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Miles Davis - Filles de Kilimanjaro
Жанр: Fusion, Post-Bop
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2015
Издатель (лейбл): Mobile Fidelity Sound Lab
Номер по каталогу: UDSACD 2148
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 56:36
Источник (релизер): mclarenspy
Наличие сканов в содержимом раздачи: да
Треклист:
01. Frelon Brun (Brown Hornet) - 5:41
02. Tout de Suite - 14:07
03. Petits Machins (Little Stuff) - 8:10
04. Filles de Kilimanjaro (Girls of Kilimanjaro) - 12:02
05. Mademoiselle Mabry (Miss Mabry) - 16:36
Состав:
Miles Davis - trumpet
Wayne Shorter - tenor saxophone
Herbie Hancock (#1,2,4), Chick Corea (#3,5) - piano, electric piano
Ron Carter (#1,2,4), Dave Holland (#3,5) - bass
Tony Williams - drums
Recorded at Columbia Studio B, New York on June 21 (#4) and Columbia 30th Street Studio, New York on June 19 - September 24, 1968 (#1-3,5).
Код:
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 12. July 2017, 23:39
Miles Davis / Filles De Kilimanjaro (2015 MFSL)
Used drive  : PLEXTOR CD-R   PREMIUM   Adapter: 1  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 30
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  5:41.04 |         0    |    25578
        2  |  5:41.04 | 14:06.71 |     25579    |    89099
        3  | 19:48.00 |  8:09.52 |     89100    |   125826
        4  | 27:57.52 | 12:02.01 |    125827    |   179977
        5  | 39:59.53 | 16:35.72 |    179978    |   254674
Track  1
     Filename C:\tmp\00_RIPS\01 - Frelon Brun (Brown Hornet).wav
     Pre-gap length  0:00:02.00
     Peak level 96.7 %
     Extraction speed 9.1 X
     Track quality 100.0 %
     Test CRC 63018011
     Copy CRC 63018011
     Accurately ripped (confidence 7)  [0FF02640]  (AR v2)
     Copy OK
Track  2
     Filename C:\tmp\00_RIPS\02 - Tout De Suite.wav
     Peak level 99.9 %
     Extraction speed 10.7 X
     Track quality 99.9 %
     Test CRC 7540850E
     Copy CRC 7540850E
     Accurately ripped (confidence 7)  [F932C86E]  (AR v2)
     Copy OK
Track  3
     Filename C:\tmp\00_RIPS\03 - Petits Machins (Little Stuff).wav
     Peak level 96.3 %
     Extraction speed 11.8 X
     Track quality 99.9 %
     Test CRC 765A9F01
     Copy CRC 765A9F01
     Accurately ripped (confidence 7)  [EA831628]  (AR v2)
     Copy OK
Track  4
     Filename C:\tmp\00_RIPS\04 - Filles De Kilimanjaro (Girls Of Kilimanjaro).wav
     Peak level 97.4 %
     Extraction speed 14.4 X
     Track quality 100.0 %
     Test CRC 43D321E4
     Copy CRC 43D321E4
     Accurately ripped (confidence 7)  [73FB0D1B]  (AR v2)
     Copy OK
Track  5
     Filename C:\tmp\00_RIPS\05 - Mademoiselle Mabry (Miss Mabry).wav
     Peak level 94.1 %
     Extraction speed 15.5 X
     Track quality 100.0 %
     Test CRC 7344DD31
     Copy CRC 7344DD31
     Accurately ripped (confidence 6)  [6B0B8713]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.6
[CTDB TOCID: j6VnxvHs4klqKdYbfhbSxQHh9wM-] found
Submit result: j6VnxvHs4klqKdYbfhbSxQHh9wM- has been confirmed
Track | CTDB Status
  1   | (22/22) Accurately ripped
  2   | (21/22) Accurately ripped
  3   | (22/22) Accurately ripped
  4   | (22/22) Accurately ripped
  5   | (20/22) Accurately ripped, or (2/22) differs in 1753 samples @16:35:50-16:35:56
==== Log checksum 57698D6A80814D5E06C1AE93713C41CEBAD86B927D583AC5417922DDCE506FCB ====
Код:
REM GENRE Jazz
REM DATE 1968
REM DISCID 350D4305
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Miles Davis"
TITLE "Filles de Kilimanjaro"
FILE "01 - Frelon Brun (Brown Hornet).wav" WAVE
  TRACK 01 AUDIO
    TITLE "Frelon Brun (Brown Hornet)"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "02 - Tout de Suite.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Tout de Suite"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "03 - Petits Machins (Little Stuff).wav" WAVE
  TRACK 03 AUDIO
    TITLE "Petits Machins (Little Stuff)"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "04 - Filles de Kilimanjaro (Girls of Kilimanjaro).wav" WAVE
  TRACK 04 AUDIO
    TITLE "Filles de Kilimanjaro (Girls of Kilimanjaro)"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "05 - Mademoiselle Mabry (Miss Mabry).wav" WAVE
  TRACK 05 AUDIO
    TITLE "Mademoiselle Mabry (Miss Mabry)"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
Код:
[CUETools log; Date: 15.07.2017 18:36:13; Version: 2.1.5]
[CTDB TOCID: j6VnxvHs4klqKdYbfhbSxQHh9wM-] found.
Track | CTDB Status
  1   | (23/23) Accurately ripped
  2   | (22/23) Accurately ripped
  3   | (23/23) Accurately ripped
  4   | (23/23) Accurately ripped
  5   | (21/23) Accurately ripped, or (2/23) differs in 1753 samples @16:35:50-16:35:56
[AccurateRip ID: 000a4d57-0031962b-350d4305] found.
Track   [  CRC   |   V2   ] Status
 01     [1007a46e|0ff02640] (0+7/7) Accurately ripped
 02     [2b535e20|f932c86e] (0+7/7) Accurately ripped
 03     [871ea7ca|ea831628] (0+7/7) Accurately ripped
 04     [0d198999|73fb0d1b] (0+7/7) Accurately ripped
 05     [a57f44dd|6b0b8713] (0+6/6) Accurately ripped
Track Peak [ CRC32  ] [W/O NULL] [  LOG   ]
 --   99,9 [CC3F74D0] [F6986ABB]
 01   96,7 [63018011] [36D8E820]   CRC32
 02   99,9 [7540850E] [3A185420]   CRC32
 03   96,3 [765A9F01] [D536DEC0]   CRC32
 04   97,4 [43D321E4] [77E592BA]   CRC32
 05   94,1 [7344DD31] [5FCD0962]   CRC32
Since it's billed as "Directions in Music by Miles Davis," it should come as little surprise that Filles de Kilimanjaro is the beginning of a new phase for Miles, the place that he begins to dive headfirst into jazz-rock fusion. It also happens to be the swan song for his second classic quintet, arguably the finest collective of musicians he ever worked with, and what makes this album so fascinating is that it's possible to hear the breaking point -- though his quintet all followed him into fusion (three of his supporting players were on In a Silent Way), it's possible to hear them all break with the conventional notions of what constituted even adventurous jazz, turning into something new. According to Miles, the change in "direction" was as much inspired by a desire to return to something earthy and bluesy as it was to find new musical territory, and Filles de Kilimanjaro bears him out. Though the album sports inexplicable, rather ridiculous French song titles, this is music that is unpretentiously adventurous, grounded in driving, mildly funky rhythms and bluesy growls from Miles, graced with weird, colorful flourishes from the band. Where Miles in the Sky meandered a bit, this is considerably more focused, even on the three songs that run over ten minutes, yet it still feels transitional. Not tentative (which In the Sky was), but certainly the music that would spring full bloom on In a Silent Way was still in the gestation phase, and despite the rock-blues-n-funk touches here, the music doesn't fly and search the way that Nefertiti did. But that's not a bad thing -- this middle ground between the adventurous bop of the mid-'60s and the fusion of the late '60s is rewarding in its own right, since it's possible to hear great musicians find the foundation of a new form. For that alone, Filles de Kilimanjaro is necessary listening.
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