(Psychedelic/Blues) Agape - Agape - 1971, MP3 (tracks), 256 kbps

One of the first hard rock Jesus music bands formed around the talent of Fred Caban during the early stages of what became known as the Jesus People movement. Born and raised in California, the counterculture’s music scene offered an intimate glimpse into rock 'n 'roll life-styles of such guitar phenoms as Jimi Hendrix, after whom the budding musician patterned his style. Upon graduating from an Azusa high school in the spring of 1968, he and his bandmates squeezed into a small Volkswagen van in search of venues to perform. One night, while they stopped in at a Huntington Beach called the Lightclub, they met and were befriended by a group of enthusiastic teenagers whom Caban described as being "totally immersed with the message of Christ." The Lightclub coffeehouse by this time had been taken over by David Berg and family, the genesis point of what would eventually become the Children of God. After accepting a small Gospel of John, the band proceeded to find shelter for the night. As was the testimony of many other transients, contact with "Christianized" hippies intensified Caban's personal search for truth. Though not totally understanding the "Lightclubber's” message, he began praying for an introduction to "whomever was out there." Of this experience Caban recalled:
#777I said to myself 'if all this is true - I really want to know.’ I started to pray and had an experience where Jesus came to me and touched me on the shoulder and I actually saw Him and he basically called me to follow Him. It was a very sobering moment for me. The conviction of the truth of His existence was so profound.
When Caban returned to the van he shared his experience and found that fellow bandmate Jeff Newman had also undergone a spiritual conversion. The two fledgling Christians returned to the coffeehouse where they were both baptized. The next day the group returned to Azusa.
Within months of his conversion, Caban formed another band naming it Agape, the Greek word for God's love. Having previously established himself as a guitarist or some merit in the Azusa area, the three member outfit, which included Mike Jungkman on drums and Ms. Lonnie Campbell on bass, capitalized on his name to gather initial crowds. During the days immediately following each of their respective conversions, Agape's vision became evangelistic - desiring to share their experience with their peers. Where previously their goals had been to gain the attention of local recording companies, Agape functioned as one of the first musical missionary Jesus people bands. Of their stage protocol and evangelistic fervor Caban stated, "we'd play one or two songs - we'd jam,. we'd blow them away - and then boom, we'd start preaching.....and people would actually stick around and listen." Within six months a group of 50 young converts had joined the trio as a loose amalgamation of spiritually searching teenagers who gathered together for Bible studies and strategy sessions to promote the band's concerts. Caban recalled that it was a totally spontaneous gathering of friends; "it never dawned on us to enter a church. 'There was no structure but we didn't know that. We were just enjoying what was happening and taking it one day at a time.” During the formative stages of their initial phase of recruitment the band members functioned as the unofficial leadership.
#777Agape played a number or venues throughout the California area including a number of performances at Hollywood Presbyterian’s Salt Company coffeehouse. Their appearances there ran concurrent with the ascendancy of another premier Jesus musician. Both Agape and Larry Norman blossomed as Jesus music forces at the same time. At one point the singer invited Agape into a recording studio in an attempt to help them with their own recording career. Though nothing permanent came from this meeting, Agape eventually approached local record producer Martin Jones with the desire of recording an album. Offered free studio time between midnight and 6:00 am, Agape recorded Gospel Hard Rock (1971).
It was during the recording of this first release that the band met Ron Turner, who was studying at Azusa Pacific College with the hopes of entering the ministry. Raised in the Presbyterian church, Turner was mentored by Don Williams, then youth pastor of the Hollywood First Presbyterian Church. During his studies, Turner was a youth pastor at Arcadia Community Church which opened up to the band’s small entourage to join for worship service and concert performances.
For a period of three years, Turner increasingly took on more responsibility in the group, initially speaking at the band’s performances, but eventually becoming the shepherd figure over the growing congregation. Meeting regularly in Covina Park, the loosely structured group grew to over 500.
As a musical entity, the Agape hard rock gained a large following throughout the west coast, sharing stages with other Jesus music bands like Love Song and JC Power Outlet, playing the popular Gazzari's Hollywood-A-Go-Go, and invited to share the bill at the first California Jesus Festivals held at the Hollywood Palladium in 1971, Though some believed that their music was a compromise in it's close imitation of other 'worldly' rock bands, none of the members backed down from their vision of what they felt their music should project. Caban states, "we were basically a secular rock band that became Christians. When we got on stage we played it as hard as we did before. But where we had previously been selfish and desiring fortune and fame, we now sang about our faith in Jesus Christ. Nothing on the outside changed. We had been transformed from within." Jesus music historian Paul Baker wrote of Agape that, "they played Jesus rock at it's crustiest - music which cut through the thickest defenses of the non-Christian rock fans. For those to whom hard rock music was language, Agape... spoke-clearly."'
In 1972 the Agape band released a second album entitled Victims of Tradition. Though the music sounded like a melding of Jimi Hendrix meets the Eric Clapton led Cream, the lyrics focused on the single theme of the transforming power of Jesus Christ:
Then a man dresses in a robe stood up and said, two thousand years ago ‘I rose from the dead to free all mankind from the curse of sin, But you men won't listen you're just too ignorant so I’ll tell you again.' He pointed his finger and this is what he said: 'I can change your heart.’ Listen children patiently, the Son of God has come to set you free I’m following in the footsteps of Jesus Christ, He ain't no puppet He blew the whole world's mind He could charge your heart.’
Though they toured for six years as the first itinerant rock ‘n roll missionaries of the Jesus people, Agape disbanded with a farewell concert on December 13, 1974. Their legacy in the annals of contemporary Christian music has yet to be fully appreciated.
"Jesus rock at its crustiest" wrote Paul Baker in his book Contemporary Christian Music describing California's hard- rocking Agape. Hendrix fans should take note here as the style is very similar, from the music right down to Fred Caban's vocals. Mostly blues rock - the high-quality turn-of-the-decade FM radio kind. Not just a three-chord bash - these songs have mood and texture to them. You'll find quiet understated passages here as well as the hard-driving guitar solos. Atmosphere, too, as on the eerie 'Rejoice' which narrates tribulation prophesies against a panoply of guitar-induced missiles, earthquakes, and whatnot. Slow blues rockers ala Clapton ('Choose' and 'Blind') and fast ones ('Happy'). 'Freedom' supplies the token psych number, featuring layers of effect-laden guitars darting in and out like hornets over a constant throbbing two-note bass beat, marching snare drums, and Fred singing a hymn in a different key. Weird! Cover is an abstract image of the face of Christ - reportedly a photograph of a natural image of melting snow against a black background