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Alceu Valenca & Geraldo Azevedo - Alceu Valenca & Geraldo Azevedo

Жанр: Psychedelic Rock, Brazilian
Страна-производитель диска: Argentina
Год издания диска: 2006
Издатель (лейбл): Discos Mariposa
Номер по каталогу: MCDS-0405
Аудио кодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:33:53
Источник (релизер): barin99
Наличие сканов в содержимом раздачи: да

Треклист:

01. Me Dá Un Beijo 2:28
02. Virgem Virgínia 3:27
03. Mister Mistério 2:47
04. Novena 2:17
05. Cordão Do Rio Preto 2:53
06. Planetário 2:56
07. Seis Horas 2:29
08. Erosão 2:29
09. 78 Rotações 1:45
10. Talismã 3:42
11. Ciranda De Mãe Nina 2:20
12. Horrível 4:16

Personnel:

Alceu Valença - violão e vocal
Geraldo Azevedo - violão e vocal
Alexandre Pascoal Geto - órgão e piano
Gabriel Bahlis - baixo
Zequinha - bateria e percussão
Messias - viola caipira e cavaquinho

Originally released on Quadrafônico (1972)
Код:
Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 14. December 2011, 19:12

Alceu Valenca & Geraldo Azevedo / Alceu Valenca & Geraldo Azevedo

Used drive  : TSSTcorpDVD+-RW TS-L532B   Adapter: 1  ID: 0

Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No

Read offset correction                      : 704
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  2:28.02 |         0    |    11101
        2  |  2:28.02 |  3:27.16 |     11102    |    26642
        3  |  5:55.18 |  2:47.11 |     26643    |    39178
        4  |  8:42.29 |  2:17.73 |     39179    |    49526
        5  | 11:00.27 |  2:53.04 |     49527    |    62505
        6  | 13:53.31 |  2:56.23 |     62506    |    75728
        7  | 16:49.54 |  2:29.05 |     75729    |    86908
        8  | 19:18.59 |  2:29.32 |     86909    |    98115
        9  | 21:48.16 |  1:45.55 |     98116    |   106045
       10  | 23:33.71 |  3:42.60 |    106046    |   122755
       11  | 27:16.56 |  2:20.27 |    122756    |   133282
       12  | 29:37.08 |  4:16.06 |    133283    |   152488

Range status and errors

Selected range

     Filename C:\Documents and Settings\VB\My Documents\BARIN99\Alceu Valenca & Geraldo Azevedo - Alceu Valenca & Geraldo Azevedo\Alceu Valenca & Geraldo Azevedo - Alceu Valenca & Geraldo Azevedo.wav

     Peak level 95.6 %
     Extraction speed 0.3 X
     Range quality 100.0 %
     Copy CRC 8AA1BED8
     Copy OK

No errors occurred

AccurateRip summary

Track  1  accurately ripped (confidence 1)  [F78DC2C3]
Track  2  accurately ripped (confidence 1)  [9D405E72]
Track  3  accurately ripped (confidence 1)  [7FE7DE32]
Track  4  accurately ripped (confidence 1)  [28552865]
Track  5  accurately ripped (confidence 1)  [42FCCEE9]
Track  6  accurately ripped (confidence 1)  [8D2AC700]
Track  7  accurately ripped (confidence 1)  [95AE3414]
Track  8  accurately ripped (confidence 1)  [6569162C]
Track  9  accurately ripped (confidence 1)  [C7F91D8A]
Track 10  accurately ripped (confidence 1)  [6E1BDE5F]
Track 11  accurately ripped (confidence 1)  [CE426C8D]
Track 12  accurately ripped (confidence 1)  [C5456B83]

All tracks accurately ripped

End of status report
Код:
REM GENRE Other
REM DATE 1972
REM DISCID 8507F10C
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Alceu Valenca & Geraldo Azevedo"
TITLE "Alceu Valenca & Geraldo Azevedo"
FILE "Alceu Valenca & Geraldo Azevedo - Alceu Valenca & Geraldo Azevedo.ape" WAVE
  TRACK 01 AUDIO
    TITLE "Me Da Um Beijo"
    PERFORMER "Alceu Valenca & Geraldo Azevedo"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Virgem Virginia"
    PERFORMER "Alceu Valenca & Geraldo Azevedo"
    INDEX 00 02:26:48
    INDEX 01 02:28:02
  TRACK 03 AUDIO
    TITLE "Mister Misterio"
    PERFORMER "Alceu Valenca & Geraldo Azevedo"
    INDEX 00 05:53:41
    INDEX 01 05:55:18
  TRACK 04 AUDIO
    TITLE "Novena"
    PERFORMER "Alceu Valenca & Geraldo Azevedo"
    INDEX 00 08:40:45
    INDEX 01 08:42:29
  TRACK 05 AUDIO
    TITLE "Cordao Do Rio Preto"
    PERFORMER "Alceu Valenca & Geraldo Azevedo"
    INDEX 00 10:58:43
    INDEX 01 11:00:27
  TRACK 06 AUDIO
    TITLE "Planetario"
    PERFORMER "Alceu Valenca & Geraldo Azevedo"
    INDEX 00 13:51:72
    INDEX 01 13:53:31
  TRACK 07 AUDIO
    TITLE "Seis Horas"
    PERFORMER "Alceu Valenca & Geraldo Azevedo"
    INDEX 00 16:45:25
    INDEX 01 16:49:54
  TRACK 08 AUDIO
    TITLE "Erosao"
    PERFORMER "Alceu Valenca & Geraldo Azevedo"
    INDEX 00 19:17:58
    INDEX 01 19:18:59
  TRACK 09 AUDIO
    TITLE "78 Rotacoes"
    PERFORMER "Alceu Valenca & Geraldo Azevedo"
    INDEX 00 21:47:21
    INDEX 01 21:48:16
  TRACK 10 AUDIO
    TITLE "Talisma"
    PERFORMER "Alceu Valenca & Geraldo Azevedo"
    INDEX 00 23:32:54
    INDEX 01 23:33:71
  TRACK 11 AUDIO
    TITLE "Ciranda De Mae Nina"
    PERFORMER "Alceu Valenca & Geraldo Azevedo"
    INDEX 00 27:15:19
    INDEX 01 27:16:56
  TRACK 12 AUDIO
    TITLE "Horrivel"
    PERFORMER "Alceu Valenca & Geraldo Azevedo"
    INDEX 00 29:35:46
    INDEX 01 29:37:08
"Alceu Valença is an extremely successful composer and the owner of a distinctive style that mixes his northeastern roots and contemporary grooves; he is also an energetic and mesmerizing live performer. His songs have been recorded by several major artists, including Luiz Gonzaga (with whom he wrote 'Plano Piloto'), Maria Betânia, and Elba Ramalho. His life was depicted in Anamelia Maciel's book Alceu Valença em Frente e Verso (Edição do Autor, recife, 1988).
The son of a locally renowned lawyer, Valença always worried his father with his rebellious character. At four, he participated in an infant concourse promoted by the postman Luís Jacinto, singing a Capiba tune. He didn't win the competition or the prize (a soap box), but his acrobatic performance during the prize delivery won the sympathy of the audience and he won another soap box. Moving with his family to Recife PE, Valença was always a bad student, and was even expelled from school, until he finally graduated from law school in 1970, but he never worked in that profession. There, he began his first professional musical experiences with the band Tamarineira Village, after transforming into Ave Sangria. He later incorporated new musicians into his band who were highly successful artists: Zé Ramalho (who played the Brazilian viola) and Elba Ramalho (as chorus girl). In 1968, Valença did his first show, Erosão: a Cor e o Show, to enthusiastic critical praise. In September, he participated in the I Festival Universitário Brasileiro de Música Popular (Rio) with 'Maria Alice' (written with Sérgio Bahia), defended by Ivete e Arlete. The next month, he concurred in the I Festival Regional Universitário da MPB (Recife). In the next year, he classified two songs at the regional phase of the IV Festival Internacional da Canção: 'Acalanto Para Isabela' (first place) and 'Desafio Linda' (third place). At the national phase in Rio, he unsuccessfully defended the first song. With a scholarship from Harvard University (Boston), he knew some of the U.S. and reconciled himself to the indigenous culture of his home state, perceiving its universalizing possibilities through the interest displayed by passersby while he played on streets and squares.
Returning to Brazil in 1970, Valença married Eneida in June and worked together at the III Festival Universitário de Música Popular Brasileira, receiving second place with 'Manhã de Clorofila.' He returned the trophy to the jury (under applause), declaring (euphemistically) that the jury already had its decision, regardless of the manifest desire of the audiences. It led him to decide to move to Rio with his wife, son, and a recommendation letter from José Humberto Patu. There he met Geraldo Azevedo, another pernambucano (from the Pernambuco state) who had abandoned music and was working with industrial design. Valença convinced him to return to music and they both wrote a song. Valença participated in July at the V Festival Internacional da Canção (Rio) with the songs 'Fiat Lux Baby,' 'Erosão,' and 'Desafio Linda'; and at the IV Festival Universitário da Música Brasileira (August 1971, Teatro João Caetano), Valença participated with 'Água Clara,' '78 Rotações' (with Geraldo Azevedo), and 'Planetário.' Also with Azevedo's songs (which competed against Valença's at the festivals), they recorded together their first LP Alceu Valença & Geraldo Azevedo (Copacabana, 1972). In 1972, Valença asked the great Jackson do Pandeiro to defend his 'Papagaio do Futuro' at the VII Festival Internacional da Canção (September, Rio). The song wasn't classified, but was presented with success in several shows by Valença and Azevedo throughout the country, and opened the doors for a friendship with Pandeiro that resulted in live performances by the duo at the Teatro João Caetano's (Rio), Projeto Seis e Meia (1975), and in the national tour of the Projeto Pixinguinha series (1977). Still in 1972, Valença became disappointed with the result of the FIC and returned to Recife with the decision to abandon music. In January 1974, he opened the show O Ovo e a Galinha (Nosso Teatro, Recife), touring several upstate Northeastern cities. In that same year, participated in Sérgio Ricardo's film A Noite do Espantalho as the main character, and recorded its soundtrack (released on LP by Continental in 1974) as singer. He also released his first solo album, Molhado de Suor (Som Livre). The album didn't get major interest from the audiences, but was well-received by critics. In February 1975, he got a big hit with 'Vou Danado pra Catende,' inspired in the verses by modernist Pernambucan poet Ascenso Ferreira at the Festival Abertura (Rede Globo). The support from the audience led the jury to create a special 'Research' prize. It made possible the show Vou Danado pra Catende (Teatro Teresa Rachel, Rio, 1975), which was a complete failure in the first three days until Valença got dressed as a clown and swept through downtown Rio with a megaphone, promoting the show. It then became a full-house success at the theater and in all subsequent national tours. In the next year, he recorded Vivo, a rock album, and in 1977, Espelho Cristalino. In 1979, he recorded Saudade de Pernambuco, and in the same year, began to record frevos on the LP series Asas da América (compilations with several interpreters). The series and the subsequent dedicated shows by Valença, in parallel with his solo career, turned Olinda's Carnival a national success. During a tour in 1979, he recorded an album in Paris, France, that is still unreleased in Brazil.
In 1980, he released Coração Bobo, which had the hit 'Na Primeira Manhã,' and in the next year, Cinco Sentidos. In 1982, he recorded Cavalo de Pau with the hits 'Tropicana' and 'Como Dois Animais.' In 1983, he released Anjo Avesso with 'Anunciação,' and from the live show recorded at the Montreux Jazz Festival (Switzerland), Brazil Night -- Ao Vivo em Montreux was released. In 1984, he recorded Mágico, which had the hit 'Solidão,' and in the next year, Estação da Luz.
At that point, with his career established, several of his songs became soap opera themes (the fastest way of reaching high selling records in Brazil). In 1986, he recorded the live album Ao Vivo, and in the same year, Rubi. In 1987, he recorded Leque Moleque, and in the following years, Oropa, França e Bahia (1988), Andar, Andar (1990), and Sete Desejos (1991), which had the hit 'Tesoura do Desejo.' In that year, he participated in the megafestival Rock in Rio 2. In 1994, he recorded Maracatus Batuques e Ladeiras featuring the track 'Pétalas' (with Herbert Azul), which received the Sharp prize for the Best Song of the Year. Together with Geraldo Azevedo, Elba Ramalho, and Zé Ramalho, he recorded the 1996 live album O Grande Encontro and the solo CD Mourisco. In 1997, he released Sol e Chuva and, in 1998, Forró de Todos os Tempos. Sino de Ouro followed in early 2001.

Romantic lyricism set to virtuosic guitar playing has made Geraldo Azevedo one of the top pop musicians in Brazil. Many of his compositions, including 'Caravana,' 'Copacabana,' 'De Outra Maneira' and 'Barcarola Do Sao Francisco,' have become Brazilian pop classics.
Born in Petrolina, a small town near the banks of the San Francisco River, Azevedo was heavily influenced by João Gilberto, who lived in Juazeiro, a city on the other side of the river. Self-taught on the guitar, he mastered the instrument by the age of twelve. Moving to the capital city of Recife in 1963, Azevedo formed Grupo Construcao with vocalist Teca Calazans and percussionist Naná Vasconcelos.
Four years later, he accepted an invitation by vocalist Eliana Pittman to relocate to Rio de Janeiro. Azevedo soon became one of the city's leading musicians and a highly respected accompanist for many top-ranked vocalists. Together with Vasconcelos, Nelson Ângelo and singer/songwriter Geraldo Vandré, with whom he co-wrote the popular 'Cancao de Despedida' ('The Farewell Song'), Azevedo formed a band, Quarteto Livre. After the military government closed the Brazilian congress and instituted censorship in December 1968, the group disbanded.
Azevedo attained international acclaim in 1991 when he teamed with Alçeu Valença to compose and perform two songs -- '78 Rotaces' and 'Planetario' -- at a festival sponsored by Tupi TV in Sao Paulo. Signed by Casablanca, Azevedo and Valença released a self-titled duo album. In 1972, the two joined with folk singer Jackson Do Pandeiro to perform at an International Song Festival in Rio.
Azevedo began to achieve recognition on his own, as well. Several of his songs were featured on the soundtrack of the Globo TV series Gabriela and Saramandaia. Azevedo's debut solo album released in 1973 became a major hit. In 1979, Azevedo and actress/singer Elba Ramalho recorded Bicho de 7 Cabcas. Azevedo recorded a live album in the Golden Room of the Casablanca in Rio in 1985."
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