[SACD-R][OF] J.S. Bach - Mass in B minor (Helmuth Rilling) - 2005 (Classical)

J.S. Bach - Mass in B minor (Helmuth Rilling) 2005 (Classical)
Жанр: Classical
Год выпуска диска: 2005
Производитель диска: Hänssler Classic (Catalog Number: SACD98.274)
Тип рипа: image (ISO)
Аудио кодек: DST (2.0, 5.0)
Битрейт аудио: 2822,4k
Продолжительность: 01:46:44
Доп. информация:
О релизе: рип от evaristegalois (SACD - Sony PS3 - SACD.ISO)
Треклист:
Disc 1:
I.
1. Kyrie eleison 10:23
2. Christe eleison 5:00
3. Kyrie eleison 3:46
4. Gloria in exclesis Deo 1:37
5. Et in terra pax 3:35
6. Laudamus te 4:09
7. Gratias agimus tibi 2:35
8. Domine Deus 5:54
9. Qui tollis 2:53
10. Qui sedes 4:45
11. Quoniam tu solus sanctus 4:58
12. Cum Sancto Spiritu 3:54
Disc 2:
II.
13. Credo in unum Deum 1:57
14. Patrem omnipotentem 1:57
15. Et in unum Dominum 4:46
16. Et incarnatus est 2:52
17. Crucifixus 3:10
18. Et resurrexit 4:05
19. Et in Spiritum Sanctum 4:49
20. Confiteor 4:35
21. Et expecto resurrectionem mortuorum 2:12
III.
22. Sanctus 5:10
IV.
23. Osanna 2:35
24. Benedictus 4:49
25. Osanna (repetatur) 2:31
26. Agnus Dei 4:58
27. Dona nobis pacem 2:47
Direction: Helmuth Rilling
Orchestra: Bach Collegium Stuttgart
Доп. информация: The Mass in B minor (BWV 232) is a musical setting of the complete Latin Mass by Johann Sebastian Bach. The work was one of Bach's last, not completed until 1749, the year before his death in 1750. Much of the Mass consisted of music that Bach had composed earlier: the Kyrie and Gloria sections had been composed as a Lutheran Missa in 1733 for the Elector of Saxony at Dresden. The Sanctus dates back to 1724, and the Qui tollis movement was based on a cantata chorus dating from 1714. To complete the work, however, in the 1740s Bach composed new sections of the Credo such as Et incarnatus est. The completed Mass was his last major composition.
It was unusual for composers working in the Lutheran tradition to compose a Missa tota and Bach's motivations remain a matter of scholarly debate. The Mass was most probably never performed in totality during Bach's lifetime, and the work largely disappeared in the 18th century. Several performances in the early 19th century, however, sparked a revival both of the piece and the larger rediscovery of Bach's music. Today, it is widely hailed as a monumental work of the late Baroque and is frequently performed.
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