[SACD-R][OF] Bach, Liszt - Organ Works (Daniel Chorzempa) - 1970/2005 (Classical)

Bach, Liszt - Organ Works
Daniel Chorzempa
Жанр: Classical
Год записи альбома: 1970
Год выпуска диска: 2005
Производитель диска: EU - PentaTone - PT 5186 127
Аудио кодек: DST 2.0, 5.0
Тип рипа: image (ISO)
Битрейт аудио: 2,8224 MHz
Продолжительность: 60:37
Треклист:
J.S. Bach:
1. Toccata and Fugue in D-minor, BWV 565 - Toccata - 2:45
2. Toccata and Fugue in D-minor, BWV 565 - Fugue - 6:12
3. Passacaglia in C minor, BWV 582 - Passacaglia - 7:17
4. Passacaglia in C minor, BWV 582 - Fugue - 6:05
5. Prelude and Fugue in D, BWV 532 - Prelude - 4:51
6. Prelude and Fugue in D, BWV 532 - Fugue - 5:51
7. Prelude and Fugue in A minor, BWV 543 - Prelude - 3:47
8. Prelude and Fugue in A minor, BWV 543 - Fugue - 7:03
Franz Liszt:
9. Variations on Bach's cantata - "Weinen, Klagen, Sorgen, Zagen" - 16:45
Описание:
Bach’s compositions on this SA-CD are all so-called “free” organ works, (in contrast to his chorale compositions). Franz Liszt wrote the version for organ of his variations on the chromatically descending lamento bass fro Bach’s Cantata BWV 12 in 1863. Liszt treats the theme by no means in a purely virtuoso manner, but rather in a subtle manner as the foundation for a Passacaglia, after which the movements becomes increasingly intensified and talks on greater rhythmic complexity.
These are all famous and popular organ works recorded on the organ of the Grote Kerk, Breda (the Netherlands) and the organ of concert hall De Doelen, Rotterdam (the Netherlands). Both recordings are made in stunning 4 channel (quad) surround sound in 1970. Organist is the renowned Daniel Chorzempa. This was a best selling LP and also sold very well when re-issued on CD in the early eighties.
Which recordings of organmusic are timeless? Very few organists have had the musicality and craftmanship that makes their recordings after more than 35 years still worth listening. Chorzempa is one of them, and this CD should be on every organist's shelve. Chorzempa plays at Breda (Grote Kerk, Bach) and Rotterdam (Doelen Concerthall, Liszt), both Flentrop instruments. The Doelen is not the instrument for Liszt, but Breda will do for Bach although its plenum is not convincing in dense chords.
It is at Breda where I keep being surprised by Chorzempa's art of phrasing, articulation and choosing a convincing tempo. Quite astonishing as I thougt down in 1970 buying the old fashioned record, and I still do now listening at the SACD (thanks to the Philips engineers!) reissue. Note his inventiveness at the end of the paascaglia in track four. No wonder that the original Es-Dur has been replaced by Liszt: the weird slow tempo of the beginning of the fugue makes one laugh nowadays. Now we can enjoy the perfectly right and sweeping rhythm of BWV 543's prelude without reserve.
In the same edition: Chorzempa plays Handel's organ concerto's (4 SACD's). Musically and technically at a still higher level. If possible.
Доп. информация:
О релизе: рип от abryk (SACD - Sony PS3 - SACD.ISO)
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