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Cathedral + Thomas Doncourt / Дискография (3 альбома)
#777Жанр: Symphonic Progressive Rock
Страна: USA
Год издания: 1978-2014
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 02:41:58
Наличие сканов в содержимом раздачи: да
Треклист:
#777Tracklist:
01. Introspect (12:35)
02. Gong (7:00)
03. The Crossing (5:55)
04. Days & Changes (8:35)
05. The Search (11:20)
#777Tracklist:
01. Monsterhead Suite: parts 1, 2 & 3 (13:21)
02. Satellite (5:00)
03. Hollins (9:54)
04. Kithara Interludium (6:28)
05. Angular World (7:11)
06. The Lake (5:11)
07. The Secret (11:33)
#777Tracklist:
01. House in Paradise
02. Black Square Golden Crown (feat. Mattias Olssen)
03. Breaking Up in Bali
04. Constellation Orpheus
05. Which Fades Faster (feat. Cassandra Jenkins & Mattias Olssen)
06. Darkness of Wings
07. Defy Gravity from Under the Ground
08. Highway 3000
09. Horde of Bones
10. Moon Turns Orange Then Green (feat. Yuko Pepe)
11. Philosophers Path (feat. Alex Feld)
12. Princess Reindeer
13. Ragged Light
14. Whirlpool (feat. Yuko Pepe)
The roots of CATHEDRAL lie in a psychedelic band called Odyssey. When that band broke up in 1975, bassist Fred Callan, and mellotronist Tom Doncourt ventured on to form CATHEDRAL. The band was filled out by drummer Mercury Caronia IV, guitarist Rudy Perrone, and vocalist Paul Seal. They toured the Long Island club scene, and bravely decided to play original music. Instead of Pschedelic, they were taking more cues from the prog leaders of the time, the likes of King Crimson, Yes, Genesis, and Gentle Giant. What Tom Doncourt refers to as a "majestic" sound.
In 1978 they got together with Delta Records, and recorded "Stained Glass Stories." 10,000 copies were printed and sold. Interestingly, Delta Records was not much more than a studio above the Palace Theater in Times Square. However, Delta did have connections to record chains, and had the likes of Duke Ellington and Allison Steele recording right alongside. It was very much like the independent labels of today. New York City itself was fertile territory for progressive rock at the time. Tom Doncourt tells stories of turning old movie theaters into concert halls for one night stands. They built the stages, put in lighting, and wired the spaces for sound themselves.
All of this led to interest from Atlantic Records. They had some meetings, but this was the end of the '70s. The popularity of prog was rapidly declining. So a second album was not to be (or was it?). This did not diminish the importance of "Stained Glass Stories." It became a highly valued collectible, and the subject of much critical acclaim. Some have even called it the best American prog album ever. Renewed interest in prog led Syn-Phonic to re-release the album on CD in 1990.
As prog began to rise again, so did interest in CATHEDRAL. Finally, in 2003, Fred Callan called on his band mates once again. They brought old and new equipment, and had a mission to create progressive music that was true to its history, but not limited by it. The played together, and experimented for three years. Then they entered the studio. The process proved to be too much for Rudy Perrone, and he left the group. The thought of adding a new guitarist to the mix was a source of great anxiety. The guys were blessed to find David Doig. His sensibilities proved to gel right with the vision of the band. After almost 30 years, they released their second album. 2007's "The Bridge" is the follow up, and also a new beginning. In Early 2008, the band signed with Musea, and continues to work on new material. It took a while, but the future now looks bright for CATHEDRAL.
The past decade found me traveling quite a lot and I spent considerable time on trains,planes and in hotel rooms in remote corners of the earth . I used those spans for writing and collecting my thoughts in periods of reflection and consideration of what lay ahead. There is such a brief time that we are here on this earth. It is fortunate that technology allowed me a small, portable means of recording what I collected. These ideas were then taken out to my personal workspace in N.Y. and produced into their present forms. Analog and digital instruments, vintage and new, various odd folk instruments and percussion pieces all found their places.There is nothing,though, that I get more satisfaction from than arranging with my tape replay instruments,the Mellotron and Chamberlin. They instantly put me in a special space that I've been long acquainted with. I've had the pleasure of playing with an experimental group of musicians that started up in the American Museum of Natural History and we performed in underground situations in and around New York City. I was inspired by several of the artists I met in this fashion and they appear as guests on "The Mortal Coil".
Line-up / Musicians
- Fred Callan / bass guitar, Taurus pedals, backing vocals
- David Doig / acoustic & electric guitars
- Paul Seal / lead vocals, percussion
- Mercury Caronia IV / drums, gongs, bells, various electronic percussion, backing vocals
- Tom Doncourt / mellotron, other keyboards, theremin, percussion, flute
+
Mattias Olssen (2, 5)
Cassandra Jenkins (5)
Yuko Pepe (10, 14)
Alex Feld (11)
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