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(Contemporary Jazz, Fusion) Brian Bromberg (feat. Vinnie Colaiuta, Randy Brecker, Jeff Lorber, Alex Acuna a.o.) - Compared to That - 2012, WEB, FLAC (tracks), lossless

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Brian Bromberg

Compared To That

Жанр: Contemporary Jazz, Fusion
Год издания: 2012
Издатель (лейбл): Mack Avenue Records / Artistry Music
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 71:00
Наличие сканов в содержимом раздачи: front + booklet.pdf
Источник (релизер): WEB (я)
Треклист:
1. Compared To That
2. Rory Lowery, Private Eye
3. If Ray Brown Was A Cowboy?
4. Hayride
5. A Little New Old School
6. Forgiveness
7. Does Anybody Really Know What Time It Is?
8. I'm Just Sayin'
9. The Eclipse
10. Give It To Me Baby

Brian Bromberg - acoustic bass, hollow body piccolo bass, steel string acoustic piccolo bass, Carvin B24 4 string bass, Carvin B24 4 string fretless bass
Randy Brecker - trumpet, flugelhorn
Vinnie Colaiuta - drums
Alex Acuna - percussion
Gary Meek - tenor sax
Jeff Lorber - piano, electric piano
George Duke - piano
Mitch Forman - piano
Larry Goldings - hammond b3 organ
Tom Zink - piano
Bela Fleck - banjo
Gannin Arnold - rhythm guitar
Charlie Bishart - violin
Horn Section:
Tony Guerrero, Willie Murillo, Jason Thor, Vince Trombetta, Mark Visher
The Rising Sun Orchestra (Tokyo)
Подробная потрековая раскладка есть в буклете

О Бромберге (на русском):
Ссылка 1 | Ссылка 2

Код:

AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Started at: вторник, 05. 06. 2012. - 11:15.36
10 files found
01 -===- C:\Users\Забудько\Downloads\Brian Bromberg - Compared to That (2012)\01 - Compared To That.flac
  Extracted successfully
  Conclusion: this track is CDDA with probability 100%
  Tempfile successfully deleted.
02 -===- C:\Users\Забудько\Downloads\Brian Bromberg - Compared to That (2012)\02 - Rory Lowery, Private Eye.flac
  Extracted successfully
  Conclusion: this track is CDDA with probability 100%
  Tempfile successfully deleted.
03 -===- C:\Users\Забудько\Downloads\Brian Bromberg - Compared to That (2012)\03 - If Ray Brown Was A Cowboy.flac
  Extracted successfully
  Conclusion: this track is CDDA with probability 100%
  Tempfile successfully deleted.
04 -===- C:\Users\Забудько\Downloads\Brian Bromberg - Compared to That (2012)\04 - Hayride.flac
  Extracted successfully
  Conclusion: this track is CDDA with probability 100%
  Tempfile successfully deleted.
05 -===- C:\Users\Забудько\Downloads\Brian Bromberg - Compared to That (2012)\05 - A Little New Old School.flac
  Extracted successfully
  Conclusion: this track is CDDA with probability 100%
  Tempfile successfully deleted.
06 -===- C:\Users\Забудько\Downloads\Brian Bromberg - Compared to That (2012)\06 - Forgiveness.flac
  Extracted successfully
  Conclusion: this track is CDDA with probability 100%
  Tempfile successfully deleted.
07 -===- C:\Users\Забудько\Downloads\Brian Bromberg - Compared to That (2012)\07 - Does Anybody Really Know What Time It Is.flac
  Extracted successfully
  Conclusion: this track is CDDA with probability 100%
  Tempfile successfully deleted.
08 -===- C:\Users\Забудько\Downloads\Brian Bromberg - Compared to That (2012)\08 - I'm Just Sayin'.flac
  Extracted successfully
  Conclusion: this track is CDDA with probability 100%
  Tempfile successfully deleted.
09 -===- C:\Users\Забудько\Downloads\Brian Bromberg - Compared to That (2012)\09 - The Eclipse.flac
  Extracted successfully
  Conclusion: this track is CDDA with probability 100%
  Tempfile successfully deleted.
10 -===- C:\Users\Забудько\Downloads\Brian Bromberg - Compared to That (2012)\10 - Give It To Me Baby.flac
  Extracted successfully
  Conclusion: this track is CDDA with probability 100%
  Tempfile successfully deleted.
Finished at: вторник, 05. 06. 2012. - 11:24.25 (operation time: 0:08.49)

Compared to what? The thing that makes Brian Bromberg work so well is the predictability of his unpredictability! Makes perfect sense right? Compared To That is the first of three artistically diverse releases set for Bromberg this year and while the buzz is that it may be his best since Downright Upright, it may in fact be Bromberg's finest release to date.
Compared To That is that musical happy place somewhere between contemporary/modern jazz but with an old school sensibility. Bromberg is not reinventing the musical wheel. What Brian Bromberg does so incredibly well here is expand his sound and push the music forward. Guest artists include such diverse talents as Jeff Lorber, Bela Fleck and Randy Brecker combined with a deceptively subtle swing of a walking bass line punctuated with attitude so if this release doesn't make your musical back leg shake you may want to see if your autopsy report is ready.
Recorded live in the studio with 8 new Bromberg tunes and utilizing state of the art technology there is a groove you can use here. A swing that while contemporary in nature is diverse and eclectic in presentation. Artistic integrity with a consistently fresh presentation. The prime examples of the expansive nature of this release being a swing cover of the Chicago hit "Does Anyone Really Know What Time It Is" where the horn section assembled does their own riff on Chicago without bordering on the overtly commercial. Another example of the flavor that works so well in the flow is "Hayride" where there is an old school made new cool call and response between Bromberg and Bela Fleck. I never saw it coming! Another sonic left turn is "A Little New Old School" featuring funkalicious fun from Randy Brecker and Jeff Lorber. While Bromberg has now covered some classic pop and rock tunes from Earth Wing and Fire, Kansas and Chicago perhaps the Rick James cover of "Give It To Me Baby" is the most unexpected. A swing you feel with your hips and hear with your feet.
The second release in the Bromberg trilogy for 2012 will be a ten track release covering the iconic Jimi Hendrix but more on that at a later date!
5 Huge Stars!

Due out June 5 on Mack Avenue Records, ‘Compared To That’ will be bass player Brian Bromberg’s 20th solo collection. Including eight of his own compositions, a ten-piece horn section, a full orchestral string section and a prodigious collective of supporting musicians this is an album that will appeal both to fans of contemporary jazz and those who allude to having a more straight ahead disposition. With the likes of Randy Brecker, George Duke, Mitch Forman, Jeff Lorber, Gary Meek and Tom Zink all involved, ‘Compared To That’ was recorded over two frenetic days and provides the overriding impression that here is a group of musicians at the top of their game and having fun.
A case in point is the dazzlingly swinging title cut which showcases a variety of jazz styles in the way only a few can. Fortunately Bromberg is one of them and from the intensely jazzy ‘Rory Lowery, Private Eye’ to a swinging take on the Chicago hit, ‘Does Anybody Really Know What Time It Is?’ everything is done to the highest standard imaginable.
With little more than piano and Bromberg’s distinctive bass ‘If Ray Brown Were A Cowboy?’ is a fine example of how less can sometimes be more and although the lilting melody of ‘Forgiveness’ provides a tranquil moment that is truly to savor, Bromberg is quickly ‘back in the swing’ with the brass drenched ‘I’m Just Sayin’.
If the title ‘Hayride’ suggests that country music might be on the agenda then that assumption would be correct. Despite jazz and country being somewhat strange bedfellows Bromberg makes it work to perfection and the funky kind of big band thing he generates with ‘A Little New Old School’ is enhanced in no small measure by tenor sax from Gary Meek. Elsewhere the complex ‘The Eclipse’ will satisfy jazz purists everywhere but the eclectic nature of ‘Compared To That’ is again demonstrated with the closing number, a daring re-imagining of the Rick James 1981 hit ‘Give It To Me Baby’. Go check out the original on YouTube to see just how different this Bromberg version is.
‘Compared To That’ is certainly Bromberg’s most jazzy project since ‘Downright Upright’ but nevertheless is a fine example of how his visionary approach can create moods that transcend musical styles.

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