José James does mean it, declaiming Abel Meeropol’s lyric a capella, backed only by a dark country church drone of weary voices and a plain handclap. Not merely spine-chilling, but one of the best things he’s ever done. (Peter Jones, LondonJazzNews)

José James - vocals
Jason Moran - piano
John Patitucci - bass
Eric Harland - drums

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