Autosound 2000 test cd #102

Track01 Micheal Ruff - Eyes of Love (Stereo)

Track02 Micheal Ruff - Eyes of Love (Mono)

Track03 Micheal Ruff - Eyes of Love (L, C, R - Constant Power)

Track04 Micheal Ruff - Eyes of Love (L, C, R - Constant Voltage)

Track05 Three Snare Drum Beats (L, C, R)

Track06 Seven Snare Drum Beats Across the Sound Stage

Track07 Pink Noise Band Limited (2.5 KHz to 20 KHz)

Track08 Band Limited Pink Noise as in Track Seven but (L, C, R)

Track09 Pink Noise Band Limited (400 Hz to 2.5 KHz)

Track10 Band Limited Pink Noise as in Track Nine but (L, C, R)

Track11 Pink Noise Band Limited (100 Hz to 400 Hz)

Track12 Band Limited Pink Noise as in Track Eleven but (L, C, R)

Track13 Pink Noise Passed Through a 100 Hz Low Pass Filter

Track14 Same Pink Noise as in Track Thriteen but C is (-6dB)

Track15 Pink Noise (20 Hz to 20 KHz) Left Channel Only

Track16 Pink Noise (20 Hz to 20 KHz) Right Channel Only

Track17 Correlated Pink Noise (20 Hz to 20 KHz)

Track18 Un-Correlated Pink Noise (20 Hz to 20 KHz)

Track19 1/3rd Octave Bands of Noise from 100 Hz to 20 KHz

Track20 1/3rd Octave Band Noise from 400 Hz to 20 KHz and (L, C, R)

Track21 Demonstration of Comb Filtering

Track22 Out of Phase Correlated Pink Noise (L-R)

Track23 Correlated Pink Noise that Slowly Fades to Black

Track24 Stereo Drum Recording for Accurate Placement

Track25 50 Hz Tone, Clipped 14-18 Seconds, Then All High Bits

Track26 400 Hz Tone, Clipped 14-16 Seconds, Then All High Bits

Track28 1 KHz Tone, Clipped 12-15 Seconds, Then All High Bits

Track28 4 KHz Tone, Clipped 15-20 Seconds, Then All High Bits

Track29 8 KHz Tone, Clipped 13-19 Seconds, Then All High Bits

Track30 Asychronously Generated Low Frequency Tones

Track31 Trial of Seconds (Musical Composite Track for SPL)

Track32 Digital Black Recording of All Low Bits