Daft Punk - Random Access Memories Édition Studio Masters
http://ge.tt/api/1/files/3nwMbJh/0/blob?download Исполнитель: Daft Punk Альбом: Random Access Memories Жанр: Electronic, Pop, Disco, Funk, Progressive House Год издания: 2013 Издатель (лейбл): Columbia Источник: Аудиокодек: FLAC 24bit 88,2kHz Тип рипа: tracks Продолжительность: 01:14:30Цитата:
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Tracklist: 1 Give Life Back To Music 2 The Game Of Love 3 Giorgio By Moroder 4 Within 5 Instant Crush (feat. Julian Casablancas) 6 Lose Yourself To Dance (feat. Pharrell Williams) 7 Touch (feat. Paul Williams) 8 Get Lucky (feat. Pharrell Williams) 9 Beyond 10 Motherboard 11 Fragments Of Time (feat. Todd Edwards) 12 Doin' It Right (feat. Panda Bear) 13 Contact
1 Give Life Back To Music Bass – Nathan East Drums – John "JR" Robinson* Guitar – Nile Rodgers, Paul Jackson Jr. Keyboards – Chris Caswell (2), Chilly Gonzales* Pedal Steel Guitar [Pedal Steel] – Greg Leisz Percussion – Quinn (3) Synthesizer [Modular Synthesizer] – Daft Punk Vocals – Daft Punk Written-By – G.M. de Homem-Christo*, N. Rodgers*, P. Jackson Jr.*, T. Bangalter* 4:352 The Game Of Love Bass – Nathan East Drums – John "JR" Robinson* Guitar – Paul Jackson Jr. Keyboards – Chris Caswell (2) Pedal Steel Guitar [Pedal Steel] – Greg Leisz Synthesizer – Daft Punk Vocals – Daft Punk Written-By – G.M. de Homem-Christo*, T. Bangalter* 5:223 Giorgio By Moroder Bass – James Genus, Nathan East Drums – John "JR" Robinson*, Omar Hakim Guitar – Paul Jackson Jr. Keyboards – Chris Caswell (2), Daft Punk Pedal Steel Guitar [Pedal Steel] – Greg Leisz Percussion – Quinn (3) Recorded By [Giorgio's Voice Recorded By] – Guillaume Le Braz Synthesizer [Modular Synthesizer] – Daft Punk Voice – Giorgio Moroder Written-By – G. Moroder*, G.M. de Homem-Christo*, T. Bangalter* 9:044 Within Bass – Nathan East Drums – John "JR" Robinson* Keyboards – Chris Caswell (2), Daft Punk Percussion – Quinn (3) Piano [Solo Piano] – Chilly Gonzales* Vocals – Daft Punk Written-By – G.M. de Homem-Christo*, J. "Chilly Gonzales" Beck*, T. Bangalter* 3:485 Instant Crush Bass – Nathan East Co-producer – Julian Casablancas Drums – John "JR" Robinson* Lead Guitar – Julian Casablancas Percussion – Quinn (3) Synthesizer, Keyboards, Guitar – Daft Punk Vocals – Julian Casablancas Written-By – G.M. de Homem-Christo*, J. Casablancas*, T. Bangalter* 5:376 Lose Yourself To Dance Bass – Nathan East Drums – John "JR" Robinson* Guitar – Nile Rodgers Vocals – Daft Punk, Pharrell Williams Written-By – G.M. de Homem-Christo*, N. Rodgers*, Ph. Williams*, T. Bangalter* 5:537 Touch Bass – James Genus Choir – Alexandra Gunn, Alissa M. Crenshaw, Alycia Grant, Chelsea T. DiBlasi*, Elaina S. Crenshaw, Emma S. Gunn*, Jeffrey Gunn, Jessica Rotter, Joshua Britt, Mariah A. Britt*, Shirley Koesnadi, Victor Pineschi Conductor [Choir] – Angie Jaree Drums – Omar Hakim, Quinn (3) Guitar – Paul Jackson Jr. Keyboards – Chris Caswell (2) Lap Steel Guitar [Lap Steel] – Greg Leisz Ondes Martenot – Thomas Bloch Synthesizer [Modular Synthesizer] – Daft Punk Vocals – Daft Punk, Paul Williams (2) Written-By – C. Caswell*, G.M. de Homem-Christo*, P. Williams*, T. Bangalter* 8:188 Get Lucky Bass – Nathan East Drums – Omar Hakim Guitar – Nile Rodgers, Paul Jackson Jr. Keyboards – Chris Caswell (2) Synthesizer – Daft Punk Vocals – Daft Punk, Pharrell Williams Written-By – G.M. de Homem-Christo*, N. Rodgers*, Ph. Williams*, T. Bangalter* 6:099 Beyond Bass – James Genus Drums – Omar Hakim Guitar – Paul Jackson Jr. Keyboards – Chris Caswell (2) Pedal Steel Guitar [Pedal Steel], Lap Steel Guitar [Lap Steel] – Greg Leisz Synthesizer – Daft Punk Vocals – Daft Punk Written-By – C. Caswell*, G.M. de Homem-Christo*, P. Williams*, T. Bangalter* 4:5010 Motherboard Bass – James Genus Guitar – Paul Jackson Jr. Keyboards – Chris Caswell (2) Pedal Steel Guitar [Pedal Steel] – Greg Leisz Percussion – Omar Hakim, Quinn (3) Synthesizer [Modular Synthesizer] – Daft Punk Written-By – G.M. de Homem-Christo*, T. Bangalter* 5:4111 Fragments Of Time Bass – James Genus, Nathan East Co-producer – Todd Edwards Drums – Omar Hakim Guitar – Paul Jackson Jr. Keyboards – Chris Caswell (2), Daft Punk Pedal Steel Guitar [Pedal Steel] – Greg Leisz Percussion – Quinn (3) Synthesizer [Lead Synthesizer] – Daft Punk Vocals – Todd Edwards Written-By – G.M. de Homem-Christo*, T. Bangalter*, T. Imperatrice* 4:3912 Doin' It Right Synthesizer [Modular Synthesizer] – Daft Punk Vocals – Daft Punk, Panda Bear Written-By – G.M. de Homem-Christo*, N. Lennox*, T. Bangalter* 4:1113 Contact Bass – James Genus Co-producer – DJ Falcon Drums – Omar Hakim Synthesizer [Modular Synthesizer] – DJ Falcon, Daft Punk Written-By – D. Braithwaite*, G. Porter*, G.M. de Homem-Christo*, S. Queme*, T. Bangalter*, T. Mitchell* 6:21
Arranged By [Arrangements] – Chris Caswell (2), Guy-Manuel de Homem-Christo, Thomas Bangalter Bass [Orchestra] – Charles Berghofer* (tracks: 3, 7, 9, 10), Don Ferrone* (tracks: 3, 7, 9, 10), Drew Dembowski (tracks: 3, 7, 9, 10) Bassoon [Orchestra] – Judith Farmer* (tracks: 3, 7, 9, 10) Cello [Orchestra] – Armen Ksajikian (tracks: 3, 7, 9, 10), Christina Soule (tracks: 3, 7, 9, 10), Paula Hochalter* (tracks: 3, 7, 9, 10), Timothy Loo (tracks: 3, 7, 9, 10), Vanessa F. Smith* (tracks: 3, 7, 9, 10) Clarinet [Orchestra] – Marty Krystall (tracks: 3, 7, 9, 10) Clarinet [Orchestra], Bass Clarinet [B. Clarinet (Orchestra)] – Gene Cipriano (tracks: 3, 7, 9, 10) Conductor [Orchestra] – Douglas Walter* (tracks: 3, 7, 9, 10) Contractor [Orchestra] – Joseph Solido (tracks: 3, 7, 9, 10) Cover [Cover Art] – Cédric Hervet*, Warren Fu Creative Director – Cédric Hervet* Design Concept [Concept By], Art Direction – Cédric Hervet*, Guy-Manuel de Homem-Christo, Paul Hahn, Thomas Bangalter, Warren Fu Engineer [Digital Audio Engineer] – Daniel Lerner English Horn [E. Horn (Orchestra)] – David Kosoff* (tracks: 3, 7, 9, 10) Flute [Orchestra] – Greg Huckins (tracks: 3, 7, 9, 10), Sara Andon (tracks: 3, 7, 9, 10), Steve Kajala (tracks: 3, 7, 9, 10) French Horn [Orchestra] – Danielle Ondarza (tracks: 3, 7, 9, 10), James Atkinson (tracks: 3, 7, 9, 10), Justin Hageman (tracks: 3, 7, 9, 10), Nathan Campbell (tracks: 3, 7, 9, 10), Stephanie O'Keefe (tracks: 3, 7, 9, 10) Illustration – Warren Fu Management – Paul Hahn Mastered By – Bob Ludwig, Chab (2) Mixed By – Mick Guzauski Mixed By [Assistant Mixing Engineer] – Peter Franco, Seth Waldmann Oboe [Orchestra] – Earl Dumler (tracks: 3, 7, 9, 10) Orchestrated By [Orchestration] – David Channing (tracks: 3, 7, 9, 10) Other [Booth (Orchestra)] – Chris Caswell (2) (tracks: 3, 7, 9, 10) Other [Legal] – Peter Button, Clintons UK Other [Media Director] – Kathryn Frazier, Biz 3 Percussion [Orchestra] – Brian Kilmore* (tracks: 3, 7, 9, 10), Mark Converse (tracks: 3, 7, 9, 10) Producer – Guy-Manuel de Homem-Christo, Thomas Bangalter Production Manager [Production Coordinator] – Jackie O'Brien, Sam Cooper (3) Recorded By – Florian Lagatta, Mick Guzauski, Peter Franco Recorded By [Additional Recording Engineer] – Alana Da Fonseca, Phil Joly Recorded By [Assistant Recording Engineer] – Bill Rahko, Charlie Pakkari*, Cory Brice, Derek Karlquist, Doug Tyo, Eric Eylands, Eric Weaver, Kevin Mills, Kyle Stevens, Miguel Lara, Mike Larson, Nicolas Essig, Seth Waldmann Sound Designer – Gus Koven Technician [Audio Consultant] – Jean-Pierre Janiaud Trombone [Bass Trombone (Orchestra)] – Craig Gosnell (tracks: 3, 7, 9, 10) Trombone [Orchestra] – Andrew Martin* (tracks: 3, 7, 9, 10), Bob McChesney (tracks: 3, 7, 9, 10), Charles Looper* (tracks: 3, 7, 9, 10), Charles Morillas* (tracks: 3, 7, 9, 10) Trumpet [Orchestra] – Charles Findley* (tracks: 3, 7, 9, 10), Gary Grant (tracks: 3, 7, 9, 10), Larry McGuire (tracks: 3, 7, 9, 10), Warren Luening (tracks: 3, 7, 9, 10) Viola [Orchestra] – Alma Fernandez (tracks: 3, 7, 9, 10), Andrew Picken (tracks: 3, 7, 9, 10), Carolyn Riley (tracks: 3, 7, 9, 10), Harry Shirinian (tracks: 3, 7, 9, 10), Jody Rubin (tracks: 3, 7, 9, 10), Ray Tischer (tracks: 3, 7, 9, 10), Rodney Wirtz (tracks: 3, 7, 9, 10), Roland Kato (tracks: 3, 7, 9, 10) Violin [Orchestra] – Audrey Solomon (tracks: 3, 7, 9, 10), Calabria McChesney (tracks: 3, 7, 9, 10), Carrie Kennedy (tracks: 3, 7, 9, 10), Cynthia Moussas* (tracks: 3, 7, 9, 10), Irina Voloshina (tracks: 3, 7, 9, 10), Joel Pargman (tracks: 3, 7, 9, 10), Johana Krejci (tracks: 3, 7, 9, 10), Kevin Connolly (tracks: 3, 7, 9, 10), Lisa Dondlinger (tracks: 3, 7, 9, 10), Lisa Sutton (tracks: 3, 7, 9, 10), Margaret Wooten (tracks: 3, 7, 9, 10), Mary K. Sloan* (tracks: 3, 7, 9, 10), Miwako Watanabe (tracks: 3, 7, 9, 10), Neel Hammond (tracks: 3, 7, 9, 10), Nina Evtuhov (tracks: 3, 7, 9, 10), Olivia Tsui (tracks: 3, 7, 9, 10), Rafael Rishik (tracks: 3, 7, 9, 10), Rita Weber (tracks: 3, 7, 9, 10), Samuel Fischer (tracks: 3, 7, 9, 10), Sara Perkins* (tracks: 3, 7, 9, 10), Song Lee* (tracks: 3, 7, 9, 10) Violin [Orchestra], Concertmaster [Orchestra] – Assa Dori* (tracks: 3, 7, 9, 10)
When Daft Punk announced they were releasing a new album eight years after 2005's Human After All, fans were starved for new material. The Tron: Legacy score indulged the seminal dance duo's sci-fi fantasies but didn't offer much in the way of catchy songs, so when Random Access Memories' extensive publicity campaign featured tantalizing clips of a new single, "Get Lucky," their fan base exploded. But when the album finally arrived, that hugely hyped single was buried far down its track list, emphasizing that most of these songs are very much not like "Get Lucky" -- or a lot of the pair's previous music, at least on the surface. The album isn't much like 2010s EDM, either. Instead, Daft Punk separate themselves from most contemporary electronic music and how it's made, enlisting some of their biggest influences to help them get the sounds they needed without samples. On Homework's "Teachers," they reverently name-checked a massive list of musicians and producers; here, they place themselves on equal footing with disco masterminds Giorgio Moroder and Nile Rodgers, referring to them as "collaborators." That could be self-aggrandizing, yet it's also strangely humble when they take a back seat to their co-stars, especially on one of RAM's definitive moments, "Giorgio by Moroder," where the producer shares his thoughts on making music with wild guitar and synth solos trailing behind him. Elsewhere, Daft Punk nod to their symbiotic relationship with indie on the lovely "Doin' It Right," which makes the most of Panda Bear's boyish vocals, and on the Julian Casablancas cameo "Instant Crush," which is only slightly more electronic than the Strokes' Comedown Machine. And of course, Pharrell Williams is the avatar of their dancefloor mastery on the sweaty disco of "Lose Yourself to Dance" as well as "Get Lucky," which is so suave that it couldn't help but be an instant classic, albeit a somewhat nostalgic one. Indeed, "memories" is the album's keyword: Daft Punk celebrate the late '70s and early '80s with lavish homages like "Give Life Back to Music" -- one of several terrific showcases for Rodgers -- and the spot-on soft rock of the Todd Edwards collaboration "Fragments of Time." More importantly, Random Access Memories taps into the wonder and excitement in that era's music. A particularly brilliant example is "Touch," where singer/songwriter Paul Williams conflates his work in Phantom of the Paradise and The Muppet Movie in the song's mystique, charm, and fragile yet unabashed emotions. Often, there's an almost gooey quality to the album; Daft Punk have never shied away from "uncool" influences or sentimentality, and both are on full display here. At first, it's hard to know what to make of all the fromage, but Random Access Memories reveals itself as the kind of grand, album rock statement that listeners of the '70s and '80s would have spent weeks or months dissecting and absorbing -- the ambition of Steely Dan, Alan Parsons, and Pink Floyd are as vital to the album as any of the duo's collaborators. For the casual Daft Punk fan, this album might be harder to love than "Get Lucky" hinted; it might be too nostalgic, too overblown, a shirking of the group's duty to rescue dance music from the Young Turks who cropped up in their absence. But Random Access Memories is also Daft Punk's most personal work, and richly rewarding for listeners willing to spend time with it.
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