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(Fusion) Charlie Mariano - Helen 12 Trees - 1976, FLAC (tracks), lossless

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Charlie Mariano - Helen 12 Trees
Жанр: Fusion
Страна-производитель диска: Германия
Год издания: 2008
Издатель (лейбл): MPS/Promising Music
Номер по каталогу: SPV 441042 CD
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 39:03
Источник (релизер): vadimvadimvadim (nnm)
Наличие сканов в содержимом раздачи: да
Треклист:
01. Helen 12 Trees (Mariano) - 4:46
02. Parvati's Dance (Mariano) - 7:35
03. Sleep, My Love (Mariano) - 2:54
04. Thorn of a White Rose (Hammer) - 4:31
05. Neverglades Pixie (Mariano) - 7:12
06. Charlotte (Mariano) - 6:35
07. Avoid the Year of the Monkey (Mariano) - 5:30
Cостав:
Charlie Mariano - soprano saxophone (#5-7), alto saxophone (#1,4), flute (#3), nagaswaram (#2)
Zbigniew Seifert - violin
Jan Hammer - acoustic piano, electric piano, Moog synthesizer
Jack Bruce - bass guitar
John Marshall - drums
Nippy Noya - percussion
Recorded at Union Studio Munich-Solln, Germany on May 6-8, 1976.

Код:

auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01 - Helen 12 Trees.wav]
Detected average hi-boundary frequency: 2.016278e+004 Hz
Detected average lo-boundary frequency: 1.293078e+004 Hz
Detected average hi-cut frequency: 2.160655e+004 Hz
Detected average lo-cut frequency: 8.772877e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 8.026667e-001
First order smothness: 4.250654e-001
Second order smothness: 4.990183e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02 - Parvati's Dance.wav]
Detected average hi-boundary frequency: 2.013820e+004 Hz
Detected average lo-boundary frequency: 1.316364e+004 Hz
Detected average hi-cut frequency: 2.160529e+004 Hz
Detected average lo-cut frequency: 9.711235e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.586644e-001
First order smothness: 3.745395e-001
Second order smothness: 6.356938e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03 - Sleep, My Love.wav]
Detected average hi-boundary frequency: 2.010917e+004 Hz
Detected average lo-boundary frequency: 1.263289e+004 Hz
Detected average hi-cut frequency: 2.130432e+004 Hz
Detected average lo-cut frequency: 8.461395e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.482694e+000
First order smothness: 3.518319e-001
Second order smothness: 7.306034e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04 - Thorn of a White Rose.wav]
Detected average hi-boundary frequency: 2.011975e+004 Hz
Detected average lo-boundary frequency: 1.273978e+004 Hz
Detected average hi-cut frequency: 2.172762e+004 Hz
Detected average lo-cut frequency: 8.951530e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.980539e-001
First order smothness: 3.489887e-001
Second order smothness: 6.362701e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05 - Neverglades Pixie.wav]
Detected average hi-boundary frequency: 2.028050e+004 Hz
Detected average lo-boundary frequency: 1.374083e+004 Hz
Detected average hi-cut frequency: 2.160571e+004 Hz
Detected average lo-cut frequency: 1.030635e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.392762e-001
First order smothness: 4.265976e-001
Second order smothness: 6.558722e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06 - Charlotte.wav]
Detected average hi-boundary frequency: 2.016521e+004 Hz
Detected average lo-boundary frequency: 1.326578e+004 Hz
Detected average hi-cut frequency: 2.132766e+004 Hz
Detected average lo-cut frequency: 8.867122e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 6.200642e-001
First order smothness: 3.434772e-001
Second order smothness: 7.270583e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07 - Avoid the Year of the Monkey.wav]
Detected average hi-boundary frequency: 2.002979e+004 Hz
Detected average lo-boundary frequency: 1.205354e+004 Hz
Detected average hi-cut frequency: 2.169040e+004 Hz
Detected average lo-cut frequency: 8.786328e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.358292e+000
First order smothness: 3.460674e-001
Second order smothness: 7.210674e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%

Saxophonist, flutist, and composer Charlie Mariano was 26 years into his recording career as a leader when he popped this wild bit of hardcore jazz-rock fusion out in 1976. He'd been playing with musicians from all over the world for most of his tenure, and Helen 12 Trees was no exception. The musicians Mariano was capable of recruiting had always been astonishing; in fact, it was his norm, but this group, despite being together for a very short time, was one of his finest. Mariano is aided by Jan Hammer from the Mahavishnu Orchestra on keyboards, former Graham Bond Organization and Cream bassist Jack Bruce, Soft Machine drummer John Marshall, Polish violin wizard Zbigniew Seifert, and Asian percussionist Nippy Noya. Just under 40 minutes in length, this is one of the great, under-heard records to ever come from the fusion years. Tracks like "Parvati's Dance," where Mariano plays the Indian nagaswaram, a reed instrument that has a very unusual tonality, is gorgeous when juxtaposed against the droning violin of Seifert or the high-pitched wandering keys of Hammer. Bruce and Marshall are playing a near dub rhythm of pulse and bubble. "Thorn of a White Rose" is by Hammer, the only non-Mariano cut here. It carries within it dueling winding lines of violin and saxophone, and Hammer becomes the funky part of the rhythm section where Bruce carries a straight series of four-note lines very forcefully as Marshall plays his kit in knotty, military style with heavy snare. Mariano's solo hits the skronk a bit before Hammer comes right back to post-bop jazz on the Rhodes. "Neverglades Pixie" is a ballad gone to wonky funk, where the hand percussion on bells, vibes, metal rods, and other more standard instruments adds another layer to Marshall's rimshots as Seifert takes a solo right out of Cajun fiddling and the blues -- until he gets to meet Hammer's big, cluttered chords and winds it out to the Gypsy jazz side of things. The bottom line is that over seven tracks, this set never runs out of surprises, grooves, kinetic energy, or astonishing improvisational ideas. But more than this, because of the great sensitivity Mariano has as a leader, it never runs out of soul either. There is pure poetry in this music, albeit of a very strident nature, and is certainly one of the finest under Mariano's name as a leader -- it's a stone classic and one of the best examples of post-Miles jazz-rock fusion ever recorded! MPS was a visionary label, and kept putting out quality jazz, rock, and big band records until it closed its doors in the late '70s, and this title is prime evidence of label boss Joachim Ernst Berendt's vision. [The CD reissue by SPV is a 24-bit remaster done in Japan from the source tapes. It is beautifully packaged in a gatefold facsimile cover of the LP, with full liner notes in English and German, and the black CD is encased in a lined sleeve. The entire package is house in a heavy-paper outer sleeve (that also contains original art work) to protect it. It not only sounds wonderful, but it also looks great. The best thing besides the music is that its cost is totally manageable for ardent CD buyers.]

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