[SACD-R][OF] Edward Gardner & BBC Symphony Orchestra - Witold Lutoslawski — Orchestral Works (Symphony No.3; Chain 3; Concerto for Orchestra) Volume I - 2010 (Classical)

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Edward Gardner & BBC Symphony Orchestra
Witold Lutosławski — Orchestral Works, Volume I

Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2010
Жанр: Classical
Издатель(лейбл): CHANDOS
Продолжительность: 01:09:28
Наличие сканов в содержимом раздачи: Буклет PDF

Треклист:
Symphony No. 3 (1981-83)
For Sir Georg Solti and the Chicago Symphony Orchestra
01 - Symphony No. 3. Vivo (3:43)
02 - Symphony No. 3 continued. Vivo (figure 11) (2:40)
03 - Symphony No. 3 continued. Vivo (figure 19) (4:37)
04 - Symphony No. 3 continued. Vivo (figure 31) (4:48)
05 - Symphony No. 3 continued. Tempo I (figure 49) (5:04)
06 - Symphony No. 3 continued. Meno mosso (figure 73) (3:00)
07 - Symphony No. 3 continued. A tempo (figure 84) (6:59)
08 - Chain 3 (1986) For Orchestra (10:53)
Concerto for Orchestra (1950-54)
Witoldowi Rowickiemu
09 - Concerto for Orchestra. I. Intrada (6:34)
10 - Concerto for Orchestra. II. Capriccio notturno e arioso (5:41)
11 - Concerto for Orchestra. III. Passacaglia, Toccata e Corale (5:47)
12 - Concerto for Orchestra. III continued. Allegro giusto (9:40)
5 and 6 July 2010

Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.0, 2.0

Код:

foobar2000 1.3.13 / Dynamic Range Meter 1.1.1
log date: 2016-10-29 19:09:41
--------------------------------------------------------------------------------
Analyzed: BBC Symphony Orchestra conducted by Edward Gardner / Lutoslawski : Orchestral Works, Volume 1
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR19     -15.07 dB   -43.34 dB      3:43 01-Symphony No. 3. Vivo
DR16     -15.75 dB   -42.87 dB      2:40 02-Symphony No. 3 continued. Vivo (figure 11)
DR21      -7.08 dB   -43.21 dB      4:37 03-Symphony No. 3 continued. Vivo (figure 19)
DR14      -9.18 dB   -33.33 dB      4:48 04-Symphony No. 3 continued. Vivo (figure 31)
DR14     -10.06 dB   -34.37 dB      5:04 05-Symphony No. 3 continued. Tempo I (figure 49)
DR15      -6.78 dB   -31.07 dB      3:00 06-Symphony No. 3 continued. Meno mosso (figure 73)
DR15      -6.91 dB   -33.28 dB      6:59 07-Symphony No. 3 continued. A tempo (figure 84)
DR16      -6.98 dB   -33.70 dB     10:53 08-Chain 3
DR14      -6.27 dB   -30.09 dB      6:34 09-Concerto for Orchestra. I. Intrada
DR16      -7.19 dB   -33.40 dB      5:41 10-Concerto for Orchestra. II. Capriccio notturno e arioso
DR15      -6.91 dB   -31.56 dB      5:47 11-Concerto for Orchestra. III. Passacaglia, Toccata e Corale
DR15      -7.00 dB   -30.01 dB      9:40 12-Concerto for Orchestra. III continued. Allegro giusto
--------------------------------------------------------------------------------
Number of tracks:  12
Official DR value: DR16
Samplerate:        2822400 Hz / PCM Samplerate: 88200 Hz
Channels:          5
Bits per sample:   1
Bitrate:           14112 kbps
Codec:             DST64
================================================================================
--------------------------------------------------------------------------------
Analyzed: BBC Symphony Orchestra conducted by Edward Gardner / Lutoslawski : Orchestral Works, Volume 1
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR19     -14.89 dB   -40.03 dB      3:43 01-Symphony No. 3. Vivo
DR16     -14.94 dB   -39.66 dB      2:40 02-Symphony No. 3 continued. Vivo (figure 11)
DR21      -6.41 dB   -39.87 dB      4:37 03-Symphony No. 3 continued. Vivo (figure 19)
DR14      -8.62 dB   -29.96 dB      4:48 04-Symphony No. 3 continued. Vivo (figure 31)
DR14      -9.45 dB   -31.11 dB      5:04 05-Symphony No. 3 continued. Tempo I (figure 49)
DR16      -6.20 dB   -27.79 dB      3:00 06-Symphony No. 3 continued. Meno mosso (figure 73)
DR14      -6.39 dB   -29.86 dB      6:59 07-Symphony No. 3 continued. A tempo (figure 84)
DR16      -6.15 dB   -30.32 dB     10:53 08-Chain 3
DR14      -6.17 dB   -26.70 dB      6:34 09-Concerto for Orchestra. I. Intrada
DR15      -6.41 dB   -30.13 dB      5:41 10-Concerto for Orchestra. II. Capriccio notturno e arioso
DR15      -6.73 dB   -28.40 dB      5:47 11-Concerto for Orchestra. III. Passacaglia, Toccata e Corale
DR14      -6.79 dB   -27.01 dB      9:40 12-Concerto for Orchestra. III continued. Allegro giusto
--------------------------------------------------------------------------------
Number of tracks:  12
Official DR value: DR16
Samplerate:        2822400 Hz / PCM Samplerate: 88200 Hz
Channels:          2
Bits per sample:   1
Bitrate:           5645 kbps
Codec:             DST64
================================================================================

Источник: WEB
Оркестр: BBC Symphony Orchestra
Композитор: Witold Lutoslawski (1913-1994)
Дирижер: Edward Gardner

Edward Gardner, the music director of English National Opera and an exclusive Chandos artist, has completed the first disc in a projected Chandos series devoted to Polish music. Also his first purely orchestral CD for Chandos, the disc presents music by one of Poland’s most important twentieth-century composers, Witold Lutoslàwski, including perhaps his most famous work, the Concerto for Orchestra (1950 – 54), a brilliant and highly attractive work.
Also included is the Third Symphony (1981 – 83) which was given its world premiere by the Chicago Symphony Orchestra, conducted by Sir Georg Solti, on 29 September 1983. Many passages employ the by then well-developed technique which the composer called ‘limited aleatorism’, according to which each individual orchestral musician is asked to play a phrase or repeated fragment in his own time – rhythmically independent of the other musicians. During these passages very little synchronisation is specified: events that are coordinated include the simultaneous entrances of groups of instruments, the abrupt end of some episodes, and some transitions to new sections. By this method the composer retains
control of the work’s architecture and of the realisation of the performance, while simultaneously facilitating complex and unpredictable polyphony.
In later years Lutoslawski developed musical forms that combine unrelated strands of music, whose short, discrete sections overlap one another like the links of a chain. Elements of this method can be found in many of his earlier works, but the first to emphasise it was Chain 1 of 1983 for fourteen instruments, written for the London Sinfonietta. Chain 2, subtitled ‘Dialogue for Violin and Orchestra’, followed in 1985. The last work to adopt this approach was Chain 3 (1986) for large orchestra. Broadly speaking, the composition’s ten minute span falls into three sections, of which the first provides a particularly clear, readily audible example of the chain technique. After a quick opening flourish, Lutoslawski presents a sequence of twelve overlapping ideas, each characterized by a particular mode of expression, and each vividly coloured by a few instruments playing as a unit. For example, chimes, violas, and flutes together form the first ‘link’; this is overlapped by a quartet of double-basses; these in turn overlap a xylophone and three violins, and so on. The last of the twelve links in this musical chain thicken into a kind of general babble among the winds, which marks the first stage in the work’s larger form. Chain 3 was written for the San Francisco Symphony which gave the first performance, conducted by the composer, on 10 December 1986 in Davies Symphony Hall in San Francisco.

[color=#208fa3]Большое спасибо за предоставленный материал![/b]

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