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(Symphonic Progressive Rock) Glass - Discography - 2004-2014 (5 Albums) MP3, 320 kbps

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Glass • Discography

Жанр: Symphonic Progressive Rock
Страна: USA (Port Townsend, WA)
Год издания: 2004-2014
Label: Musea Records
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 05:58:05
Наличие сканов в содержимом раздачи: да
Источник релиза: Lossless

CD 1: 00:44:35
"No Stranger To The Skies"
01. No Stranger To The Skies 09:12
02. Give The Man A Hand 06:25
03. Domino 08:24
04. The Myopic Stream 08:17
05. For Ursula Major And Sirius The Dog Star 12:15
CD 2: 00:56:15
"Broken Oars"
01. Broken Oars Pt. 1 05:57
02. Broken Oars Pt. 2 05:06
03. Broken Oars Pt. 3 08:07
04. Broken Oars Pt. 4 07:36
05. Broken Oars Pt. 5 02:07
06. Broken Oars Pt. 6 01:01
07. Changer 10:52
08. Home 02:56
09. Patrice's Dream 12:31
Line-Up:
Greg Sherman - Keyboards
Jeff Sherman - Bass, Guitars
Jerry Cook - Drums, Percussion

Lossless Rip

#777
01. Overture 05:43
The Secret Life Of Aqua J. Long:
02. Astral Transascension 07:12
03. Isle Of Dyslexia 03:14
04. Medicine Man 05:30
Electronic Synaesthasia:
05. The Hidden Room 03:42
06. Crossing 05:10
07. My Tantric Gatito 03:50
Alchemy Of The World (08 - 13):
08. Eclipse 02:48
09. Wanderlust 02:38
10. Eternity 01:58
11. Reprise 01:35
12. Delirium 05:00
13. Falling 02:23
14. Slightly Behind All The Time 05:57
15. Gaia 06:10
Line-Up:
Greg Sherman - Keyboards, Grand Piano
Jeff Sherman - Bass, Keyboards, Bass Pedals
Jerry Cook - Drums, Percussion
Guests:
Hugh Hopper - Fuzz Bass (3)
Phil Miller - Guitars (15)
Richard Sinclair - Voice (15)
Paul Black - Drums (15)

Lossless Rip

#777
01. Prism 01:23
02. Apathy 06:01
03. Empathy 04:30
04. Quest 05:57
05. Blue Wednesday 05:16
06. Saturation 05:18
07. Emptiness 07:18
08. Fulfillment 04:57
09. Spectrum In Principle 01:33
10. Awaken 01:36
11. Atonement 07:38
12. Edge 05:50
13. Hope 03:46
14. Destiny 03:05
Line-Up:
Greg Sherman - Keyboards, Grand Piano
Jeff Sherman - Bass, Keyboards, Bass Pedals
Jerry Cook - Drums, Percussion

Lossless Rip

#777
01. No Sanctuary 05:00
02. Satori 02:58
03. Hughtopia 09:40
04. The Water Is Always Moving On 03:32
05. The Rain Song 06:23
06. Wake For Owsley 05:25
07. Arrhythmia/Linger Longer 20:09
08. One 04:36
09. Avidya 03:43
10. Singing Bowls 02:11
Line-Up:
Greg Sherman - Synthesizer, Hammond
Jeff Sherman - Bass, Acoustic Guitars, Synthesizers
Jerry Cook - Drums, Percussion

Lossless Rip

#777
01. Set One - Dedicated To Mike (But We Can't Find Him) 20:32
a). Give The Man A Hand
b). Dedicated To Mike
c). Astral
d). The Border
e). Crossing
02. Miles, Monk, Elton And Mom 04:18
03. Set - The Catch 21:19
a). The Catch
b). Patrice Mersault's Dream
c). The War Song
d). For Ursula Major And Sirius The Dog Star
04. Big Sur 9-14-2000 10:48
05. No Stranger To The Skies 09:22
Line-Up:
Greg Sherman - Keyboards, Grand Piano
Jeff Sherman - Bass, Keyboards, Bass Pedals
Jerry Cook - Drums, Percussion
Guests:
Richard Sinclair - Vocals
Hugh Hopper - Bass
Elton Dean - Saxophones

Lossless Rip

« MUSEA »
Back in the Seventies, the brothers Greg & Jeff SHERMAN had a musical project called GLASS. Unfortunately, nobody wanted to sign them, even when they decided to leave for the homeland of Progressive rock: Great-Britain ! Which is amazing of itself: the talent in this American band is quite obvious ! Not only are they great musicians, but they are also great songwriters. Twenty-five years later, our two partners in crime decided to repatriate long recorded musical pieces and release them as a double-CD called "No Stranger To The Skies", partly recorded live and partly in the studio. The result is one superb album, reissued in the year 2004 by the Musea label. A mix of orchestral Progressive rock and jazz-rock fusion, this unique piece of work is a real delight for the fans of Mellotron and Fender Rhodes electric piano ! The whole sounds as fresh as it had been recorded today... "Illuminations" (2005) is a real studio album indeed, showcasing a different side of GLASS. If the music is still as majestic and impressive as it has been, it also displays evidences of a true maturity. Soloing is kept to a minimum in favour of huge instrumental sections that belie the arrangements complexity. Let's also note that the track "Isle Of Dyslexia" has been recorded with the help of Hugh HOPPER (SOFT MACHINE), as "Gaia" features HATFIELD AND THE NORTH's creative duet: Richard SINCLAIR & Phil MILLER. Here's a new masterpiece that has to be part of every Progressive rock discography ! Newly released on the Musea label, "Live At Progman Cometh" presents two GLASS performances from 2002 and 2003 at Seattle's Moore Theater, plus one bonus-track ("No Stranger To The Skies") recorded at BajaProg in 2002. There are five instrumental compositions for more than 70 minutes of music. Sounds promising, doesn't it ? This is an opportunity to hear GLASS playing on stage with such luminaries as Elton DEAN, Hugh HOPPER, Richard SINCLAIR and the brothers Bill & Paul KOPECKY. Mostly unreleased, the titles mix the legacy of Progressive rock, symphonic music and Canterbury School in a unique blend of raw live energy and inspired performance. A timeless masterpiece ! "Spectrum Principle" (Musea, 2010) finds the band breaking new ground in the direction of the electronic soundscapes and sound collages introduced on "Illuminations". Loosely defined as a concept-album, "Spectrum Principle" offers a unique view into the worlds of particle physics, quantum theory, human abstract thought and the possibility of alternate universes as seen through the unique perspective of GLASS drummer and album producer Jerry COOK. All band members contribute equally to the writing and there's something here for all fans of Progressive rock music: the Canterbury School-influenced jazz-rock songs the band helped pioneer in the Seventies (Complex time signatures, vintage Hammond organ, Mellotron, Fender Rhodes and Mini-Moogs abound), classic European symphonic Progressive rock, acoustic music and much more. "Palindrome" (2014) marks a return to a vintage live sound. Produced by GLASS bassist Jeff SHERMAN, the album was recorded in the bands hometown in the space the band recorded in back in the mid-Seventies. It was recorded mostly live to two-track analog tape, using vintage analog instruments. In addition, three of the tracks were augmented by the incomparable sound of the of 1889 Whalley Genung pipe organ which resides in the Port Townsend Presbyterian church (Washington State). The vision here was to be as free of preconceptions as possible. For the three GLASS members to produce a true zen recording. The music here embodies all the classic music elements: great melodies, complex time signatures and musical experimentation that still sound fresh even in this over-hyped digital era. Fans of GLASS' earlier, more jazz-influenced improvisational work should be doubly pleased by "Palindrome".

« PROGARCHIVES »
GLASS is a Progressive Rock trio from the Pacific Northwest who have blazed the path for alternative instrumental music in that area and beyond, since their inception in 1970. As one of the first Progressive bands in Washington State, GLASS made a name for themselves across college campuses and coffee houses, weaving their unique blend of English progressive influences (i.e. ELP, YES, SOFT MACHINE) into impressive concerts.
In the mid 70's members of the band made their way to England, the birthplace of their musical roots. Demo tapes in hand, they garnered attention from several British management agencies and a few record label A&R people. But their goal of being signed to a European record label was not forthcoming and they returned home in the summer of '75. Back home in The States they persevered writing new material, weathering member changes and opening minds with their visionary sound. Unfortunately, they weren't able to break into the commercial music scene of the day - their location and music being somewhat removed from the mainstream back then - and the financial rewards necessary to keep their artistic endeavor alive were not forthcoming.
In 1975 the original lineup of Greg Sherman, his brother Jeff and drummer Jerry Cook disbanded. In 1976 A last ditch attempt to keep the band alive was mounted and longtime friend and drummer Paul Black was brought in to replace Jerry. After a career move to New York City that summer, a subsequent string of non-eventful performances there and one final studio recording with Jerry back in Seattle the following year, GLASS finally called it quits.
Fortunately for the music world, their permanent retirement was not to be. In early 1999, after a decade of watching the Internet - driven International Progressive Music Scene grow, the original members of GLASS decided that perhaps the world had now caught up with them. Meetings ensued throughout that year, old master tapes resurfaced, archiving was done and the resulting triumph was the CD "No Stranger to The Skies" on their own independent label Relentless Pursuit Records. The album is a brilliant retrospective that includes material spanning the length of their early career. The CD set has done so well that in May of 2004, the French Progressive label Musea Records re-released it worldwide through retailers and major online music sources such as Amazon.com. Finally, the goal they sacrificed and struggled so hard for in the '70s was realized. The Musea re-release capped an unprecedented year of achievement for the regrouped band that included return appearances at two major International Progressive Music Fests. GLASS was asked to perform at both Progman Cometh Festival II in Seattle, Washington and at The BajaProg Festival in Mexicali, Mexico. There they backed up Progressive Music Legend, Richard Sinclair who was taken by their music at the first "Progman.." the year before. Subsequently he recorded some demo material with them as an unofficial 4th member before he returned to Europe. Another Canterbury Music founding father, Phil Miller was also onboard for the session. In August 2004 they will finally have time to start work on their much-anticipated "comeback" CD. It will be recorded in Seattle, Washington and will contain all new material - their first studio recording in nearly thirty years. GLASS is confident it will prove what longstanding GLASS Fans have always known: great music like the talent of the musicians that create it, is timeless.

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