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Steve Howell - Since I Saw You Last

Жанр: Acoustic Texas / Country Blues / Folk Fingerstyle
Год выпуска диска: 2010 (Sep 2007-Sep 2009)
Производитель диска: Out of the Past Music #5
Аудио кодек: FLAC, image+.cue, lossless
Продолжительность: 47'42''

1. Downtown Blues (Stokes) [3:00]
2. Acadian Lullaby (Mize) [4:13]
3. Red Cadillac & a Black Moustache (May, Thompson) [3:16]
4. Farmer John (Harris, Terry) [3:28]
5. Charlie James (Lipscomb) [4:49]
6. I Won't Cry (LaBostrie, Ruffino) [4:07]
7. Wild About My Lovin' (Traditional) [4:53]
8. Since I Fell for You (Johnson) [4:55]
9. Easy Rider Blues [4:17]
10. Crawlin' King Snake (Besman, Hooker) [3:51]
11. Little Red Hen (Mahal) [3:35]
12. Ready for the River (Kahn, Moret) [3:18]

Steve Howell - vocals, acoustic guitar, electric guitar, bottleneck guitar
Arnie Cottrell - vocals, acoustic guitar, bottleneck guitar, mandolin
Dave Hoffpauir - vocals, drums
Chris Michaels - electric guitar
Joe Osborn - 12-string guitar
Brian Basco - keyboards
Darren Osborn - drums, percussion...many thanks to Zinhof
There was a time when "acoustic guitar" brought to mind a duo or trio of musicians gently strumming away and creating sleepy folk music. This is the complete opposite approach of what acoustic guitar picker/singer Steve Howell specializes in -- an uptempo, fun style that manages to incorporate elements of blues and the U.S. south, as evidenced throughout his 2010 offering, Since I Saw You Last. Having played alongside a variety of musicians since the '70s, it wasn't until the early 21st century that Howell finally set out on his own, resulting in what is his third solo effort overall (and third in a four-year span). Specializing in what is best described as a familiar yet charming style, Since I Saw You Last will appeal to fans of blues and rootsy folk -- especially such tunes as "Red Cadillac & Black Moustache," "I Won't Cry," "Wild About My Lovin'," and a cover of "Farmer John." After hearing Since I Saw You Last, you get the sense that penning memorable folk-blues tunes comes quite easy for the talented Mr. Howell.
It would seem superfluous to mention at this late date that the great strength and vitality of indigenous American music stems from its remarkable “melting pot” of influences. European, African, Northern, Southern, Anglo, black, white and brown, urban and rural. Equally remarkable is the number of contemporary recording artists who choose to work far outside the current commercial system and draw upon this vast treasure trove of music. Singer/guitarist Steve Howell has been honing his craft for well over forty years as one of the finest interpreters of the American roots music songbook, and his dedication to and deep understanding of the music becomes more evident with each release. Since I Last Saw You is the latest and best testament yet of his exceptional talent.
Howell was born on October 24, 1952 in Marshall, Texas, in the culturally historic eastern part of the Lone Star State. As a lad he strummed folk songs, but hearing Mississippi John Hurt at 13 turned him around towards becoming a master blues fingerpicker. A move with his family to Shreveport, Louisiana when he was 17 would expose him to the rhythmic dexterity found in the region and a tour of duty in the Navy beginning in 1973 would take him to South Wales where he played regularly with British guitarist and mandolinist Arnie Cottrell. When he returned home to Shreveport he rambled on the local scene in the late 1970s and 80s in a succession of blues and rock bands, as well as the duo Howell & Caskey that has opened for a variety of national acts including Country Joe and the Fish, Anson Funderburg and Bugs Henderson and shared the stage with Brownie McGee. The 90s and into the new millennium found him gigging in northwest Louisiana, northeast Texas and a bit in Little Rock, Arkansas.
Howell struck out on his own in 2006 with the appropriately-titled Out of the Past featuring country blues and traditional prewar jazz, followed by the equally evocative My Mind Gets to Ramblin’ in 2008 containing even more lowdown country blues classics. Both records were hailed for their authenticity, easygoing expressiveness and instrumental excellence. It was during this period that Howell first met in Shreveport Sandbox Recording Studio owner and drummer Darren Osborn and his bassist father Joe. The resulting ongoing relationship involving co-production and backup continues with the new release. Stretching his chops, Howell was executive producer and sang for Buddy Flett on Mississippi Sea in 2007.
Since I Saw You Last presents Howell in his most eclectic mood with 12 tracks that include country blues, rockabilly, folk and R&B with a mostly acoustic bent. “Downtown Blues” is old time, good time Memphis blues by the legendary Frank Stokes that spotlights a great ensemble groove. “Acadian Lullaby” is likewise the kind of timeless “Americana” that could have come from the Band, but was actually penned by Howell’s friend Jim Mize. Warren Smith, one of Sun Record’s most talented singers and most under appreciated artists, originally cut “Red Cadillac & a Black Moustache” that Howell turns into a wistful lament containing a tasty, twangy, electric guitar solo by Chris Michaels. “Farmer John,” by the rock and R&B duo Don and Dewey, is one of the highlights of the set. Rocking with attitude, sexy slide guitar from Cottrell and a suitably raunchy lead guitar break from Michaels, it is also one of his best and most insouciant vocals. On a roll, Howell turns Texas songster Mance Lipscomb’s “Charley James” into a magical, mystical, hypnotic meditation on loss and survival. The portent line, “Since I Saw You Last,” appears in the lyric and inspired the CD title.
“I Won’t Cry” from the acclaimed singer Johnny Adams catalog has classic chord changes that meet at the intersection of R&B and doo wop, also allows Howell to croon with deep emotion. The traditional country blues of “Wild About My Lovin’” has a melody that sounds like it may have influenced Johnny Cash on “Folsom Prison” as Howell takes it at a chugging pace and embroiders it with delicate fingerstyle and with Cottrell’s slide guitar while maintaining a respectful nod to the jug band version by the Kweskin outfit. “Since I Fell for You” is an early classic of R&B from the pioneers Buddy and Ella Johnson. Howell performs it masterfully on solo guitar complemented by the Osborn rhythm section, letting the gorgeous melody and unabashedly romantic lyric shine through.
The blues come in for another good shaking out in the next two selections. “Easy Rider Blues” from the legendary Blind Lemon Jefferson, like “Wild About My Lovin’,” is so damned authentic that it sounds like it could have been performed on a street corner in the deep South during the Depression. Deceptively light and jaunty, it provides an excellent counterpoint to the John Lee Hooker classic “Crawlin’ King Snake” that follows with a dark and menacing vibe that Howell sings and plays with obvious relish. “Picking” on a modern master, Howell next does justice to Taj Mahal’s “Little Red Hen,” a playful acknowledgement of the Willie Dixon classic “Little Red Rooster” that contains a brief, understated electric guitar solos by Howell and Michaels. Closing the set is Gus Kahn’s “Ready for the River” from the 1920s that shows equal parts vaudeville and blues influences. Fittingly, it is a delicate acoustic solo that sends the listener off into the night warm and satisfied.
Howell has noted that his mother always taught him that, “You shall be known by the company you keep” and his fellow musicians do him proud. The crackerjack combo of Joe Osborn (bass, 12-string guitar), Darren Osborn (drums, percussion and keyboards,), Chris Michaels (electric guitar and bass), Dave Hoffpauir (drums and vocals) and Brian Basco (keyboard strings) are joined by Arnie Cottrell (acoustic and slide guitars, mandolin, vocals) in perfect symbiosis with Howell. And, taking the sentiment a step further, fans shall be known by the artists they favor. Close acquaintance with the music of Steve Howell will only shed enlightenment and joy.
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 25. March 2010, 8:50

Steve Howell / Since I Saw You Last

Used drive : TSSTcorpCDDVDW SH-S203D Adapter: 4 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 12
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 3:00.50 | 0 | 13549
2 | 3:00.50 | 4:13.32 | 13550 | 32556
3 | 7:14.07 | 3:16.08 | 32557 | 47264
4 | 10:30.15 | 3:28.55 | 47265 | 62919
5 | 13:58.70 | 4:49.21 | 62920 | 84615
6 | 18:48.16 | 4:07.47 | 84616 | 103187
7 | 22:55.63 | 4:53.23 | 103188 | 125185
8 | 27:49.11 | 4:55.32 | 125186 | 147342
9 | 32:44.43 | 4:17.27 | 147343 | 166644
10 | 37:01.70 | 3:51.25 | 166645 | 183994
11 | 40:53.20 | 3:35.47 | 183995 | 200166
12 | 44:28.67 | 3:18.09 | 200167 | 215025

Range status and errors

Selected range

Filename C:\Users\ZINHOF\Desktop\Steve Howell - Since I Saw You Last.wav

Peak level 100.0 %
Range quality 99.9 %
Copy CRC EFDCFF9F
Copy OK

No errors occurred

End of status report
-----------------------

DON'T MODIFY THIS FILE

-----------------------

PERFORMER: auCDtect Task Manager, ver. 1.0.3 B1 build 1.0.3.0
Copyright (c) 2008, 2009 y-soft. All rights reserved
http://y-soft.110mb.com

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.

FILE: Steve Howell - Since I Saw You Last.flac
Size: 279791436 Hash: 91F6E9F9E885B21147AF47144256AF68 Accuracy: -m0
Conclusion: CDDA 100%
Signature: C3918CEBDD7B97455DDE2D56AB1853216EA09566
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