Grateful Dead - Winterland 1973: The Complete Recordings. 9 HDCD - 2008
#777Жанр: Country-Rock, Blues, Psychedelic, Folk-Rock, Jam Bands Год выпуска диска: 2008 Recorded: November 9 – 11, 1973 Original Release Date: 2008 Number of Discs: 9 Label/Distributor: Rhino. Grateful Dead Production Catalogue №: GRA2 6007 Type: Box set, Limited Edition Studio / Live: Live Mono/Stereo: Stereo Аудио кодек: WAVPack Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 9:30:04 Сканы: в комплекте
Состав: Jerry Garcia – lead guitar, vocals Donna Godchaux – vocals Keith Godchaux – keyboards Bill Kreutzmann – drums Phil Lesh – electric bass Bob Weir – rhythm guitar, vocals
Production: Produced by Grateful Dead Box set produced by David Lemieux and Jeffrey Norman Recording by Bill Candelario CD mastering by Jeffrey Norman at Garage Audio, Petaluma, California Restoration by Jamie Howarth, Plangent Processes Archival research by Eileen Law / Grateful Dead Archives Cover art by Emek Art direction and design by Steve Vance Photography by Bruce Polonsky, Mary Ann Mayer, and Gary Manasse Set lists by David Gans Special thanks to Hale Milgrim, Nancy Nichols, and Paul Nichols Dedicated to the memory of Don Pearson Liner notes by Dennis McNally
Recording and mastering: The Winterland 1973 concerts were recorded on two-channel analog tapes, using a Nagra IV reel-to-reel tape recorder. As part of mastering the recordings for CD, the analog recordings were transferred to a digital format. They were then edited using a digital signal processing system called Clarity, developed by Plangent Processes, which fixes sonic problems created by minor variations in the tape speed of the original tape recorder. The resulting recording has been corrected for pitch and tempo, and wow and flutter have been eliminated. The album was released in HDCD format. This provides enhanced sound quality when played on CD players with HDCD capability, and is fully compatible with regular CD players.
First set: "Johnny B. Goode", "Sugaree", "Me and My Uncle", "China Cat Sunflower"*, "I Know You Rider"*, "El Paso", "Deal", "Big River", "Tennessee Jed", "Truckin'"*, "Stella Blue"*, "Around and Around" Second set: "Eyes of the World"*, "Space"*, "Sugar Magnolia"*, "Going Down the Road Feelin' Bad"*, "Casey Jones"* Encore: "One More Saturday Night"
First set: 1. "Promised Land" (Chuck Berry) – 3:21 2. "Brown-Eyed Woman" (Jerry Garcia, Robert Hunter) – 5:08 3. "Me and Bobby McGee" (Kris Kristofferson, Fred Foster) – 5:59 4. "They Love Each Other" (Garcia, Hunter) - 5:42 5. "Black-Throated Wind" (Bob Weir, John Perry Barlow) – 7:08 6. "Don’t Ease Me In" (traditional, arranged by Grateful Dead) – 4:37 7. "Mexicali Blues" (Weir, Barlow) – 3:44 8. "Row Jimmy" (Garcia, Hunter) – 9:03 9. "The Race Is On" (Don Rollins) – 3:57 10. "China Cat Sunflower" > (Garcia, Hunter) – 7:35 11. "I Know You Rider" (traditional, arranged by Grateful Dead) – 5:27
1. "Playing in the Band" (Weir, Mickey Hart, Hunter) – 20:53 Second set: 2. "Here Comes Sunshine" (Garcia, Hunter) – 11:52 3. "Me and My Uncle" (John Phillips) – 3:44 4. "To Lay Me Down" (Garcia, Hunter) – 8:11 5. "Big River" (Johnny Cash) – 5:29 6. "Mississippi Half-Step Uptown Toodeloo" (Garcia, Hunter) – 8:30 7. "Greatest Story Ever Told" > (Weir, Hunter) – 5:10 8. "Bertha" (Garcia, Hunter) – 6:12
1. "Weather Report Suite" (Weir, Eric Andersen, Barlow) – 15:38 2. "Eyes of the World" > (Garcia, Hunter) – 16:43 3. "China Doll" (Garcia, Hunter) – 5:57 4. "Around and Around" > (Berry) – 5:05 5. "Goin’ Down The Road Feeling Bad" > (traditional, arranged by Grateful Dead) – 8:01 6. "Johnny B. Goode" (Berry) – 4:25
1. "Dark Star" > (Garcia, Lesh, Weir, Bill Kreutzmann, Keith Godchaux, Hunter) – 35:41 2. "Eyes Of The World" > (Garcia, Hunter) – 13:36 3. "China Doll" (Garcia, Hunter) – 5:40 4. "Sugar Magnolia" (Weir, Hunter) – 10:19 Encore: 5. "Uncle John’s Band" (Garcia, Hunter) – 7:32 6. "Johnny B. Goode" > (Berry) – 3:56 7. "We Bid You Goodnight" (traditional, arranged by Grateful Dead) – 3:11
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
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Grateful Dead / Winterland 1973; The Complete Recordings, Disc 1
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Grateful Dead / Winterland 1973; The Complete Recordings, Disc 2
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Grateful Dead / Grateful Dead - Winterland 1973; The Complete Recordings, Disc 3
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Grateful Dead / Winterland 1973; The Complete Recordings, Disc 4
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Grateful Dead / Winterland 1973; The Complete Recordings, Disc 5
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Grateful Dead / Winterland 1973; The Complete Recordings, Disc 6
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Grateful Dead / Winterland 1973; The Complete Recordings, Disc 7
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Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
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Grateful Dead / Winterland 1973; The Complete Recordings, Disc 8
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Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo
Filename M:\Grateful Dead - Winterland Complete\Grateful Dead - Winterland 1973; The Complete Recordings, Disc 8.wav
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Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
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Grateful Dead / Winterland 1973; The Complete Recordings, Disc 9
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Данная коллекция, состоящая из девяти дисков, вбирает в себя записи трех концертов Grateful Dead, прошедших один за другим - 9-11 ноября 1973 года в ледовом комплексе Winterland Arena в их родном городе. На том момент группа состояла из Jerry Garcia (ведущая гитара/вокал), Donna Jean Godchaux (вокал), Keith Godchaux (клавишные), Bill Kreutzmann (барабаны), Phil Lesh (бас гитара/вокал) и Bob Weir (ритм гитара/вокал). В 1973 году они сыграли всего лишь несколько концертов в Сан-Франциско, что в общем то, нетипично для них. По информации McNally (на конверте альбома) данная работа представляет большую часть их выступлений в районе залива Сан-Франциско за год. Однако это не значит, что группа не была загружена, поскольку они выступали практически через каждые пять дней и дали в целом 72 живых шоу. Потрясающий, щедрый подарок в виде замечательных выступлений в Winterland 1973: The Complete Recordings (2008 года) свидетельствует о том, что группа работала на полную мощь и в максимальном темпе. На самих концертах, с присущими естественными спадами и приливами, проявляется необычайная способность Grateful Dead непринужденно фланировать среди множества стилей. Среди которых традиционный классический рок-н-ролл (а именно "Johnny B. Goode" и "Around and Around" от Chuck-а Berry), каверы на кантри&вестерн исполнителей Johnny Cash-а ("Big River"), Marty Robbins-а ("El Paso") и George Jones-а ("The Race Is On"). Сочетание этих музыкантов, вероятно, оказало значительное влияние на работы Weir-а и John-а Barlow (в качестве прообразов) и на ключевые песни из каталога Grateful Dead "Mexicali Blues" и (в более совершенной степени) на чуткие, душевные "Black-Throated Wind" и "Looks Like Rain". Еще один аспект многогранных Grateful Dead отбрасывает в их впечатляющее психоделическое прошлое, в то время как Garcia, Keith Godchaux и Kreutzmann одновременно выражают агрессивное стремление к более джазовой инструментальной импровизации. Наиболее очевидным образом это выражается в разнородных, растянутых эпических прочтениях "Playing in the Band", "Eyes of the World" и "Weather Report Suite". Кроме того, каждый вечер доставил массу особенных неповторимых музыкальных мгновений. Запись пятничного выступления (9 ноября) содержит основополагающую "They Love Each Other" с небольшими лирическими переделками Garcia, возвращение очень редко исполняемой баллады "To Lay Me Down" и продолжает в этом же направлении пылкой "Greatest Story Ever Told" и "Bertha". Субботний концерт (10 ноября), отличается простой милой "Brokedown Palace" и мешаниной, соединяющей "Playing in the Band" с "Uncle John's Band" в безупречной "(Walk Me out in The) Morning Dew". Для интересующейся публики стоит упомянуть о непревзойденной "Stella Blue". Искушенные слушатели могут обнаружить, что на протяжении воскресного вечернего выступления создается ощущение, что всего его составляющие элементы идеально подходят друг другу. Основой является получасовая "Dark Star", то сплетающаяся с мелодией, то отходящая от нее, прежде чем соединиться с ироничной "Eyes of the World" и завершается все спустя почти час пикантной "China Doll". К еще одним ярким моментам из концерта, прошедшего 11 ноября, можно отнести "Loose Lucy", с ее пульсирующим грубым, но вполне уместным ритмом и возможно лучшую композицию "Weather Report Suite" (из всех трех основных частей данного набора). Комплект включает Plangent Process (выражая свои привязанности), который, несомненно, привнес прекрасное звучание двухтрекового проекта неповторимого Jeffrey Norman-а в бытность его пребывания на посту звукорежиссера Grateful Dead. Со слов Norman-а единственной утерянной песней может быть "номер на бис, не записанный в концерте от 9 ноября". В дополнение ко всему участники, предопределившие Winterland 1973: The Complete Recordings, предоставили несколько сюрпризов: живописное воспроизведение послания Grateful Dead из начала 70-х и "Good Ol' Grateful Dead" лишь одна из нескольких приятных вещиц.
Allmusic.com rating 4.5 out 5 Stars This nine-disc box set gathers music from a trio of consecutive Grateful Dead gigs -- November 9 -- 11, 1973 at their hometown hockey rink Winterland Arena. At the time the band consisted of Jerry Garcia (lead guitar/vocals), Donna Jean Godchaux (vocals), Keith Godchaux (keyboards), Bill Kreutzmann (drums), Phil Lesh (electric bass/vocals), and Bob Weir (rhythm guitar/vocals). In 1973, they atypically played a mere handful of gigs in San Francisco. According to Dennis McNally's liner notes, the run represented within could be considered over half of their Bay Area appearances for the year. That shouldn't suggest that the combo weren't keeping a full calendar, as they played about every five days or so for a total of 72 live shows. As the overwhelming bounty of strong performances on 2008's Winterland 1973: The Complete Recordings substantiates, the combo were operating on all cylinders and -- when applicable -- at full velocity. Hearing the natural ebb and flow inherent in the concerts themselves reveals the Grateful Dead's singular ability to effortlessly vacillate between a multitude of styles. Among them are straight-ahead vintage rock & roll -- namely Chuck Berry's "Johnny B. Goode" and "Around and Around" -- to covering country & western troubadours Johnny Cash ("Big River,") Marty Robbins ("El Paso"), and George Jones ("The Race Is On"). An amalgam of these artists would heavily influence the writing of Weir and John Barlow as the originals and Grateful Dead songbook staples "Mexicali Blues" and, to a more refined degree, the tales-from-the-road sensibility of "Black-Throated Wind" and "Looks Like Rain." Another facet of the hydra-headed Grateful Dead reaches back into their formidable psychedelic past, while Garcia, Keith Godchaux, and Kreutzmann are simultaneously aggressive in their pursuit of a jazzier grade of instrumental improvisation. Nowhere is this as evident as during the multiple stretched-out epic and exploratory readings of "Playing in the Band," "Eyes of the World," and "Weather Report Suite." Likewise, each night brought a host of undeniably special musical moments.
Friday (November 9) contains a seminal "fast" "They Love Each Other" with a few lyrical rearrangements by Garcia, the return of the far-too-infrequently played ballad "To Lay Me Down," and the tight segue between the fiery "Greatest Story Ever Told" and "Bertha." Saturday the 10th is marked by a simple and lovely "Brokedown Palace," and the not-to-be-missed medley linking a spacy "Playing in the Band" to "Uncle John's Band" to a note-perfect "(Walk Me out in The) Morning Dew" that briefly revisits "Uncle John's Band" before returning, bookending the whole affair with a reprise of "Playing in the Band." Plus, the stand-alone "Stella Blue" is well worth mentioning for inclined minds. Seasoned listeners might find that the elements seem to align perfectly throughout the Sunday night outing. The centerpiece is a half-hour-plus "Dark Star" that weaves in and out of the melody before connecting to an incisive "Eyes of the World" and concludes nearly an hour later with a poignant "China Doll." The slinky and appropriately ribald rhythm pulsating through "Loose Lucy," and arguably the best "Weather Report Suite" (of the three found in the this box), are other highlights from the 11th. In terms of fidelity, the project incorporates the Plangent Process, which has unquestionably produced the finest sounding two-track project to have come from the always quality-conscious Jeffrey Norman during his tenure as the Grateful Dead's sonic restorationist. Norman also says that the only song to be M.I.A. is an "encore that wasn't recorded on the 9th." Parties who pre-ordered Winterland 1973: The Complete Recordings online were also supplied several premiums: a postcard reproduction of a Grateful Dead mass-mailing from the early '70s and a "Good Ol' Grateful Dead" pin (read: badge) are but a few of the goodies. The icing on the cake is the nine-song "bonus disc" of excerpts from a few weeks later on December 4, 1973 at the Cincinnati Gardens, more information about which can be found on the 2008 bonus edition of Winterland 1973: The Complete Recordings.
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