(Southern Rock, Rock & Roll, Pop-Soul) The Hour Glass (pre-The Allman Brothers Band) - The Hour Glass, 1973 (2001 Remastered), FLAC (image+.cue) lossless

English

The Hour Glass were a 1960s rhythm and blues band based in Los Angeles, California between 1967 and 1968. Among their members were two future members of the Allman Brothers Band (Duane Allman and his brother Gregg) and three future studio musicians at the world-renowned Fame Studios in Muscle Shoals, Alabama (Pete Carr, Johnny Sandlin and Paul Hornsby).

History

Formed from the ashes of two disbanded rival groups that had played the same southern circuit, The Allman Joys (based in Florida) and the Men-its (based in Alabama), the group was booked in early 1967 into a month-long engagement in St. Louis, Missouri, where they met members of the Nitty Gritty Dirt Band, whose manager, Bill McEuen, arranged for them a contract with Liberty Records.

Moving to Los Angeles, they were soon opening for groups like The Doors and Buffalo Springfield and recording their eponymous debut album, full of lighthearted poppy soul that was quite contrary to what the group was performing in various clubs and theatres in California such as the Fillmore West and Troubadour, picked out by the label from a pool of songwriters including Jackson Browne. The album flopped, perhaps because the group, aside from Gregg Allman, was sparsely used in the studio.

Onstage, the group rarely performed tracks from the album, preferring original material by the younger Allman alongside covers of Otis Redding and Yardbirds songs. Over the next few months, however, the group lingered, unable to perform outside of southern California due to label constraints. Eventually losing bassist Mabron McKinney, they soldiered on, performing concerts and recording a second album, Power of Love, which featured bassist Pete Carr. However, like their debut, Power of Love, which also featured the songwriting skills of Gregg Allman and material that fit the group much better than the material on their debut, flopped.

Pulling out one last-ditch effort by leaving Los Angeles to work at the legendary FAME Studios in Muscle Shoals, Alabama, the group recorded a handful of tracks that, for once, showed their full potential in the studio. After these tracks were rejected by the label, the group became dejected and broke up. The group over, Duane and Gregg Allman went to Jacksonville, Florida where they jammed with folk-rockers The 31st of February, featuring drummer Butch Trucks. The others went to do session work in Muscle Shoals.

Liberty Records threatening to sue the group for disbanding, they were given the rights to a solo album by Gregg Allman to keep them from doing so. However, tracks for the album were only issued twenty-five years later when they were released as bonus tracks on the compact disc reissues of the group's two albums. With his brother back in Los Angeles, Duane Allman temporarily joined his fellow bandmates in Muscle Shoals, eventually forming The Allman Brothers Band, enticing his brother back from Los Angeles.

Discography:

* The Hour Glass (Liberty, 1967)
* Power of Love (Liberty, 1968)
* The Hour Glass (compilation) (United Artists, 1973)
* Southbound (compilation) (Acadia, 2004)

Singles:

October 1967: "Nothing But Tears" / "Heartbeat"
- from The Hour Glass (1967)
March 1968: "Power of Love" / "I Still Want Your Love"
- from Power of Love (1968)
June 1968: "D-I-V-O-R-C-E" / "Changing Of The Guard" (as Greg Allman and the Hour Glass)
- Side "A" new recording by Gregg Allman and session musicians, Side "B" from Power of Love (1968)
September 1968: "She Is My Woman" / "Going Nowhere" (as Greg Allman and the Hour Glass)
- Side "A" new recording by Gregg Allman and session musicians, Side "B" from Power of Love (1968)
October 1968: "Now Is the Time" / "She Is My Woman" (as Greg Allman and the Hour Glass)
- Side "A" from Power of Love (1968), Side "B" previously released on 45 in September 1968
January 1969: "I've Been Trying" / "Silently" (as Greg Allman and the Hour Glass)
- from The Hour Glass (1967)

Personnel

* Duane Allman - guitars, sitar, vocal
* Gregg Allman - vocal, organ, piano, guitar
* Paul Hornsby - piano, organ, guitar, vocal
* Johnny Sandlin - drums, guitar, gong
* Mabron McKinney - bass (1967)
* Pete Carr - bass, guitar, vocal (1967–1968)

English

The Hour Glass was the debut record by the group of the same name, issued in October 1967 on Liberty Records, the first of two by the group that featured the namesakes of The Allman Brothers Band.

The album was recorded by a group saddled by a producer unable to quite realize the group's potential. Dallas Smith, a formulaic producer noted for his work with Bobby Vee, knew the group was from the South. He knew they had formed from the ashes of groups that had performed liberal amounts of blues covers. And he heard soulful qualities in the voice of nineteen-year-old Gregg Allman. Therefore, he referred to them as a "Motown band", much to the chagrin of the group [1].

The Hour Glass was recorded with an emphasis on lead vocalist Gregg Allman's voice and dispensing with nearly all original material. Of the eleven tracks on the original LP, only one was penned by a group member, Gregg Allman's "Got To Get Away". The remaining ten were written by songwriters running the gamut from Curtis Mayfield and Jackson Browne to Del Shannon and the Goffin-King team. The Hour Glass performed the basic tracks, which were overdubbed by Smith with layers of vocals and instrumentation.

The album was a failure in both sales terms and in properly showcasing the group. On the follow-up, 1968's Power of Love, the group would be given a bigger role in the making of the album.

The album is currently available on the Hour Glass anthology. The 1992 reissue on EMI, rife with bonus tracks, has fallen out of print, the bonus tracks now available on the 2004 album Southbound.