Жанр: New Age Страна: Великобритания Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 2:47:24 Источник (релизер): диски из моей коллекции Наличие сканов в содержимом раздачи: да
Мириам Стокли – английская певица, родилась 15 апреля 1962 года в Йоханнесбурге, ЮАР. Известна в первую очередь как основная вокалистка проекта Карла Дженкинса Adiemus. Кроме того, она работала бэк-вокалисткой у Фрэдди Меркьюри, Брайана Мэя, Johny Hates Jazz, Тины Тернер, Клиффа Ричарда, Джорджа Майкла, Гэри Барлоу и Eternal. В возрасте 11 лет Мириам вместе со своей сестрой Аврил создали группу The Stockley Sisters и записали первую песню Burn, Burn, Burn, которая была запрещена в ЮАР. Цензоры решили, что эта песня подстрекает детей поджигать школы. Позже Мириам Стокли переехала в Лондон и начала музыкальную карьеру. В конце восьмидесятых – начале девяностых прошлого века Стокли работала сессионной вокалисткой в трио Stock, Aitken and Waterman. Записывала бэк-вокал для альбомов Kylie Minogue, Jason Donovan и Sonia. В конкурсе песни «Евровидение» она не раз присутствовала на сцене как бэк-вокалистка, сопровождающая выступления британских артистов, наиболее известные – Emma в 1990 и Katrina and the Waves в 1997, занявшая первое место. В 1991 году Стокли стала участницей танцевальной группы Praise, первый сингл которой Only You достиг первого места в британских чартах. Год спустя был выпущен второй сингл Dream On, но он не имел такого успеха, как первый, и группа решила разойтись. В начале девяностых Мириам работала над музыкой к рекламе Delta Airlines, и попросила участников группы Soft Machine (Karl Jenkins и Mike Ratledge) помочь ей. В итоге это сотрудничество вылилось в широко известный проект Adiemus, сочетающий классику, этнику и нью-эйдж. В 1995 году вышел первый сверхуспешный альбом проекта Songs Of Sanctuary, записанный с Лондонским Филармоническим Оркестром. Затем последовали альбомы Cantata Mundi, Dances Of Time, The Eternal Knot и Adiemus Live, разошедшиеся в количестве более 3 миллионов экземпляров по всему миру. Карл Дженкинс описывает музыку Adiemus как «расширенное хоровое пение, основанное на европейской классической традиции, где вокал является родственным этнической или world музыке». Тексты песен Adiemus написаны как бы фонетически, слова в них исполняют роль инструментальных звуков, то есть вокалисты играют на своем голосе и им подыгрывает оркестр. Дебютный сольный альбом Мириам Стокли Miriam вышел в 1999 году. В нем она поет на трех разных языках – английском, зулу и собственном придуманном абстрактном языке. Музыкальный спектр альбома очень широк – от интерпретации Mercy Street Питера Габриэля до африканских мотивов в песнях Forever My Heart и Ruwenzori. Отдельно от других трэков стоит прекрасная баллада Arcadia, которую Мириам исполнила в сопровождении оркестра для принцессы Дианы на концерте в Уэльсе (1998 год). Второй сольный альбом Стокли Second Nature вышел в 2003 году, над ним Мириам работала совместно с композитором Яном Линном. Этот прекрасный и загадочный альбом представляет классический материал Стокли – музыку, вдохновленную африканскими мотивами с элементами нью-эйдж и джаза. В 2004 году Yamaha создала программное обеспечение Vocaloid для искусственного синтезирования бэк-вокалов, и один из трех имеющихся в этой программе голосов принадлежит Мириам Стокли. В 2006 году Стокли выпустила третий, самый лучший по ее мнению, альбом Eternal, построенный на интерпретации классики: Лунная Соната (Бетховен), Сарабанда (Дебюсси), Бурэ (И.С. Бах), Адажио (Альбинони) и др. Прекрасный, с большим вкусом сделанные аранжировки не разрушают первоначального замысла произведений. Новые итальянские тексты для некоторых треков альбома были написаны специально поэтом Алексом Мачинанте. Также в альбоме присутствует дуэт с итальянским тенором Алессандро Сафина. А вокал Мириам в этом альбоме прошел дополнительное испытание: Сарабанда – одно из наиболее сложных произведений, исполненных за всю ее карьеру. В декабре 2006 года Мириам Стокли приняла участие в совместном с Майком Олдфилдом концертном туре по Германии Nokia Night of the Proms, дав 18 концертов. Песни Мириам Стокли использованы во множестве саундтреков к фильмам, наиболее известна кавер-версия Rose Royce Wishing on a Star, записанная для фильма «10-е Королевство».
Miriam Stockley - Miriam
Страна-производитель диска: Великобритания Год издания диска: 1999 Издатель (лейбл): Virgin Номер по каталогу: CDV2890 7243 8 47660 2 3 Продолжительность: 61:55
Треклист: 01. Forever My Heart (Ryde/Stockley/Lynn) - 6:51 02. Arcadia (Shearman/Taylor-Stanley) - 4:36 03. Mercy Street (Gabriel) - 6:21 04. Empty Space (Lynn/Stockley) - 3:23 05. Ruwenzori (Stockley/Lynn) - 5:54 06. Perfect Day (Towns) - 3:21 07. Domini (Stockley/Taylor-Stanley) - 4:54 08. Innocents (Towns/Stockley) - 3:35 09. Morte d'Arthur (Taylor-Stanley/Stockley) - 5:13 10. Song of the Seahorse (Taylor-Stanley) - 6:00 11. Nocturne (Stockley/Taylor-Stanley/Lynn) - 3:36 12. Uku'lela (Stockley/Keiles) - 3:25 13. Homeland (Stockley/Lynn/Taylor-Stanley) - 4:46
Состав: Miriam Stockley - vocals Ray Russell, John Pericelli, Jerry Stevenson - guitar Alex Postlethwaite - violin Alyson Taylor - viola Lorain Nagioff - cello Andy Findon - recorder, bamboo flute, bass flute, penny whistle Sally Heath - piano Keith Fairbairn, Glenn Keiles - percussion Ian Lynn - programming, piano The London Session Orchestra Richard Blackford, Colin Towns, Ian Lynn - conductors
Recorded at Angel Studios, London, England.
Код:
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 5. July 2013, 14:18
Miriam Stockley / Miriam
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Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000
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Peak level 100.0 % Extraction speed 5.8 X Range quality 100.0 % Test CRC 229FF1FA Copy CRC 229FF1FA Copy OK
No errors occurred
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REM GENRE "New Age" REM DATE 1999 REM DISCID 9A0E830D REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Miriam Stockley" TITLE "Miriam" FILE "Miriam Stockley - Miriam.wav" WAVE TRACK 01 AUDIO TITLE "Forever My Heart" PERFORMER "Miriam Stockley" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Arcadia" PERFORMER "Miriam Stockley" INDEX 00 06:50:15 INDEX 01 06:51:02 TRACK 03 AUDIO TITLE "Mercy Street" PERFORMER "Miriam Stockley" INDEX 00 11:26:12 INDEX 01 11:26:57 TRACK 04 AUDIO TITLE "Empty Space" PERFORMER "Miriam Stockley" INDEX 00 17:46:25 INDEX 01 17:48:10 TRACK 05 AUDIO TITLE "Ruwenzori" PERFORMER "Miriam Stockley" INDEX 01 21:11:40 TRACK 06 AUDIO TITLE "Perfect Day" PERFORMER "Miriam Stockley" INDEX 00 27:04:72 INDEX 01 27:05:42 TRACK 07 AUDIO TITLE "Domini" PERFORMER "Miriam Stockley" INDEX 00 30:25:07 INDEX 01 30:26:40 TRACK 08 AUDIO TITLE "Innocents" PERFORMER "Miriam Stockley" INDEX 00 35:19:67 INDEX 01 35:21:02 TRACK 09 AUDIO TITLE "Morte d'Arthur" PERFORMER "Miriam Stockley" INDEX 00 38:54:10 INDEX 01 38:56:05 TRACK 10 AUDIO TITLE "Song of the Seahorse" PERFORMER "Miriam Stockley" INDEX 00 44:08:52 INDEX 01 44:09:15 TRACK 11 AUDIO TITLE "Nocturne" PERFORMER "Miriam Stockley" INDEX 00 50:06:37 INDEX 01 50:08:60 TRACK 12 AUDIO TITLE "Uku'lela" PERFORMER "Miriam Stockley" INDEX 00 53:42:25 INDEX 01 53:44:32 TRACK 13 AUDIO TITLE "Homeland" PERFORMER "Miriam Stockley" INDEX 00 57:07:10 INDEX 01 57:09:27
Miriam Stockley's debut album, Miriam, puts her ethereal vocals into the spotlight. Her previous work includes collaborations with Tina Turner, Elton John, George Michael, David Bowie, and Adiemus, whose musical style Miriam resembles most closely with its fusion of classical, world, pop, and new age elements.
Miriam Stockley - Eternal
#777Страна-производитель диска: Великобритания Год издания диска: 2006 Издатель (лейбл): Tula Records Номер по каталогу: TULA CD 001B Продолжительность: 57:51
Треклист: 01. Alla Notte - Adagio (Albinoni, arr. Stockley, Lynn, Macinante) (feat. Clio Gould) - 5:29 02. Hem Na Nkosi Bo - Rondeau (Purcell, arr. Stockley, Lynn) - 3:10 03. Pace Al Cuore - Prelude (Chopin, arr. Stockley, Lynn, Macinante) - 3:52 04. Choro Finito - Sarabande (Debussy, arr. Stockley, Lynn) - 4:09 05. The Star of County Down (Trad., arr. Stockley, Lynn) (feat. soloist Dermot Crehan on Irish fiddle and Dill Rhuba) - 4:57 06. Se La Luna Fosse Donne - Moonlight Sonata (Beethoven, arr. Stockley, Lynn, Macinante) - 5:55 07. Fantasy - Sicut Cervus (Palestrina, arr. Stockley, Lynn) - 3:26 08. Adiemus (Jenkins/Ratcliffe) (feat. Dirk Campbell) - 4:00 09. Nagana Ka Lona - Bourree (J.s.Bach, arr. Stockley, Keiles, Lynn) - 2:58 10. Un Ricordo - Je Crois Entendre Encore (Bizet, arr. Stockley, Lynn, Macinante) (duet feat. Alessandro Safina) - 3:45 11. Nocturne (Stockley/Taylor-Stanley/Lynn) - 3:34 12. Luce e Speranza - Bridal Chorus (Wagner, arr. Stockley, Lynn, Macinante) - 4:47 13. Prelude #2 (Gershwin, arr. Stockley, Lynn) - 4:17 14. Quanta Vita - Nimrod (Elgar, arr. Stockley, Lynn, Macinante) - 3:33
Состав: Miriam Stockley - vocals Clio Gould - violin Pete Zorn - soprano saxophone Dawson Salah Miller - percussion Snake 'Inyoka' Davis - penny whistle Choir of St. Michael and All Angels, Croydon, directed by Michael Fleming The London Telefilmonic Strings, directed by Levine Andrade Ian Lynn - conductor
Код:
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 5. July 2013, 1:50
Miriam Stockley / Eternal
Used drive : ASUS DRW-24B1LT Adapter: 5 ID: 1
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
REM GENRE "New Age" REM DATE 2006 REM DISCID AF0D8E0E REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Miriam Stockley" TITLE "Eternal" FILE "Miriam Stockley - Eternal.wav" WAVE TRACK 01 AUDIO TITLE "Alla Notte - Adagio" PERFORMER "Miriam Stockley" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Hem Na Nkosi Bo - Rondeau" PERFORMER "Miriam Stockley" INDEX 00 05:26:00 INDEX 01 05:28:50 TRACK 03 AUDIO TITLE "Pace Al Cuore - Prelude" PERFORMER "Miriam Stockley" INDEX 00 08:35:61 INDEX 01 08:38:36 TRACK 04 AUDIO TITLE "Choro Finito - Sarabande" PERFORMER "Miriam Stockley" INDEX 00 12:27:50 INDEX 01 12:30:45 TRACK 05 AUDIO TITLE "The Star of County Down" PERFORMER "Miriam Stockley" INDEX 00 16:36:35 INDEX 01 16:39:35 TRACK 06 AUDIO TITLE "Se La Luna Fosse Donne - Moonlight Sonata" PERFORMER "Miriam Stockley" INDEX 00 21:33:07 INDEX 01 21:36:02 TRACK 07 AUDIO TITLE "Fantasy - Sicut Cervus" PERFORMER "Miriam Stockley" INDEX 00 27:28:19 INDEX 01 27:30:69 TRACK 08 AUDIO TITLE "Adiemus" PERFORMER "Miriam Stockley" INDEX 00 30:54:03 INDEX 01 30:57:03 TRACK 09 AUDIO TITLE "Nagana Ka Lona - Bourree" PERFORMER "Miriam Stockley" INDEX 00 34:54:51 INDEX 01 34:57:06 TRACK 10 AUDIO TITLE "Un Ricordo - Je Crois Entendre Encore" PERFORMER "Miriam Stockley" INDEX 00 37:52:08 INDEX 01 37:55:08 TRACK 11 AUDIO TITLE "Nocturne" PERFORMER "Miriam Stockley" INDEX 00 41:38:08 INDEX 01 41:40:08 TRACK 12 AUDIO TITLE "Luce e Speranza - Bridal Chorus" PERFORMER "Miriam Stockley" INDEX 00 45:12:04 INDEX 01 45:14:04 TRACK 13 AUDIO TITLE "Prelude #2" PERFORMER "Miriam Stockley" INDEX 00 49:58:74 INDEX 01 50:00:74 TRACK 14 AUDIO TITLE "Quanta Vita - Nimrod" PERFORMER "Miriam Stockley" INDEX 00 54:15:17 INDEX 01 54:17:67
Код:
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The cover of Eternal encapsulates a snapshot of the flowing flaming red hair of vocalist Miriam Stockley. Before even a single note is heard the expectations would suggest something undefined and perhaps exotic. However, they say do not judge a book by its cover though this time around a rush to judgment maybe acceptable. Musically Eternal is about as random and sizzling as the locks of the artist as Miriam continues to intertwine her classical background with her with cultural roots. Associated as a back up singer with mainstream artists such as Tina Turner, Freddie Mercury and George Michael, this South African born vocalist secured her big break when she was the featured singer on the Karl Jenkins Adiemus series. In fact, Stockley even revisits this series when she performs the title track of the series “Ademius” which was first featured on the album Songs Of Sanctuary. However, this album is not about her past but a continued growth and extension of her solo material. Eternal represents her third stellar solo effort and continues to be a musical exploration that refuses to be restrained and restricted by one specific genre. Miriam continues to incorporate classical, new age, world and jazz music though this time around the emphasis would lean toward the classical influence. The spirit of this album is essentially encapsulated by four standout tracks starting with the romantic classical beauty “Alla Notte”. Skipping forward, you are engulfed by the old Irish ballad “The Star Of Country Down” that is steeped in sweet violin work of Clio Gould and the lush more restrained vocal work of Miriam. If you enjoy Secret Garden you will unreservedly fall in love with this haunting rendition. In utter contrast, there is the festive percussion and vocal chants featured on the JS Bach composition “Nagana Ka Lona”. Then once again you are transported to another musical world courtesy of the sublime jazzy Gershwin track “Prelude #2” that has Stockley swooning in the microphone. Between the above stellar tracks there is very little platitude resulting in a recording that is simply breathtaking and inspiring. As expected from this expressive artist there is a multitude of musical exploration and expression that this record may not leave an instantaneous impression. But with repeated visits you will leave with the yearning of musical eternity with one of 2007’s top picks.
Miriam Stockley - Second Nature
#777Страна-производитель диска: Австрия Год издания диска: 2006 Издатель (лейбл): Ausfahrt Worldmusic Recordings Номер по каталогу: AUS3030-2 Продолжительность: 47:38
Состав: Miriam Stockley - vocals Ian Lynn - keyboards, synths, programming Erwin Keiles - acoustic & electric guitars John Thirkell - trumpet Andrew Panayi - flute, bass flute Jacqui Sack - saxophone Robin Jones - percussion ganza, pandeiro, cuica, egperi, vibra slap, congas Glenn Keiles - djembe, Bali drum
Код:
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 5. July 2013, 1:19
Miriam Stockley / Second Nature
Used drive : ASUS DRW-24B1LT Adapter: 5 ID: 1
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
REM GENRE "New Age" REM DATE 2006 REM DISCID 9B0B2A0A REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Miriam Stockley" TITLE "Second Nature" FILE "Miriam Stockley - Second Nature.wav" WAVE TRACK 01 AUDIO TITLE "One Dream" PERFORMER "Miriam Stockley" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Massai Rain" PERFORMER "Miriam Stockley" INDEX 00 04:43:28 INDEX 01 04:45:28 TRACK 03 AUDIO TITLE "Rainsong" PERFORMER "Miriam Stockley" INDEX 00 09:13:22 INDEX 01 09:15:22 TRACK 04 AUDIO TITLE "Umoya" PERFORMER "Miriam Stockley" INDEX 00 13:14:60 INDEX 01 13:16:60 TRACK 05 AUDIO TITLE "Finlandia" PERFORMER "Miriam Stockley" INDEX 00 18:34:12 INDEX 01 18:36:12 TRACK 06 AUDIO TITLE "Spring" PERFORMER "Miriam Stockley" INDEX 00 23:40:57 INDEX 01 23:42:57 TRACK 07 AUDIO TITLE "Sabancaya" PERFORMER "Miriam Stockley" INDEX 00 29:14:31 INDEX 01 29:16:31 TRACK 08 AUDIO TITLE "Butterfly" PERFORMER "Miriam Stockley" INDEX 00 34:30:65 INDEX 01 34:32:65 TRACK 09 AUDIO TITLE "Ifemeli" PERFORMER "Miriam Stockley" INDEX 00 39:33:16 INDEX 01 39:35:16 TRACK 10 AUDIO TITLE "Tula (Hush)" PERFORMER "Miriam Stockley" INDEX 00 42:43:06 INDEX 01 42:45:06
South African born Miriam Stockley -- who sang her self titled 1999 solo debut in English, Zuli and a language she just made up -- has a star studded resume a mile long, but why mention Tina Turner, David Bowie and Freddie Mercury when you were also called in to hit notes for lesser talents like Samantha Fox and Nicole Kidman (the last note on "Come What May" for Nicole Kidman in Moulin Rouge)? Also known as the vocalist with Adiemus, Stockley returns with another magnificent mix of styles that evoke Finnish nights, African plains, Peruvian Andes and all the joy of Enya, Sarah Brightman and Miriam Makeba rolled into one. "Umoya" features pounding grooves and esoteric wordless vocals blended with the tribal chants of her native land, while "Rainsong" features a gossamer weave of hypnotic vocals and flute. The inspirational "One Dream" captures the soaring new agey orchestral textures Adiemus is known for. "Spring" is a little more sparse and in understandable English, but includes a tribal vocal texture or two. Other tunes offer touches of Brazilian and club groove funk mixed with some native vibe. Essentially, there are so many instrumental and vocal textures that words can't quite do this mosaic justice. "Beautiful" and "excitingly exotic" is simply a good start to the flow of adjectives.
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