(Progressive Rock) Almendra - дискография - 1969 - 1980 (4 альбома), MP3, 192- 320 kbps

#777Треклист
01-Muchacha (Ojos De Papel) 00:03:07
02-Color Humano 00:09:12
03-Figuracion 00:03:31
04-Ana No Duerme 00:02:44
05-Fermin 00:03:18
06-Plegaria Para Un Nino Dormido 00:04:03
07-A Estos Hombres Tristes 00:05:59
08-Que El Viento Borro Tus Manos 00:02:36
09-Laura Va 00:02:48

#777Треклист
01 - Ana No Duerme 00:03:04
02 - Tema De Pototo 00:02:48
03 - Plegaria Para Un Niäo Dormido 00:08:41
04 - Figuracion 00:03:29
05 - Cambiandome El Futuro 00:05:03
06 - Vamos A Ajustar Las Cuentas Al Cielo 00:05:14
07 - Mestizo 00:11:12
08 - Jaguar Herido 00:08:49
09 - Color Humano 00:07:09
10 - Hilando Fino 00:06:04
11 - Muchacha (Ojos De Papel) 00:03:25
12 - Hermano Perro 00:04:41
13 - Rutas Argentinas 00:02:56

#777Треклист
01-Las Cosas para hacer 00:06:38
02-Amidama 00:03:26
03-Miguelito mi espiritu ha partido a tiempo 00:08:41
04-Espejada 00:02:03
05-Cielo Fuerte Amor guarani 00:04:40
06-El fantasma de la buena suerte 00:06:47
07-Buen dia dia de sol 00:04:40

Almendra was one of the most important rock and roll groups from Buenos Aires, Argentina in the late 1960s.
#777Led by guitarist and lyricist Luis Alberto Spinetta, Almendra released between 1968 and 1971 a few singles and two albums that revolutionized the sound of Argentine rock for the remainder of the 20th century and almost single-handedly changed the way local rock music was perceived by critics and audiences. Widely compared to The Beatles by their local contemporaries, Almendra did not survive the 1960s and the making of the difficult second album, though all individual members went on to form the backbone of Argentine rock in the 1970s.
Almendra was formed in 1968 after the break up of three teenage school groups, Los Sbirros, Los Mods and Los Larkins. The initial rehearsals were held at Spinetta´s house in Belgrano (an upper-middle class neighbourhood of Buenos Aires). By mid-1968, they met producer Ricardo Kleiman, who signed them for a single. Kleiman was the owner of an important clothing shop -Modart- and ran a radio show -Modart en la Noche/Modart at Night- that aired the latest editions of beat and rock music of the world.
On September 20, 1968, "Tema de Pototo" (a.k.a. "Para saber cómo es la soledad") b/w "El mundo entre las manos" was released. "Tema de Pototo" is a beautiful beat ballad about a friend they thought was dead. Both sides feature orchestral arrangements by Rodolfo Alchourrón, a request by the producer. By the end of the year, "Hoy todo el hielo en la ciudad" with a great fuzz guitar work by Edelmiro, hit the stores. The b-side features "Campos verdes" from which a promotional film was made.
Almendra played during the summer at the beginning of 1969 in Mar del Plata a resort city 400 km south of Buenos Aires. Their debut in Buenos Aires was on March 24, at the DiTella Institute, the avant-garde cultural centre of the 60s. Almendra spent the rest of the year performing at different venues, until September 21, first day of Spring and Student’s Day in Argentina, when they played at the Pinap Festival. Pinap was the name of a beat magazine, and this Festival was the first major event of Argentine rock.