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Bob Dylan: Don't Look Back [2011, rock, folk-rock, documentary, BDRip 1080p]

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Оригинальное название: Bob Dylan: Don't Look Back
Жанр: rock, folk-rock, documentary
Продолжительность: 1 ч. 35 м. 54 с
Год выпуска: 2011
Режиссер: D. A. Pennebaker
В ролях: Bob Dylan, Albert Grossman, Bob Neuwirth, Joan Baez, Alan Price, Donovan

A note to you obsessive-compulsive grammarians (and you know who you are): Don't Look Back was originally released without the apostrophe in Don't in its title. To make reading clearer here, I follow the more accepted custom of including the apostrophe in the contraction.
The name D.A. Pennebaker may not reside in the same starry galaxy as, say, Howard Hawks or William Wyler or Alfred Hitchcock or Stanley Kubrick, or in fact any number of famous directors whose names have entered the public lexicon in ways the directors themselves might have been surprised to realize. And yet Pennebaker has made some inimitable contributions to film, albeit in the relatively insular world of the documentary. His multi-decade career has seen him directing an amazing variety of documentaries, many with a musical slant. Pennebaker was one of the first documentarians to exploit what has perhaps been inaccurately termed cinema vйritй, something which Pennebaker himself admits is largely an illusion. That feeling of "real life" may permeate his groundbreaking and iconic account of Bob Dylan's 1965 United Kingdom tour (released in 1967), but as soon becomes clear to any astute viewer watching Don't Look Back, there's more than a hint of artifice to everything that is supposedly captured, fly on the wall style, by Pennbaker and his crew. That artifice is more or less admitted to by Pennebaker himself in the commentary accompanying this new Blu-ray release, where the director makes no bones about Bob Dylan being only too aware that he was being followed around by a film crew, and that his every action would be preserved, for better or worse, for posterity. That makes the final product that is Don't Look Back all the more amazing, for Dylan often comes off in this documentary as a petulant little brat, a glowering presence who demeans reporters (including some kids), screams and yells at his entourage, and pretty much ignores the incredibly winsome Joan Baez, with whom he was in the closing days of a long romantic involvement. Ho-hum, just another day or two in the life of a musical legend and superstar.

Though Pennebaker's name may not in fact have entered the public lexicon, there's little doubt that Don't Look Back's opening sequence has. It's the now iconic proto-music video of Dylan standing in an alleyway discarding a series of cue cards which feature occasional words from his lyric to "Subterranean Homesick Blues" (and lest you be confused, yes, there is a long stretch where the cue cards contain words not found in the lyric, a sort of inside joke). While this now famous piece of video may be nothing other than a sort of prank, it actually may reveal something deeper about Dylan's state of mind at the time, something which becomes increasingly clear as Don't Look Back details what may be Dylan's increasing consciousness of how much his success was actually trapping him. "Subterranean Homesick Blues" features the alarming imagery of Dylan actually throwing away his work, if you think about it. It may not have been Dylan's, or in fact Pennebaker's, intention, and yet it raises the intriguing question of how Dylan himself saw his increasing international presence in those halcyon days of 1965. In fact when he arrives in England and is asked by a reporter at the airport why he's so much bigger now than he was a couple of years earlier, Dylan shrugs it off and claims not to know what the reporter's talking about. The footage captured on Don't Look Back argues rather persuasively otherwise. This is a young musician only too aware of what he's become, and that awareness is frankly not all that flattering to Dylan a lot of the time.
What becomes only too apparent is that Dylan is simultaneously self-absorbed, gobbling up every last news item on himself he can get his hands on, while also strangely dismissive of others, both famous (Donovan, whose presence becomes sort of a running gag in this piece, as well as Dominic Behan, Brendan's brother, whom Dylan won't even consider meeting) and not famous (a series of reporters whom Dylan plays with like a cat with a mouse). Dylan comes off as boorish, bullying and the polar opposite of the "Everyman" his music made him out to be in those mid-1960's days when folk and rock were melding into a new genre in which Dylan himself was seen as the progenitor. To be fair, however, it's also completely apparent how trapped Dylan felt by the overwhelming success he had experienced. You can see it in the doleful eyes that peek out underneath his brat-like faзade as he performs "The Times, They Are A-Changing" over and over and over. This is a young man who quite obviously wants to escape, but at the same time doesn't want to give up the trappings of a celebrity superstar. This is also not to say Dylan is uniformly rude to everyone around him; on the contrary, he's really rather surprisingly solicitous to several young fans and seems genuinely interested in what they think of his music.

As awful as Dylan seems to be throughout Don't Look Back, he's matched tit for tat by his manager, Albert Grossman, who is seen in an alternately horrifying and hilarious segment "negotiating" with Granada and the BBC for "exclusive" television rights to a Dylan performance. Watching the down and dirty Grossman interact with the elegant and always deferential British is an alarming display of the differences between British and American etiquette, but it's a bracing primer on what managers do for their clients. Grossman wants to get Dylan every last penny he can (which is only understandable), but he steamrolls through a series of phone calls and personal interactions that may leave some viewers feeling like they've witnessed a pretty unseemly display of "professional" behavior.

Throughout the fascinating array of backstage, "private" footage (if anything which includes a coterie of hangers-on can be termed private), and viscerally exciting on stage performances, Don't Look Back captures a very unique and special time not only in Dylan's life, but also in the wider universe of what was happening to music generally in those days. It's incredible to see Dylan and Baez at this still relatively early stage of either of their careers, and what's even more incredible is seeing the difference in temperament between the volatile and often almost offensively rude Dylan and the sweet, unassuming and self-effacing Baez. It's not hard to see, actually, why their relationship didn't flourish, romantically at least.

As with every great documentary, the subject here may not always be appealing, to say the least. And while Pennebaker points out the all too obvious fact that Dylan is "on" every time the camera rolls, that very "on"-ness reveals as much about Dylan the man and the artist as his music does, in fact, perhaps more so. An artist can craft his message carefully in a lyric or in a melody, but even "pretending" moment by moment for a camera often reveals unintended, perhaps subconscious, tendencies that can't be manipulated as artfully as the changes in a 32 bar song. Dylan himself gets into a fairly hilarious (and ultimately futile) argument with a reporter about what the "truth" is, something which Dylan can't even support beyond a mini-tirade. Though the truth here may in fact be laced with a certain amount of artifice, Don't Look Back is one of the most bracingly truthful looks behind the star making machinery, at least insofar as it existed in the mid-1960's. Dylan was both a victim and a victimizer of that very machinery, and Don't Look Back captures that strange dialectic in all its slightly disturbing glory.

Качество: BDRip
Контейнер: MKV
Видео кодек: MPEG4
Аудио кодек: DTS
Видео: AVC at 8283 Кбит/сек 1440 x 1080 (1.333) at 23.976 fps
Аудио: DTS at 1510 Кбит/сек 2 канала(ов) Front: L R, 48,0 КГц

Общее
Полное имя : Bob Dylan.Don't Look Back (1967) 2011.1080p.mkv
Формат : Matroska
Размер файла : 6,56 Гбайт
Продолжительность : 1 ч. 35 м.
Общий поток : 9793 Кбит/сек
Дата кодирования : UTC 2011-05-08 21:08:03
Программа кодирования : mkvmerge v4.7.0 ('Just Like You Imagined') built on Apr 21 2011 01:13:14
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Видео
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Аудио
Идентификатор : 2
Формат : DTS
Формат/Информация : Digital Theater Systems
Идентификатор кодека : A_DTS
Продолжительность : 1 ч. 35 м.
Вид битрейта : Постоянный
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Канал(ы) : 2 канала(ов)
Расположение каналов : Front: L R
Частота : 48,0 КГц
Битовая глубина : 24 бит
Метод сжатия : С потерями
Размер потока : 1,01 Гбайт (15%)

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