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(Pop-Rock) [WEB] Paul Heaton (& Jacqui Abbott, The Beautiful South, The Housemartins) - The Last King Of Pop - 2018, FLAC (tracks), lossless

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Гость

Paul Heaton

The Last King Of Pop

• Жанр: Indie Pop
• Носитель: WEB
• Год издания: 2018
• Издатель: Virgin EMI
• Страна: UK
• Аудиокодек: FLAC (*.flac)
• Тип рипа: tracks
• Продолжительность: 01:19:54
• Источник (спасибо): NBMus
• WEB релиз: ссылка
• Наличие сканов: front

◈ 01 - Paul Heaton & Jacqui Abbott - I Gotta Praise (Radio Mix) (00:02:40)
◈ 02 - The Beautiful South - Don't Marry Her (00:03:23)
◈ 03 - Paul Heaton - Poems (00:03:49)
◈ 04 - The Housemartins - Happy Hour (00:02:21)
◈ 05 - Paul Heaton & Jacqui Abbott - Moulding Of A Fool (Radio Edit) (00:03:27)
◈ 06 - The Beautiful South - Prettiest Eyes (00:03:47)
◈ 07 - The Housemartins - Me And The Farmer (00:02:53)
◈ 08 - The Beautiful South - Good As Gold (Stupid As Mud) (00:03:48)
◈ 09 - Paul Heaton & Jacqui Abbott - Real Hope (00:03:06)
◈ 10 - The Beautiful South - You Keep It All In (00:02:53)
◈ 11 - Paul Heaton & Jacqui Abbott - The Austerity Of Love (00:04:26)
◈ 12 - The Housemartins - Build (00:04:18)
◈ 13 - The Beautiful South - Rotterdam (Or Anywhere) (00:03:35)
◈ 14 - Paul Heaton & Jacqui Abbott - She Got The Garden (Radio Mix) (00:03:20)
◈ 15 - The Beautiful South - Old Red Eyes Is Back (00:03:34)
◈ 16 - The Housemartins - Flag Day (Single Version) (00:03:33)
◈ 17 - The Beautiful South - Manchester (00:03:55)
◈ 18 - Paul Heaton & Jacqui Abbott - D.I.Y (00:02:21)
◈ 19 - The Beautiful South - Perfect 10 (00:03:38)
◈ 20 - Paul Heaton & Jacqui Abbott - I Don't See Them (Radio Mix) (00:03:27)
◈ 21 - The Beautiful South - Song For Whoever (00:04:05)
◈ 22 - Paul Heaton & Jacqui Abbott - A Little Time (2018 Version) (00:03:44)
◈ 23 - Paul Heaton & Jacqui Abbott - 7 Singles (00:03:39)

Код:

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FILE: 23 - 7 Singles.flac
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FILE: 22 - A Little Time (2018 Version).flac
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FILE: 21 - Song For Whoever.flac
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FILE: 20 - I Don't See Them (Radio Mix).flac
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FILE: 19 - Perfect 10.flac
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FILE: 18 - D.I.Y.flac
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FILE: 17 - Manchester.flac
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FILE: 16 - Flag Day (Single Version).flac
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FILE: 15 - Old Red Eyes Is Back.flac
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FILE: 14 - She Got The Garden (Radio Mix).flac
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FILE: 13 - Rotterdam (Or Anywhere).flac
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FILE: 12 - Build.flac
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FILE: 11 - The Austerity Of Love.flac
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FILE: 10 - You Keep It All In.flac
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FILE: 09 - Real Hope.flac
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FILE: 08 - Good As Gold (Stupid As Mud).flac
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FILE: 07 - Me And The Farmer.flac
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  Conclusion: CDDA 100%
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FILE: 06 - Prettiest Eyes.flac
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FILE: 05 - Moulding Of A Fool (Radio Edit).flac
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FILE: 04 - Happy Hour.flac
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FILE: 03 - Poems.flac
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FILE: 02 - Don't Marry Her.flac
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FILE: 01 - I Gotta Praise (Radio Mix).flac
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  Conclusion: CDDA 100%
  Signature: F7075C0C348F14C028ACDADE172820C6EB85066C

The warm, mellifluous voice of Paul Heaton often masks the jagged satirical content of his lyrics. From pointed political jabs like "The People Who Grinned Themselves to Death" to darkly comical love stories such as "Something That You Said," Heaton's work with the Housemartins and the Beautiful South has had countless listeners obliviously humming along to his biting wit. In the '80s, Heaton was the leader of the Housemartins. Like the Smiths, the Housemartins were college radio all-stars in the U.S.; although the group's jangly riffs and brainy, humorous songs couldn't draw mainstream acceptance in America, the band shared a portion of the Smiths' sizable cult of devotees. In 1986, the video for the Housemartins' "Happy Hour" was selected as a Hip Clip of the Week on MTV; the rollicking single is still a favorite of '80s flashback shows on modern rock stations.
After the Housemartins disbanded in the late '80s, Heaton then fronted the Beautiful South, a group that mirrored the Housemartins' no-frills approach. Nevertheless, the Beautiful South expanded Heaton's musical canvas, exploring jazz and even country influences. While many critics and student-run radio stations in the U.S. continued to laud Heaton's talent, the Beautiful South became far more successful in England, where they charted several number one albums. The group called it quits in 2007, having sold more than 15 million records worldwide, and Heaton shifted his focus to his growing solo career. While Fat Chance technically marked his solo debut in 2001 (albeit under the name Biscuit Boy aka Crackerman), 2008's The Cross Eyed Gambler was billed as a genuine Heaton release. Two years later, Heaton returned with Acid Country, which he helped to promote with a bicycle-led U.K. pub tour. The year 2012 saw the release of Presents the 8th, a stage play that boasted a single conceptual song told in eight chapters, dealing with the seven deadly sins, and featuring guest vocalists. In 2014 he released What Have We Become?, a collaborative album recorded with the other singer from the Beautiful South, Jacqui Abbott. After the warm of that effort, which catapulted to number three on the U.K. albums chart -- Heaton's highest-charting album since his Beautiful South days -- the duo regrouped for 2015's Wisdom, Laughter and Lines. The success of their renewed partnership was also reflected in an extensive and warmly received set of live dates, culminating in a sold-out homecoming gig to a crowd of 20,000 people in Hull in 2017. That same year, Heaton and Abbott announced they would be releasing their third record as a duo that summer. Crooked Calypso was produced by longtime collaborator John Williams (Cocteau Twins, Sinéad O'Connor, Alison Moyet), and featured the pair's wry wit and flair for infectious melodies. ~ Michael Sutton

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