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(Hubro, Norway, Dark Jazz, Fusion, Doom Piano Trio) Splashgirl (feat. Eyvind Kang) - Field Day Rituals - 2013, FLAC (tracks+.cue), lossless

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Гость

SPLASHGIRL
FIELD DAY RITUALS

Жанр: Fusion, Dark Jazz, Doom Piano Trio
Страна-производитель диска: Norway
Год издания: 2013
Издатель (лейбл): Hubro
Номер по каталогу: HUBROCD2520
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 46:40
Источник (релизер): спасибо evensteven
Наличие сканов: нет

1. Long Story
2. Field Day Rituals
3. All The Vowels Missing
4. Dulcimer
5. Mass
6. Never Been Anywhere Before
7. The Portal
8. Twixt It and Silence
9. I Feel Like I Know Her

Код:

xact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 29. March 2013, 17:18
Splashgirl / Field Day Rituals
Used drive  : PLEXTOR CD-R   PREMIUM   Adapter: 4  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 30
Overread into Lead-In and Lead-Out          : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  3:47.54 |         0    |    17078
        2  |  3:47.54 |  6:23.03 |     17079    |    45806
        3  | 10:10.57 |  4:50.50 |     45807    |    67606
        4  | 15:01.32 |  5:06.22 |     67607    |    90578
        5  | 20:07.54 |  6:12.07 |     90579    |   118485
        6  | 26:19.61 |  5:03.26 |    118486    |   141236
        7  | 31:23.12 |  6:52.00 |    141237    |   172136
        8  | 38:15.12 |  3:29.59 |    172137    |   187870
        9  | 41:44.71 |  4:56.01 |    187871    |   210071
Track  1
     Filename C:\EACRips\01 Long Story.wav
     Pre-gap length  0:00:02.00
     Peak level 96.6 %
     Extraction speed 6.1 X
     Track quality 99.9 %
     Test CRC CF48DBC2
     Copy CRC CF48DBC2
     Track not present in AccurateRip database
     Copy OK
Track  2
     Filename C:\EACRips\02 Field Day Rituals.wav
     Peak level 96.5 %
     Extraction speed 7.8 X
     Track quality 100.0 %
     Test CRC B3929816
     Copy CRC B3929816
     Track not present in AccurateRip database
     Copy OK
Track  3
     Filename C:\EACRips\03 All The Vowels Missing.wav
     Peak level 92.3 %
     Extraction speed 8.7 X
     Track quality 100.0 %
     Test CRC C8D9FB8A
     Copy CRC C8D9FB8A
     Track not present in AccurateRip database
     Copy OK
Track  4
     Filename C:\EACRips\04 Dulcimer.wav
     Peak level 98.6 %
     Extraction speed 9.4 X
     Track quality 100.0 %
     Test CRC F30F4C8B
     Copy CRC F30F4C8B
     Track not present in AccurateRip database
     Copy OK
Track  5
     Filename C:\EACRips\05 Mass.wav
     Peak level 96.5 %
     Extraction speed 10.2 X
     Track quality 100.0 %
     Test CRC 7504F0D2
     Copy CRC 7504F0D2
     Track not present in AccurateRip database
     Copy OK
Track  6
     Filename C:\EACRips\06 Never Been Anywhere Before.wav
     Peak level 96.6 %
     Extraction speed 10.7 X
     Track quality 100.0 %
     Test CRC 6504EFDE
     Copy CRC 6504EFDE
     Track not present in AccurateRip database
     Copy OK
Track  7
     Filename C:\EACRips\07 The Portal.wav
     Peak level 97.0 %
     Extraction speed 5.9 X
     Track quality 99.9 %
     Test CRC F18715EB
     Copy CRC F18715EB
     Track not present in AccurateRip database
     Copy OK
Track  8
     Filename C:\EACRips\08 Twixt It And Silence.wav
     Peak level 96.5 %
     Extraction speed 9.8 X
     Track quality 99.9 %
     Test CRC EA13168B
     Copy CRC EA13168B
     Track not present in AccurateRip database
     Copy OK
Track  9
     Filename C:\EACRips\09 I Feel Like I Know Her.wav
     Peak level 96.7 %
     Extraction speed 12.8 X
     Track quality 100.0 %
     Test CRC 09F617FF
     Copy CRC 09F617FF
     Track not present in AccurateRip database
     Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.3
[CTDB TOCID: jjm8RZTK2uksemVOeWMRhcWIHiQ-] disk not present in database, Submit result: jjm8RZTK2uksemVOeWMRhcWIHiQ- has been uploaded
==== Log checksum 1507A2523571939044501D9635373FF9B46AF14D051032F2C2CA723F000D6790 ====

Код:

REM GENRE Alternative
REM DATE 2013
REM DISCID 760AF009
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Splashgirl"
TITLE "Field Day Rituals"
FILE "01 Long Story.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Long Story"
    PERFORMER "Splashgirl"
    ISRC NOFGH1320010
    FLAGS DCP
    INDEX 01 00:00:00
FILE "02 Field Day Rituals.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Field Day Rituals"
    PERFORMER "Splashgirl"
    ISRC NOFGH1320020
    FLAGS DCP
    INDEX 01 00:00:00
FILE "03 All The Vowels Missing.wav" WAVE
  TRACK 03 AUDIO
    TITLE "All The Vowels Missing"
    PERFORMER "Splashgirl"
    ISRC NOFGH1320030
    FLAGS DCP
    INDEX 01 00:00:00
FILE "04 Dulcimer.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Dulcimer"
    PERFORMER "Splashgirl"
    ISRC NOFGH1320040
    FLAGS DCP
    INDEX 01 00:00:00
FILE "05 Mass.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Mass"
    PERFORMER "Splashgirl"
    ISRC NOFGH1320050
    FLAGS DCP
    INDEX 01 00:00:00
FILE "06 Never Been Anywhere Before.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Never Been Anywhere Before"
    PERFORMER "Splashgirl"
    ISRC NOFGH1320060
    FLAGS DCP
    INDEX 01 00:00:00
FILE "07 The Portal.wav" WAVE
  TRACK 07 AUDIO
    TITLE "The Portal"
    PERFORMER "Splashgirl"
    ISRC NOFGH1320070
    FLAGS DCP
    INDEX 01 00:00:00
FILE "08 Twixt It And Silence.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Twixt It And Silence"
    PERFORMER "Splashgirl"
    ISRC NOFGH1320080
    FLAGS DCP
    INDEX 01 00:00:00
FILE "09 I Feel Like I Know Her.wav" WAVE
  TRACK 09 AUDIO
    TITLE "I Feel Like I Know Her"
    PERFORMER "Splashgirl"
    ISRC NOFGH1320090
    FLAGS DCP
    INDEX 01 00:00:00

In recent years, as ever-increasing numbers of piano-bass-drums trios have appeared on the scene and released their debut albums, it has become a truism that any such group needs to have its own unique selling point to distinguish it from the crowd. It is no longer enough to write or cover good songs and to play them well—that is not guaranteed to separate a new group from the rest, nor is adopting and adapting elements of already successful piano trios. Favourite trios to copy (or steal from) are, in no particular order, The Bad Plus, The Necks and e.s.t.—each of which has been instrumental in reinventing and revitalising the genre. As with those trios, it is important that any new arrival should be instantly recognisable after a few bars. All of which bring us neatly to the young Norwegian trio Splashgirl.
On their previous three-and-a-half albums (their last LP was split with label mates and countrymen Huntsville, hence the half) Splashgirl have evolved their own sound which is unlike that of any other piano trio. Their music is characterised by its restraint and lack of extended solos or pyrotechnics; slowly-evolving repetitions establish mesmerising grooves, with the occasional addition of guest musicians bringing variety. Throughout, Andreas Stensland Løwe's piano chords are the dominant sound, with Jo Berger Myhre on bass and Andreas Lønso Knudsrød on drums ever present as equal partners. Although the trio have repeatedly demonstrated their abilities as improvisers, as a group they are now far removed from jazz piano trios, often being closer to minimalism or ambient; their music is very easy to listen to, while never risking the dreaded "easy listening" tag.
Their third album, Pressure (Hubro, 2011) was widely hailed as a triumph and now Field Day Rituals builds on and develops its strengths. It was recorded over two weeks at Avast Studio in Seattle, engineered and produced by Randall Dunn, who mixed Pressure and whose other productions include Sunn O))) and Sun City Girls; the arrival of Dunn as producer makes this the first Splashgirl album not to have been produced by the group. Splashgirl say that Dunn inspired them to take a favourable look at jazz again, but the effects of that look are not immediately obvious. In fact, if one were to catalogue the influences on display here, not one of them would be a jazz player.
Dunn's skills as a producer are emphasised by the coherence of the album and the consistency of its sound. This time out, only two guest musicians are used—quite modest compared to past albums. Viola player Eyvind Kang—frequently used on Dunn productions—features on three tracks, being integrated into the overall ensemble sound without being obvious or intrusive. Similarly, Dunn uses Timothy Mason's synth for coloration and emphasis, blending it in perfectly. Both guests augment the basic trio well, without their addition detracting from it. The end result is an album which can make others feel flat and empty by comparison. (John Eyles)

Field Day Rituals is the fourth album by Norwegian jazz trio Splashgirl and it is arguably their best to date, revelling in its restrained slowness and methodical deliberation. It also features a clear narrative progression, with each track appearing to prepare the ground carefully for what is to directly follow. What ensues is a thoroughly immersive listen that, whilst undoubtedly sombre, is also consummate and engaging.
It opens with four pieces that possess a mild ECM feel, albeit darker and more opaque. Opener Long Story sounds not dissimilar to something you might find on a Tord Gustavsen Trio record, the piano playing prominent and graceful but surrounded by deeper, more shaded sounds. All The Vowels Missing meanwhile gives an early indication on how difficult it is to neatly categorise their sound, the grounded piano lines hinting at melodies without ever fully achieving them. It briefly positions them alongside acts like Tape and others found on fellow experimental Scandinavian label Hapna. It also has a beautiful inertness to it, something that contrasts with following track Dulcimer which is propelled by percussion that moves the album into weightier post-jazz territory.
Field Day Rituals arguably has a richer, thicker sound mix than other albums, something demonstrated on stand-out track Mass. Featuring Eyvind Kang on viola and a greater focus on bowed double bass it has a disquieting, slightly anguished eeriness that also manages to project an otherworldly, Middle Eastern feel. It takes the music outside of the realm of jazz into something more mysterious and hard to place. Following track Never Been Anywhere Before is similarly distinctive. A piano line that sounds more closely aligned to classical music emerges out of the mist and grows into something more cinematic and emotionally penetrating. It’s by far the most animated moment on the album.
Another quality that runs through the album is its economy of language. It recalls their earlier work on albums like Arbors and Pressure but here it has a higher resolution to it, certainly in its execution. In this respect it is not unlike what you would find on releases by The Necks. The closing three tracks see a return to the piano-led jazz sound that opened the album, almost as if things have come full circle. The Portal In particular wanders a lonely, melancholy musical path. (Steven Johnson)

Andreas Stensland Løwe - piano, keyboards
Jo Berger Myhre - double bass
Andreas Lønso Knudsrød - drums, percussion
guests:
Eyvind Kang - viola
Timothy Mason - modular synth

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