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(Blues, Jazz-Funk, Free Funk) [CD] James Blood Ulmer - Black Rock - 1982 (1998 Japan Mini-LP Edition), FLAC (tracks+.cue), lossless

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James Blood Ulmer - Black Rock

Жанр: Blues, Jazz-Funk, Free Funk
Носитель: CD
Страна-производитель диска (релиза): Япония
Год издания: 1998
Издатель (лейбл): Sony Records
Номер по каталогу: SRCS 9374
Страна исполнителя (группы): США
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 42:53
Источник (релизер): dotdash (what)
Наличие сканов в содержимом раздачи: сетевые

Треклист:
01. Open House (Ulmer) - 5:21
02. Black Rock (Ulmer) - 3:23
03. Moon Beam (Ulmer) - 5:11
04. Family Affair (Ulmer-Datcher) - 7:27
05. More Blood (Ulmer) - 4:44
06. Love Have Two Faces (Ulmer) - 5:29
07. Overnight (Ulmer) - 3:27
08. Fun House (Ulmer-Weston) - 4:53
09. We Bop (Ulmer) - 2:58

Состав:
James Blood Ulmer - electric guitar, vocals (#2,4,6)
Ronald Drayton - rhythm guitar (1-4,6,7,9)
Amin Ali - electric bass, backing vocals (#2), lead vocals (#8)
Grant Calvin Weston - drums, backing vocals (#2,7)
Cornell Rochester - second drums (#1,3,5,6)
Sam Sanders - tenor saxophone (#3), alto saxophone (#7)
Irene Datcher - vocals (#4,6)

Recorded at the Power Station, New York in 1982.

Код:

X Lossless Decoder version 20141109 (148.0)

XLD extraction logfile from 2014-11-16 21:20:03 +0900

James Blood Ulmer / Black Rock

Used drive : _NEC DVD_RW ND-3540A (revision 1.01)
Media type : Pressed CD

Ripper mode             : XLD Secure Ripper
Disable audio cache     : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction  : 48
Max retry count         : 100
Gap status              : Analyzed, Appended (except HTOA)

TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  | 00:00:00 | 05:21:17 |         0    |    24091
        2  | 05:21:17 | 03:23:13 |     24092    |    39329
        3  | 08:44:30 | 05:11:22 |     39330    |    62676
        4  | 13:55:52 | 07:26:65 |     62677    |    96191
        5  | 21:22:42 | 04:43:60 |     96192    |   117476
        6  | 26:06:27 | 05:29:05 |    117477    |   142156
        7  | 31:35:32 | 03:26:38 |    142157    |   157644
        8  | 35:01:70 | 04:53:07 |    157645    |   179626
        9  | 39:55:02 | 02:58:32 |    179627    |   193008

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    Track 01 : OK (v1+v2, confidence 2/2)
    Track 02 : OK (v1+v2, confidence 2/2)
    Track 03 : OK (v1+v2, confidence 2/2)
    Track 04 : OK (v1+v2, confidence 2/2)
    Track 05 : OK (v1+v2, confidence 2/2)
    Track 06 : OK (v1+v2, confidence 2/2)
    Track 07 : OK (v1+v2, confidence 2/2)
    Track 08 : OK (v1+v2, confidence 2/2)
    Track 09 : OK (v1+v2, confidence 2/2)
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Track 02
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    Track gain               : -8.81 dB
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Track 03
    Filename : /konwersja/James Blood Ulmer - Black Rock (1982) [FLAC]/03 - Moon Beam.flac

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    Peak                     : 1.000000
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Track 04
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Track 07
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Track 08
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No errors occurred

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Код:

TITLE "Black Rock"
PERFORMER "James Blood Ulmer"
REM GENRE "Jazz"
REM DATE "1982"
REM DISCID 800A0D09
REM REPLAYGAIN_ALBUM_GAIN -8.24 dB
REM REPLAYGAIN_ALBUM_PEAK 1.000000
FILE "01 - Open House.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Open House"
    REM REPLAYGAIN_TRACK_GAIN -8.07 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 01 00:00:00
FILE "02 - Black Rock.flac" WAVE
  TRACK 02 AUDIO
    TITLE "Black Rock"
    REM REPLAYGAIN_TRACK_GAIN -8.81 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 01 00:00:00
FILE "03 - Moon Beam.flac" WAVE
  TRACK 03 AUDIO
    TITLE "Moon Beam"
    REM REPLAYGAIN_TRACK_GAIN -8.98 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 01 00:00:00
FILE "04 - Family Affair.flac" WAVE
  TRACK 04 AUDIO
    TITLE "Family Affair"
    REM REPLAYGAIN_TRACK_GAIN -7.83 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "More Blood"
    REM REPLAYGAIN_TRACK_GAIN -6.95 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 00 07:25:58
FILE "05 - More Blood.flac" WAVE
    INDEX 01 00:00:00
FILE "06 - Love Have Two Faces.flac" WAVE
  TRACK 06 AUDIO
    TITLE "Love Have Two Faces"
    REM REPLAYGAIN_TRACK_GAIN -7.29 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 01 00:00:00
FILE "07 - Overnight.flac" WAVE
  TRACK 07 AUDIO
    TITLE "Overnight"
    REM REPLAYGAIN_TRACK_GAIN -8.43 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 01 00:00:00
FILE "08 - Fun House.flac" WAVE
  TRACK 08 AUDIO
    TITLE "Fun House"
    REM REPLAYGAIN_TRACK_GAIN -8.80 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 01 00:00:00
FILE "09 - We Bop.flac" WAVE
  TRACK 09 AUDIO
    TITLE "We Bop"
    REM REPLAYGAIN_TRACK_GAIN -8.20 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 01 00:00:00

Код:

[CUETools log; Date: 30.04.2015 1:09:53; Version: 2.1.5]
[CTDB TOCID: 8MM6_e7aVE51O130FnksedLAnlk-] found.
Track | CTDB Status
  1   | (2/2) Accurately ripped
  2   | (2/2) Accurately ripped
  3   | (2/2) Accurately ripped
  4   | (2/2) Accurately ripped
  5   | (2/2) Accurately ripped
  6   | (2/2) Accurately ripped
  7   | (2/2) Accurately ripped
  8   | (2/2) Accurately ripped
  9   | (2/2) Accurately ripped
[AccurateRip ID: 000f71ee-00710081-800a0d09] found.
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 09     [eb1e48aa|1a1c392a] (1+1/2) Accurately ripped

Track Peak [ CRC32  ] [W/O NULL]
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Recorded and issued in 1982, Black Rock was James Blood Ulmer's second Columbia album, a follow-up to the previous year's Free Lancing. This was also Blood's first attempt to take the harmolodic jazz of Ornette Coleman and marry it directly to rock's visceral appearance and funk's in-the-pocket groove. Certainly all his records from Captain Black on displayed this penchant in varying degrees, but all were linked to the deep exploration of harmolodic's scalular heights and unknown territories. Black Rock is an in-your-face amalgam of hard rock and punk funk, full of angular riffs and smokin' rhythms and popped basslines courtesy of a band that included drummers Grant Calvin Weston and Cornell Rochester; rhythm guitarist Ronnie Drayton, who freed Blood up to turn riffs inside out and solo at the same time -- something he does live to this day; bassist Amin Ali; and contributions from Sam Sanders on saxes and flutes and vocals by Irene Datcher on one cut. The disc opens with "Open House," a steaming funked-out jazz tune that at its core is a rock tune. Three riffs, all stacked on top of one another, open the track while Ali pops and slaps his bass with a greasy line that calls both guitars out on the line. Blood' solo is soaring, screaming into the center of the mix before wailing out of control to 12/4 rhythms courtesy of the percussion section. The title track is a funk chant with heavy metal overtones; this is the cut that Living Colour bases their entire aesthetic on. The vocals are a shouted chorus between Blood and Weston, and the keeper of the flame is Ali who goes deep into Bootsy Collins territory for his inspiration; Blood responds with an Eddie Hazel done harmolodic style. Sam Sanders makes his first appearance on "Moon Beam," wailing like a bird on his flute and doubling harmonically on tenor, digging deep in to the latter instrument's lower register for a melody that can climb over a charging bassline by Ali and the two guitars playing doubles playing chord riffs in the body of the tune. Even the Staple Singers, gospel-influenced soul of "Family Affair" works, due largely to the hypnotic riff and Blood's willingness to step from his melody and into a stop-and-start jazz-rock tune. When he solos, it's understated, voicing chords in tandem with Ali's melodic bass creating the harmonic line. Irene Datcher's vocal duet may leave a bit to be desired in the expression range, but the groove in the tune more than compensates. The disc closes with "We Bop," the lone exploration of solely harmolodic territory. Its machine gun melodic line played by Sanders and Blood is a series of accents disguised as arpeggios, though they are all built and center around harmolodic E. In fact, this harmonic series, where one melody crosses another -- there are four in all -- is static until Sanders' solo about two minutes in. Ali and Blood kick right back in, and Blood begins his guitar break in the center of the melody never quite leaving. Only Weston on the drums this time, he slips from one side of the rhythmic line to the other sometimes in one jump. With a flurry of harmonic morphing, the tune ends on a dime. Black Rock is among Blood's strongest records. As tough as Are You Glad to Be in America and the Music Revelation Ensemble's No Wave, yet more accessible than either. This is a fitting introduction to Blood Ulmer's unique, knotty, and truly original guitar and composition style. Black Rock is all funk, rock, jazz, and punk, indivisible and under a one world groove.

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