[SACD-R][OF](Pop/Rock, Alternative/Indie Rock, Britpop)Keane – Hopes And Fears - 2004

Hopes and Fears is the debut album by English alternative rock band Keane and was released on 10 May 2004 in the United Kingdom.

It topped the UK album charts upon release, was the second best-selling British album of 2004, behind Scissor Sisters’ self-titled album, and has since been certified nine times platinum by BPI. It returned to the top of the charts after winning a Brit Award for Best Album in February 2005.

With more than 2.7 million copies sold in the UK, it was ranked the 11th best-selling album of the 2000s in the UK. In July 2011, it was ranked the 9th biggest-selling album of the 21st century in the UK. Worldwide, the album had sold over 5.8 million copies as of November 2009.

The English music press can never let anyone be. They’re always quick to hail the next big thing, and in this case, the next big Coldplay is Keane. (Lowgold briefly held that title upon its debut release in 2001, but U.K. critics rushed to give that crown to someone else.) Keane haven’t positioned themselves to be kings of anything, though, let alone the next Coldplay. Sure, Coldplay’s biggest hit to date, “Clocks,” included only pianos, and they released the Safety EP on Fierce Panda, which is also Keane’s label, but those are the only things Keane have in common with Coldplay. Alongside their beautiful, emotive dalliance of instrumentation is one thing that’ll separate Keane from all the rest, and that’s drive. The band’s open-hearted ambition on Hopes and Fears is audible on every song. Lead vocalist Tom Chaplin’s rich vocals are as vibrant as any choir, and track such as “This Is the Last Time,” “Bend and Break,” and “Can’t Stop Now” reflect Keane’s more savory, dramatic moments. Confidence bursts throughout, and for a band that has been around seven years and has never released a studio full-length album until now, achieving nearly epic-like status is quite impressive. Keane obviously have the songs and they have a strong voice leading the front; however, Tim Rice-Oxley (piano/keyboards/bass) and Richard Hughes (drums) allow Hopes and Fears to come alive with glamour and without the sheen of slick studio production. Even slow build-up tracks like “Bedshaped” and “We Might as Well Be Strangers” are just as passionate, if not more so, than some of the bigger numbers on the album. Some might find Keane’s debut a bit stagy, or too theatrical at first, but that’s okay. Listening to “Somewhere Only We Know” alone a few times is more than enough to convince you that Keane stand next to Coldplay — challenging them rather than emulating — and it’s a respectable match at that.

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