(Krautrock) Cluster - Zuckerzeit - (Studio Album, released in 1974) - 2004.WAVPack - (image+.cue+scans), lossless

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 23. June 2008, 16:32

Cluster / Zuckerzeit

Used drive : HL-DT-STDVD-RAM GSA-H20L Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
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1 | 0:00.00 | 4:46.47 | 0 | 21496
2 | 4:46.47 | 3:09.03 | 21497 | 35674
3 | 7:55.50 | 6:00.26 | 35675 | 62700
4 | 13:56.01 | 4:11.53 | 62701 | 81578
5 | 18:07.54 | 3:56.23 | 81579 | 99301
6 | 22:04.02 | 4:18.26 | 99302 | 118677
7 | 26:22.28 | 3:21.60 | 118678 | 133812
8 | 29:44.13 | 3:14.31 | 133813 | 148393
9 | 32:58.44 | 2:40.11 | 148394 | 160404
10 | 35:38.55 | 2:21.12 | 160405 | 170991

Range status and errors

Selected range

Filename K:\C\Cluster\Zuckerzeit\LossLess\Cluster - Zuckerzeit.wav

Peak level 96.9 %
Range quality 100.0 %
Copy CRC 210D7981
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 3) [DDFAB8D8]
Track 2 accurately ripped (confidence 3) [F10660B1]
Track 3 accurately ripped (confidence 3) [D723C893]
Track 4 accurately ripped (confidence 3) [DFF2188C]
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Track 6 accurately ripped (confidence 3) [E14B9B03]
Track 7 accurately ripped (confidence 2) [24B991C7]
Track 8 accurately ripped (confidence 2) [9F779B2C]
Track 9 accurately ripped (confidence 2) [CC1FA031]
Track 10 accurately ripped (confidence 2) [63CF14FA]

All tracks accurately ripped

End of status report

A hint of Utopia
by Asmus Tietchens
In 1974, Cluster entered the sugar era. This doesn't mean that they had finally arrived in their promised land, but they had simply moved from Berlin to the country, to a small place called Forst on the river Weser. Many a thing had changed for band members Moebius and Roedelius since they had recorded their last album Cluster II in 1972: They had moved from boisterous Berlin to this calm rural village, they had founded the band Harmonia, had set up their own studio and had bought new equipment. As a result of this and many other things, new impulses were noticeably spurring the evolution of their music. The album Zuckerzeit („sugar era") launched a revolution for Cluster.

Strictly speaking, Zuckerzeit is not really an album by Cluster. More precisely, the LP contains two mini solo albums by Moebius and Roedelius. Those who were familiar with the stylistic peculiarities of the two musicians could easily relate the solo pieces to either one of them. As Roedelius and Moebius had not yet released any solo works by the time, it was actually not possible to draw up any comparisons yet. What could be clearly heard, though, was that there were two different musical attitudes to be found on one album. One thing they did have in common was the consistent use of the analogue rhythm machine. This was something new for Cluster inasmuch as on their last album Cluster II, they had still focussed on completely different methods that were to give structure to the pieces. Zuckerzeit, on the contrary, is designed in a clearly rhythmical way: a rhythm machine, triggered synths and harmonic patterns played by hand inspired life and imagination on the melody lines: This was different as well. Once again, Roedelius and Moebius took on work in such a remarkably light-hearted and down-to-earth manner as was typical of Cluster. Zuckerzeit is light and cheerful, freed from the Germanic gravity and the mystic incense fumes that were so fashionable at the time. Cluster managed to keep both feet on the ground without becoming plain or even sterile.

The friendliness of the music is clearly due to the two personalities of Roedelius and Moebius; its down-to-earth character
possibly comes from Michael Rother, the album's co-producer. Michael Rother had already performed with Kraftwerk and had founded the band NEU! together with Klaus Dinger before moving to idyllic Forst himself in 1973. The same year, the band Harmonia (Roedelius, Moebius, Rother) was born. The music might also have been influenced by the lovely environment of the hilly countryside surrounding them. We are told that some of the visitors to Forst had believed themselves in Tolkien's Shire, although nobody had ever seen hob-bits in the area. Maybe this impression was an all too romantic one. Yet, those who have experienced this peaceful atmosphere for themselves may at least be able to understand what we are talking about.

By then, Cluster could finally call themselves lucky owners of their own recording equipment consisting of a multi-track recording machine, a mixer and peripherals. This gave them the possibility to develop and record their Zuckerzeit material without precipitating things or having to depend on other people. So they did everything on their own except for the finishing which took place in the studio of Conrad Plank, the sonic magician of their early days, something which vitally accounted for a successful outcome by the way. One has to admit that technical equipment at Forst was not quite up to the standards even of that time. Moebius and Roedelius, however, knew how to make use of the devices they had in such a skilful way that it almost seemed obsolete to consider working in large and professional studios in the future. So, many years were yet to go by until Cluster set foot in a studio other than their own again, this time not only to do the finishing but also the recordings.

When comparing Zuckerzeit to the works of other electronic combos produced at the same time, it is first of all the shortness of the tracks that seems most striking (2:20-6:10). Listeners who were expecting long and booming pieces were badly advised with this album -what kind of trip is this that lasts for six minutes only? Those who loved listening closely and who were fond of sophisticated, varied and elaborate music could not be more satisfied though, because every single one of the ten pieces is far from being boring. The fact that Cluster worked in such a calm and collected way, that they concentrated on their musical ideas instead of losing themselves in long-windedness, that they took their time working on the album and not least that they could rely on the ideas of their co-producer Michael Rother - all this taken together gave way to the creation of electronic miniatures that sounded as extraordinary in the 1970s as they still do today. Nothing reminds us of psychedelic music that was common at the time. Instead, we find transparency, a hint of Utopia and above all new sounds and noises, something which was unheard-of in popular music until then. Even thirty years after its first release, Zuckerzeit might easily figure as a reverberating chapter in the latest edition of the imaginary handbook "The Golden Rules of Electronic Music".
Asmus Tietchens, long-standing friend of the band, has been working in the field of electronic music himself since 1965