(Psyhedelic) Andwella (Andwella's Dream): 1969-1971, MP3 (tracks), 320 kbps

01. The Days Grew Longer For Love
02. Sunday
03. Lost A Number Found A King
04. Man Without A Name
05. Clockwork Man
06. Cocaine
07. Shades Of Grey
08. High On A Mountain
09. Andwella
10. Midday Sun
11. Take My Road
12. Felix
13. Goodbye

01. Hold on to Your Mind
02. Lady Love
03. Michael Fitzhenry
04. I'm Just Happy to See You Get Her
05. Just How Long
06. Worlds End, Pt. 1
07. Worlds End, Pt. 2
08. Back on the Road
09. I Got a Woman
10. Reason for Living
11. Shadow of the Night

01.She Taught Me To Love
02.Saint Bartholomew
03.The World Of Angelique
04.Mississipi Water
05.I've Got My Own
06.Are You Ready
07.Four Days In Septembery
08.Lazy Days
09.People's People
10.Behind The Painted Screen
11.All For You

Andwella’s Dream was a thrusting injection of freakbeat that could not be ignored. Their slicing riffs were high core psyche injected from guitarist / keyboardist David Lewis, bassist Nigel Smith and drummer Gordon Barton who started out as The Method that at one time included Gary Moore.They were regulars at the Maritime Club where Van Morrison had his early days with Them.

The Method evolved into Andwella’s Dream and were the primal Irish psyche next to Eire Apparent. Dave Lewis the soaring guitarist who wrote all the songs also recruited keyboardist Dave McDougall, ex McCullochs Struthers & Paterson bassist Dave Stuthers, Nigel Portman Smith and ex One In A Million/Andromeda drummer Jack McCulloch.The bamboo flute and sax was played by future Egg Bob Downes. When Andwella’s Dream moved to London they released their primal 1969 debut Love And Poetry with surging numbers like the thrusty opener “The Days Grew Longer For Love” and guitar razzling “Sunday”.

Dave’s throttling axe exerts fury on “Lost A Number Found A King” with its ancient Indian flute and ambient acoustic textures. The two finest numbers “Cocaine” with McDougall pushing hard and the soaring “Shades Of Grey” where ex Thunderclap Newman Jack McCulloch’s drums are best heard create a furnace of fusion.

Acoustic delights are “Midday Sun”, “Goodbye” and the Hammond rolling “Felix” which opens into crescendo breaks by Lewis. In 1970 they evolved into Andwella and launched a further two albums Worlds End (1970) and Peoples People (1971) plus a bounty of singles. World’s End although a lyrical romantic masterpiece did ignite the past as on the psyche “Michael Fitzhenry” exalting frenetic flute and Dave’s insatiable guitar riffs. The harmonies and melody that bend around the brassy I’m Just Happy To See You Get Her are creative marvels.

Future Bad Company definitely copped the riffs from “Just How Long” while the double linked “World’s End” is just so underplayed. Sterling jazz riffs trip through Steely Dan styled “Back To The Road” with Bob Downes giving it stick in the wind. There’s a bit of Billy Joel in the People’s People or even Tremeloes in the opener “She Taught Me To Love” which crystalises into the spiritual “Saint Bartholomew”.

Lewis was the songwriter extraordinaire having written the award winning film War and songs as varied as “Happy To Be An Island In The Sun”, #1 for ex Aphrodite Child Demis Roussos. David’s 1969 The Songs Of David Lewis remain a collector’s dream.