[SACD-R][OF] Herrmann - Salonen - The Film Scores - 1996/2000 (Classical, Stage & Screen)

Herrmann - Salonen - The Film Scores
Жанр: Classical, Stage & Screen
Год записи материала: 1996
Год выпуска диска: 2000
Производитель диска: Japan - Sony - SRGR-744
Аудио кодек: DSD 2.0
Тип рипа: image (ISO)
Битрейт аудио: 2,8224 MHz
Продолжительность: 76:45
Треклист:
1. The Man Who Knew To Much - Prelude
Psycho - A Suite For Strings
2. Prelude
3. The City
4. The Rainstorm
5. The Madhouse
6. The Murder
7. The Water
8. The Swamp
9. The Stairs
10. The Knife
11. The Cellar
12. Finale
Marnie-Suite
13. Prelude
14. The Hunt
15. Noth By Northwest - Overture
Vertigo-Suite
16. Prelude
17. The Nightmare
18. Scene D'Amour
Torn Curtain
19. Prelude
20. Gromek
21. The Killing
Fahrenheit 451 - Suite For Strings, Harps & Percussion
22. Prelude
23. Fire Engine
24. The Bedroom
25. The Reading
26. The Garden
27. The Nightmare
28. Flowers of Fire
29. Flamethrower
30. The Captain's Death
31. The Road
32. Finale
Taxi Driver-A Night-Piece For Orchestra With Obbligato Alto Saxophone
33. Prelude
34. Blues
35. Night Prowl
36. Bloodbath
37. Finale
Описание:
It is becoming increasingly evident that the value of SACD recordings lies in the use of multichannel format. An excellently made new digital recording transfered to SACD will not show much sonic improvement on "low end" surround systems, while the differences between high(er) end regular digital stereo and SACD stereo aren't always significant. This is, of course, a generalization based on limited evidence, but it proves correct in the case of this award-winning disc of Herrmann film music, which was superbly recorded to begin with. I ran around between several different systems searching for audible differences between formats, but truth to tell, there didn't seem to be any of major import. If you are sold on the SACD format and own a high end system, then by all means grab this disc in its latest incarnation. If you already own it and enjoy it in normal stereo, there's no need to rush out and replace it. But either way, you should own it: you'll find the best available recordings of the music from Psycho, Torn Curtain, and above all, a truly shimmering and mesmerizing account of the suite from Farhenheit 451. I guess the lesson here is simple: great performances and great sound manifest themselves in any format. Period.
David Hurwitz, ClassicsToday.com
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О релизе: рип от luckburz
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