(Southern Rock, Rock & Roll, Pop-Soul) The Hour Glass (pre-The Allman Brothers Band) - Power Of Love - 1968, FLAC (image+.cue) lossless

The Band

The Hour Glass were a 1960s rhythm and blues band based in Los Angeles, California between 1967 and 1968. Among their members were two future members of the Allman Brothers Band (Duane Allman and his brother Gregg) and three future studio musicians at the world-renowned Fame Studios in Muscle Shoals, Alabama (Pete Carr, Johnny Sandlin and Paul Hornsby).
Formed from the ashes of two disbanded rival groups that had played the same southern circuit, The Allman Joys (based in Florida) and the Men-its (based in Alabama), the group was booked in early 1967 into a month-long engagement in St. Louis, Missouri, where they met members of the Nitty Gritty Dirt Band, whose manager, Bill McEuen, arranged for them a contract with Liberty Records.

Moving to Los Angeles, they were soon opening for groups like The Doors and Buffalo Springfield and recording their eponymous debut album, full of lighthearted poppy soul that was quite contrary to what the group was performing in various clubs and theatres in California such as the Fillmore West and Troubadour, picked out by the label from a pool of songwriters including Jackson Browne. The album flopped, perhaps because the group, aside from Gregg Allman, was sparsely used in the studio.

Onstage, the group rarely performed tracks from the album, preferring original material by the younger Allman alongside covers of Otis Redding and Yardbirds songs. Over the next few months, however, the group lingered, unable to perform outside of southern California due to label constraints. Eventually losing bassist Mabron McKinney, they soldiered on, performing concerts and recording a second album, Power of Love, which featured bassist Pete Carr. However, like their debut, Power of Love, which also featured the songwriting skills of Gregg Allman and material that fit the group much better than the material on their debut, flopped.

Pulling out one last-ditch effort by leaving Los Angeles to work at the legendary FAME Studios in Muscle Shoals, Alabama, the group recorded a handful of tracks that, for once, showed their full potential in the studio. After these tracks were rejected by the label, the group became dejected and broke up. The group over, Duane and Gregg Allman went to Jacksonville, Florida where they jammed with folk-rockers The 31st of February, featuring drummer Butch Trucks. The others went to do session work in Muscle Shoals.

Liberty Records threatening to sue the group for disbanding, they were given the rights to a solo album by Gregg Allman to keep them from doing so. However, tracks for the album were only issued twenty-five years later when they were released as bonus tracks on the compact disc reissues of the group's two albums. With his brother back in Los Angeles, Duane Allman temporarily joined his fellow bandmates in Muscle Shoals, eventually forming The Allman Brothers Band, enticing his brother back from Los Angeles.

Personnel

* Duane Allman - guitars, sitar, vocal
* Gregg Allman - vocal, organ, piano, guitar
* Paul Hornsby - piano, organ, guitar, vocal
* Johnny Sandlin - drums, guitar, gong
* Mabron McKinney - bass (1967)
* Pete Carr - bass, guitar, vocal (1967–1968)

Discography
Albums

* The Hour Glass (Liberty, 1967)
* Power of Love (Liberty, 1968)
* The Hour Glass (compilation) (United Artists, 1973)
* Southbound (compilation) (Acadia, 2004)

Singles

October 1967: "Nothing But Tears" / "Heartbeat"
- from The Hour Glass (1967)
March 1968: "Power of Love" / "I Still Want Your Love"
- from Power of Love (1968)
June 1968: "D-I-V-O-R-C-E" / "Changing Of The Guard" (as Greg Allman and the Hour Glass)
- Side "A" new recording by Gregg Allman and session musicians, Side "B" from Power of Love (1968)
September 1968: "She Is My Woman" / "Going Nowhere" (as Greg Allman and the Hour Glass)
- Side "A" new recording by Gregg Allman and session musicians, Side "B" from Power of Love (1968)
October 1968: "Now Is the Time" / "She Is My Woman" (as Greg Allman and the Hour Glass)
- Side "A" from Power of Love (1968), Side "B" previously released on 45 in September 1968
January 1969: "I've Been Trying" / "Silently" (as Greg Allman and the Hour Glass)
- from The Hour Glass (1967)

~Wikipedia

Review

Power of Love was the second record by The Hour Glass, issued in March 1968 on Liberty Records, the final by the group that featured the namesakes of The Allman Brothers Band. After the failure of their debut album, Liberty Records allowed a greater independence for the group, who had been virtually shut out of the decision making for their debut by the label and producer Dallas Smith. However, with the label's decision to retain Smith as producer, the group, especially Duane Allman, felt constricted by their desires for the album in opposition to the label's expectations.
With Smith behind the boards, Gregg Allman was still the focus. The younger Allman, who had seen only one of his compositions grace the debut, ended up contributing seven of the twelve tracks. The remainder came with two from the team of Marlon Greene and Eddie Hinton and one each from the teams of Spooner Oldham and Dan Penn, John Berry and Don Covay, and John Lennon and Paul McCartney. The group performed all of the instrumentation, with Duane Allman adding electric sitar to their cover of The Beatles' "Norwegian Wood (This Bird Has Flown)", a staple of their live act.
Neil Young of Buffalo Springfield wrote the liner notes, describing his experience sitting in on the session for the album track "To Things Before", watching Gregg Allman leading the group through the number.
After the failure of the album to chart, the Hour Glass traveled to Fame Studios in Muscle Shoals, Alabama in an attempt to further refine their sound. However, Dallas Smith and Liberty Records were displeased with the group-produced blues-fueled rock tracks that the group returned to Los Angeles with, as they were light years away from the pop music Smith envisioned them performing. Additionally, seeing himself cut out of the group's picture was not ideal for Smith, even if his relations with the group had been strained.
The Hour Glass disbanded shortly thereafter, with Gregg Allman returning to California in order to satisfy the terms of the group's contract with Liberty. Paired with a studio band, Allman cut roughly an album's worth of material, though it would take nearly a quarter century for it to surface.
The album is currently available on the Hour Glass anthology. The 1992 reissue on EMI, rife with bonus tracks from the aborted sessions for a Gregg Allman solo release, has fallen out of print. The bonus tracks are now available on the 2004 album Southbound. ~Wikipedia