(Psychedelic Rock, Experimental) Red Krayola (Red Crayola) - 4 альбома, 1967 - 1981, MP3 , 192 - 320

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1 Free Form Freak-Out 01
2 Hurricane Fighter Plane
3 Free Form Freak-Out 02
4 Transparent Radiation
5 Free Form Freak-Out 03
6 War Sucks
7 Free Form Freak-Out 04
8 Free Form Freak-Out 05
9 Pink Stainless Tail
10 Free Form Freak-Out 06
11 Parable Of Arable Land
12 Free Form Freak-Out 07
13 Former Reflections Enduring Doubt
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14 Say Hello To Jamie Jones
15 Music
16 The Shirt
17 Listen To This
18 Save The House
19 Victory Garden
20 Coconut Hotel
21 Sheriff Jack
22 Free Piece
23 Ravi Shankar: Parachutist
24 Dairymaid's Lament
25 Big
Vocals - Holly Pritchett
26 Leejol
27 Sherlock Holmes
28 Dirth Of Tilth
29 Tina's Gone To Have A Baby
30 The Jewels Of The Madonna
31 Green Of My Pants
32 Night Song

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1 March No.12
2 On The Brink
3 Letter-Bomb
4 Conspirator's Oath
5 March No.14
6 Soldier-Talk
7 Discipline
8 X
9 An Opposition Spokesman
10 Uh, Knowledge Dance
11 Wonderland

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1 Kangaroo? (1:35)
2 Portrait Of V. I. Lenin In The Style Of Jackson Pollock, Part I (2:55)
3 Portrait Of V. I. Lenin In The Style Of Jackson Pollock, Part II (4:47)
4 Marches No's 23, 24, 25 (2:28)
5 Born To Win (Transactional Analysis With Gestalt Experiments) (1:21)
6 Keep All Your Friends (2:11)
7 The Milkmaid (1:57)
8 The Principles Of Party Organisation (2:38)
9 Prisoner's Model (1:56)
10 The Mistake Of Trotsky (3:14)
11 1917 (1:15)
12 The Tractor Driver (2:36)
13 Plekhanov (3:13)
14 An Old Man's Dream (2:27)
15 If She Loves You (4:29)

The Red Krayola (formerly The Red Crayola) was a psychedelic, avant-garde rock band from Houston, Texas, formed by art students at the University of St. Thomas (Texas) in 1966. The band was led by singer/guitarist and visual artist Mayo Thompson, along with drummer Frederick Barthelme (brother of novelist Donald Barthelme) and Steve Cunningham. Their work prefigured punk and the no wave scene in 1980s New York City.

Thompson has continued using the name, in its legally required permutation The Red Krayola, for his musical projects since.

They make noise rock, psychedelia and occasionally folk/country songs and instrumentals in a DIY-punk fashion, an approach that presaged the lo-fi aesthetic of many 1990s US indie rock groups. Reviewing the band has produced conflicted results- in an extremely positive review from Pitchfork Media, critic Alex Lindhardt wrote "It's a band that has no idea how to play its instruments. In fact, they don't even know what instruments are, or if the guitarist has the ability to remain conscious long enough to play whatever it is a 'note' might be." He added, "This is a band that was paid ten dollars to stop a performance in Berkeley. If Berkeley's not having it, you know you're in for rough sledding."