(Progressive & Art-Rock) Hiro Yanagida - 4 альбома, 1970 - 1973, MP3 (tracks), 160-320 kbps

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01 - Love St 00:00:54
02 - Running Shirts Long 00:08:42
03 - When She Didn't Agree 00:01:13
04 - Happy, Sorry 00:05:54
05 - Yum 00:03:50
06 - Love T 00:01:36
07 - Fish Sea Mil 00:02:24
08 - Fingers Of A Red Type Writer 00:08:28
09 - Milk Time 00:00:27
10 - Me And Milk Tea And Others 00:02:46

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01 - the butcher 00:02:56
02 - the murder in the midnight 00:08:06
03 - fantasia 00:04:59
04 - good morning people 00:03:03
05 - always 00:02:43
06 - the skyscraper 42nd 00:03:56
07 - my dear mary 00:02:10
08 - melancholy 00:04:24

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01 - Top Of The World 00:05:18
02 - You've Got A Friend 00:03:02
03 - Morning Has Broken 00:02:58
04 - Baby I'm A Want You 00:03:20
05 - It's Too Late 00:03:28
06 - I Need You 00:04:31
07 - Your Song 00:03:13
08 - Hurting Each Other 00:04:40
09 - Alone Again 00:03:48
10 - Sweet Caloline 00:02:34
11 - Love 00:02:46
12 - Bridge Over Troubled Water 00:05:01

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01 - The Sea Of Tempest 00:05:38
02 - Ode To Taurus 00:04:18
03 - Breaking Sound-Barrier 00:05:19
04 - Happy Cruise 00:06:32
05 - Rockomotion 00:05:53
06 - Uncertain Trip 00:06:39
07 - Time For Reverie 00:04:21

Keyboard player and prime mover Hiro Yanagida began his musical life in Ground Sounds outfit The Floral, before founding the considerably cooler Apryl Fool in 1968. However, Yanagida is best known for his contributions to the so-called ‘Super Session’ period of 1970-72, during which time he made a couple of flawed-but-interesting solo LPs and contributed to a whole slew of experimental Japanese albums, including Foodbrain’s A SOCIAL GATHERING project, Shinki Chen’s solo LP SHINKI CHEN & HIS FRIENDS, Masahiko Satoh’s marvellous AMALGAMATION album, and the stupendous and original free soul of LOVE WILL MAKE A BETTER YOU, by Love Live Life +1. The keyboardist also found time to contribute a couple of tunes to some Tokyo Kid Brothers plays, and MATIHEDEYOU SYOWOSUTEYO by J.A. Caesar. Nowadays, Yanagida’s debut solo LP MILK TIME suffers mightily in comparison to its obvious inspirational blueprint, Frank Zappa’s HOT RATS. But there are still some excellent excessive Jean Luc Ponty violin moments from guest Hiroki Tamaki, especially on the weighty title track. His second self-titled album was considerably less interesting, though, even containing a daft doowop sung by Joey Smith of Speed, Glue & Shinki. I know nothing of his work thereafter.