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(norway, female vocal, jazz) Hilde Marie Kjersem - A Killer for that Ache - 2008, FLAC (tracks+.cue) lossless

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Hilde Marie Kjersem - A Killer for that Ache

Жанр: norway, female vocal, jazz
Страна-производитель диска: Norway
Год издания диска: 2008
Издатель (лейбл): Rune Grammofon
Номер по каталогу: RCD 2077
Страна: Norway
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:42:51
rip by: zopatista
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Sleepyhead
2. Mary Full of Grace
3. Fantasy
4. Marie Antoinette
5. A Killer for That Ache
6. Midwest Country
7. Save Up
8. London Bridge
9. It Is Easy
10. Catching a Star
11. Working Girl

Код:

X Lossless Decoder version 20100911 (122.0)
XLD extraction logfile from 2010-09-15 08:23:59 +0200
Hilde Marie Kjersem / A Killer for That Ache
Used drive : HL-DT-ST DVDRW  GSA-S10N (revision AP12)
Use cdparanoia mode     : YES (CDParanoia III 10.2 engine)
Disable audio cache     : OK for the drive with cache less than 2750KB
Make use of C2 pointers : NO
Read offset correction  : 667
Max retry count         : 100
Gap status              : Analyzed, Appended
TOC of the extracted CD
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Track 01
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        ->Accurately ripped! (confidence 4)
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Track 03
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Track 04
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Track 06
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Track 07
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No errors occurred
End of status report

Код:

TITLE "A Killer for That Ache"
PERFORMER "Hilde Marie Kjersem"
REM DATE "2008-08-11"
REM DISCID 910A100B
FILE "01 - Sleepyhead.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Sleepyhead"
    ISRC NOFGR0877010
    INDEX 01 00:00:00
FILE "02 - Mary Full of Grace.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Mary Full of Grace"
    ISRC NOFGR0877020
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Fantasy"
    ISRC NOFGR0877030
    INDEX 00 04:28:02
FILE "03 - Fantasy.wav" WAVE
    INDEX 01 00:00:00
FILE "04 - Marie Antoinette.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Marie Antoinette"
    ISRC NOFGR0877040
    INDEX 01 00:00:00
FILE "05 - A Killer for That Ache.wav" WAVE
  TRACK 05 AUDIO
    TITLE "A Killer for That Ache"
    ISRC NOFGR0877050
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Midwest Country"
    ISRC NOFGR0877070
    INDEX 00 04:07:54
FILE "06 - Midwest Country.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Save Up"
    ISRC NOFGR0877080
    INDEX 00 04:10:49
FILE "07 - Save Up.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "London Bridge"
    ISRC NOFGR0877090
    INDEX 00 01:14:53
FILE "08 - London Bridge.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "It Is Easy"
    ISRC NOFGR0877100
    INDEX 00 05:15:74
FILE "09 - It Is Easy.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Catching a Star"
    ISRC NOFGR0877110
    INDEX 00 05:24:74
FILE "10 - Catching a Star.wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
    TITLE "Working Girl"
    ISRC NOFGR0877110
    INDEX 00 05:32:60
FILE "11 - Working Girl.wav" WAVE
    INDEX 01 00:00:00

Rune Grammofon suggest that this debut long-player by Hilde Marie Kjersem is "neither a jazz album nor your typical melancholy Nordic singer songwriter album", and certainly, anyone expecting something along the lines of the label's other prominent female songwriter, Susannnna (& The Magical orchestra) Wallumrod will find Kjersem to be a rather different prospect. While her delicate, calmly articulate voice is comparable in its hushed loveliness, musically this is a slightly more volatile experience. Early on you'll think you've settled into a fairly mainstream pop groove with ballads like "Mary Full Of Grace" and the minimal, autoharp anti-lullaby "Sleepyhead". But oddness is just around the corner, as on the slightly bizarre "Marie Antoinette". Next up, the multitracked acappella of the title track (and later on, "Save Up") proves to be incredibly pretty, but the abstract electronic drum contortions of "London Bridge" and the Roobarb & Custard basslines of "Catching a Star" prevent Kjersem from coming across as too delicate.
Review
When singer/songwriter Hilde Marie Kjersem performed with her group in May, as part of a Bokna Fjord and Lysefjorden boat tour during the JazzNorway in a Nutshell 2008 showcase, she had a lot of things going against her. The group was performing outdoor on the boat's deck with a barely adequate PA system, the wind created numerous problems for the band and specifically the singer's ability to hear herself and maintain her pitch, and the less-than-perfect conditions seemed to compel Kjersem and the group to substitute volume and drama for what appeared to be a series of appealing, slightly off-kilter pop tunes. A Killer For That Ache, Kjersem's debut as a leader following records with the now-disbanded TUB Quartet and Twelve O'Clock Tales (Curling Legs, 2005), places her in a far better context, delivering on the promise of those songs.
The group was also hamstrung by a largely more conventional rock group line-up of guitar, bass, keys and drums, though Kjersem did play her autoharp on the charmingly naive "Sleepyhead" that also opens A Killer. While her performance suggested a rich, interpretive voice capable of great subtlety and greater power, it quickly got lost when the group came in. Here, with economical and better conceived instrumentation that nevertheless weighs heavily on Jørgen Munkeby and Sjur Meiljeteig's various reeds and horns, the songs take on a lusher complexion.
Munkeby, the mainstay of Rune Grammofon group Shining, is a versatile multi-instrumentalist who elevated that group's In the Kingdom of Kitsch You Will Be a Monster (2005) and Shining (2007) into the realm of challenging, epic-based sonic collage. Here he proves equally capable of sparer contexts, his bass clarinet driving the minimal pulse of "It Is Easy," alternating with a strange, carnival-esque chorus that reflects Kjersem's interest in Tim Burton and the film director's longtime musical cohort, Danny Elfman.
But A Killer is Kjersem's show, all eleven songs written by the singer and demonstrating a wealth of ideas and breadth of scope. The title track is gorgeous, where a layered choir is all that's needed to support Kjersem's evocative vocal. "Midwest Country" is, indeed, an Americana-centric song that still manages to feel somehow skewed, while another solely vocal track, "Save Up," reflects a southern gospel influence. Kjersem's voice is remarkably malleable—soft and warm on the closing "Working Girl," where a lovely mix of Torbjørn Folke Zetterberg banjo and Kjerstem's Fender Rhodes leads into a majestic ending; understated on the electonica-centric "London Bridge"; and ethereal on the dramatic "Marie Antoinette." She rarely lets loose, as she did more consistently in performance, but it makes the rare occasion when she does here far more effective.
With a combination of oftentimes innocent lyrics and a modern approach to songwriting that meshes a wealth of influences and production ideas, A Killer For That Ache is a welcome debut that's a far better representation of Kjersem's potential than her sadly trouble-fraught performance.

Hilde Marie Kjersem: vocals, autoharp, keys (2, 4, 8, 11)
Jørgen Munkeby: synth sax, bass clarinet, clarinet, flute, vocal, guitar (8), tenor sax (10)
Torbjørn Folke Zetterberg: bass, moog, guitars, banjo, vocals, Rhodes (3), erhu (8)
Sjur Meiljeteig: trumpet, miscellaneous brass, vocals
Peder Kjellsby: drums, percussion, sid, vocals, piano (6)
Martin Revheim: additional snare drum (4)
Mark Kramer: organ (6).

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