[SACD-R][OF] Sibelius Theatre Music - Scottish Chamber Orchestra & Joseph Swensen - 2003 (Classical)

Sibelius Theatre Music
Scottish Chamber Orchestra / Joseph Swensen
Жанр: Classical
Год выпуска диска: 2003
Производитель диска: EU - Linn Records - CKD 220
Аудио кодек: DST 2.0, 5.1
Тип рипа: image (ISO)
Битрейт аудио: 2,8224 MHz
Продолжительность: 65:02
Треклист:
1) Pelleas and Melisande:
At the Castle Gate - 2:56
Melisande - 4:14
At the Seashore - 2:06
A Spring in the Park - 1:59
The Three Blind Sisters - 2:16
Pastorale - 2:01
Melisande at the Spinning Wheel - 1:47
Entr’acte - 2:51
The Death of Melisande - 6:06
2) Kuolema:
Valse Triste - 5:43
3) Belshazzar’s Feast:
Oriental Procession - 2:28
Solitude - 3:26
Nocturne - 3:36
Khadra’s Dance - 3:54
4) The Tempest: Suite No 2:
Chorus of the Winds - 3:17
Intermezzo - 1:50
Dance of the Nymphs - 1:39
Prospero - 1:41
Song 1 - 0:53
Song 2 - 0:58
Miranda - 1:51
Naiads - 1:21
Dance Episode - 2:02
5) Andantino Festivo - 4:04
Описание:
The foundations of Sibelius’s reputation are his symphonies, tone poems and increasingly his songs but the music he wrote for the stage throughout his creative life includes some of his finest scores.
This SACD presents his theatre music from 2 distinct periods – the 1900s (contemporary with his Violin Concerto, and the Second and Third Symphonies) and the 1920s, including some of the last works of his to survive.
At the time when Sibelius was emerging as a major creative figure, drama was pivotal to the development of cultural and social attitudes in Scandinavia. One need only mention 3 of his contemporaries: Ibsen, Strindberg and Bjornson. Sibelius was attracted to theatre as early as 1893, when he started work on an opera, The Building of the Boat. It was a visit to Bayreuth that caused him to abandon work on this, but the prelude survived as one of his most perfect pieces: The Swan of Tuonela. Its striking economy of expression and intensity are characteristics shared by much of his incidental music for the stage. In his stage music, Sibelius tends not so much to accompany dramatic action but to set scenes, create atmosphere or provide a prelude or intermezzo to the action for what were predominantly exotic or mystical dramas.
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