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(Psychedelic Rock) Alexander "Skip" Spence - Oar (1969) - 1999 Remaster Sundazed (ex-Moby Grape), FLAC (image+.cue), lossless

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Alexander "Skip" Spence / Oar (1969)

Жанр: Psychedelic Rock
Страна-производитель диска: USA
Год издания диска: 1999
Издатель (лейбл): Sundazed
Номер по каталогу: SC 11075
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 1:05:23
Источник (релизер): mook45
Наличие сканов в содержимом раздачи: да
Треклист:
ORIGINAL OAR
01. Little Hands (3:45)
02. Cripple Creek (2:16)
03. Diana (3:32)
04. Margaret - Tiger Rug (2:17)
05. Weighted Down (The Prison Song) (6:27)
06. War In Peace (4:05)
07. Broken Heart (3:30)
08. All Come To Meet Her (2:04)
09. Books Of Moses (2:42)
10. Dixie Peach Promenade (Yin For Yang) (2:54)
11. Lawrence Of Euphoria (1:31)
12. Grey / Afro (9:38)
EXTRA OAR
13. This Time He Has Come (4:43)
14. It's The Best Thing For You (2:49)
15. Keep Everything Under Your Hat (3:07)
16. Furry Heroine (Halo Of Gold) (3:36)
17. Givin' Up Things (1:00)
UNISSUED OAR
18. If I'm Good (0:48)
19. You Know (1:48)
20. Doodle (1:03)
21. Fountain (0:35)
22. I Think You And I (1:14)

Original recoding dates:
Tracks 3 & 6 recorded December 3, 1968, Nashville, Tennessee
Tracks 1, 2 & 5 recorded December 5, 1968, Nashville, Tennessee
Tracks 9 & 11 recorded December 6, 1968, Nashville, Tennessee
Tracks 4, 7, 8, 10, 12 & 13-22 recorded December 12, 1968, Nashville, Tennessee

Код:

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 28. August 2010, 15:14

Alexander Spence / Oar

Used drive  : HP      DVD Writer 1040r   Adapter: 1  ID: 0

Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No

Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000

Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options :  -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC Flac 1.1.2 -5" %s

TOC of the extracted CD

     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  3:44.52 |         0    |    16851
        2  |  3:44.52 |  2:16.30 |     16852    |    27081
        3  |  6:01.07 |  3:32.35 |     27082    |    43016
        4  |  9:33.42 |  2:17.20 |     43017    |    53311
        5  | 11:50.62 |  6:27.10 |     53312    |    82346
        6  | 18:17.72 |  4:05.03 |     82347    |   100724
        7  | 22:23.00 |  3:29.60 |    100725    |   116459
        8  | 25:52.60 |  2:04.22 |    116460    |   125781
        9  | 27:57.07 |  2:42.00 |    125782    |   137931
       10  | 30:39.07 |  2:53.50 |    137932    |   150956
       11  | 33:32.57 |  1:31.13 |    150957    |   157794
       12  | 35:03.70 |  9:38.25 |    157795    |   201169
       13  | 44:42.20 |  4:42.50 |    201170    |   222369
       14  | 49:24.70 |  2:48.52 |    222370    |   235021
       15  | 52:13.47 |  3:06.68 |    235022    |   249039
       16  | 55:20.40 |  3:35.72 |    249040    |   265236
       17  | 58:56.37 |  0:59.63 |    265237    |   269724
       18  | 59:56.25 |  0:47.65 |    269725    |   273314
       19  | 60:44.15 |  1:47.65 |    273315    |   281404
       20  | 62:32.05 |  1:02.57 |    281405    |   286111
       21  | 63:34.62 |  0:34.40 |    286112    |   288701
       22  | 64:09.27 |  1:14.08 |    288702    |   294259

Range status and errors

Selected range

     Filename C:\Users\Mike3\Desktop\Alexander Spence - Oar\Alexander Spence - Oar.wav

     Peak level 98.8 %
     Range quality 100.0 %
     Copy CRC 8BBCD97B
     Copy OK

No errors occurred

AccurateRip summary

Track  1  accurately ripped (confidence 18)  [D70E8622]
Track  2  accurately ripped (confidence 18)  [08C41EC4]
Track  3  accurately ripped (confidence 18)  [F3EAD147]
Track  4  accurately ripped (confidence 18)  [D7FF0EA1]
Track  5  accurately ripped (confidence 18)  [490F47D4]
Track  6  accurately ripped (confidence 18)  [CA6EB7E5]
Track  7  accurately ripped (confidence 18)  [05D5DEC4]
Track  8  accurately ripped (confidence 17)  [1CE70F6E]
Track  9  accurately ripped (confidence 17)  [73274531]
Track 10  accurately ripped (confidence 17)  [4786E264]
Track 11  accurately ripped (confidence 18)  [4C617FEC]
Track 12  accurately ripped (confidence 18)  [4948FF0F]
Track 13  accurately ripped (confidence 18)  [1EC1C41D]
Track 14  accurately ripped (confidence 18)  [D5DE8F9A]
Track 15  accurately ripped (confidence 18)  [126107CF]
Track 16  accurately ripped (confidence 18)  [283FB2F3]
Track 17  accurately ripped (confidence 18)  [7624A166]
Track 18  accurately ripped (confidence 18)  [6C5779FC]
Track 19  accurately ripped (confidence 18)  [E4D84FE9]
Track 20  accurately ripped (confidence 18)  [6A9A0458]
Track 21  accurately ripped (confidence 18)  [CC4EA373]
Track 22  accurately ripped (confidence 18)  [84CEEF30]

All tracks accurately ripped

End of status report

Like a rough, more obscure counterpart to Syd Barrett, Skip Spence was one of the late '60s' most colorful acid casualties. The original Jefferson Airplane drummer (although he was a guitarist who had never played drums before joining the group), Spence left after their first album to join Moby Grape. Like every member of that legendary band, he was a strong presence on their first album, playing guitar, singing, and writing "Omaha." The group ran into rough times in 1968, and Spence had the roughest, flipping out and (according to varying accounts) running amok in a record studio with a fire axe; he ended up being committed to New York's Bellevue Hospital. Upon his release, Spence cut an acid-charred classic, Oar, in 1969. Though released on a major label (Columbia), this was reportedly one of the lowest-selling items in its catalog and is hence one of the most valued psychedelic collector items. Much rawer and more homespun than the early Grape records, it features Spence on all (mostly acoustic) guitars, percussion, and vocals. With an overriding blues influence and doses of country, gospel, and acid freakout thrown in, this sounds something like Mississippi Fred McDowell imbued with the spirit of Haight-Ashbury 1967. It also featured cryptic, punning lyrics and wraithlike vocals that range from a low Fred Neil with gravel hoarseness to a barely there high wisp. Sadly, it was his only solo recording; more sadly, mental illness prevented Spence from reaching a fully functional state throughout the remainder of his lifetime. He died April 16, 1999, just two days short of his 54th birthday; the tribute album, More Oar: A Tribute to Alexander "Skip" Spence, featuring performances by Robert Plant, Beck, and Tom Waits, appeared just a few weeks later.

No one except psychedelic Renaissance man Alexander "Skip" Spence could have created an album such as Oar. Alternately heralded as a "soundtrack to schizophrenia" and a "visionary solo effort," Oar became delegated to cut out and bargain bins shortly after its release in the spring of 1969. However those who did hear it were instantly drawn into Spence's inimitable sonic surrealism. As his illustrious past in the Jefferson Airplane, Quicksilver Messenger Service, and Moby Grape would suggest, this album is a pastiche of folk and rock. In reality, however, while these original compositions may draw from those genres, each song has the individuality of a fingerprint. As a solo recording, Oar is paramount as Spence performed and produced every sound on the album himself at Columbia Records studios in Nashville in the space of less than two weeks. This burst of creativity was directly preceded by a six month incarceration in New York City's Bellevue Hospital after chopping down a door at the Albert Hotel en route to do the same to fellow Moby Grape members Jerry Miller and Don Stevenson. A common motif to this album is the presence of saints and demons. Even the straightforward narratives such as the love ballad "Broken Heart" or "Cripple Creek" -- which feature vocal treatments reminiscent of folkie Fred Neil -- are bathed in unusual chord sequences and lyrical double-entendre. The majority of the sounds on this long-player remain teetering near the precipice of sanity. Primary examples include "War in Peace," the epic "Grey/Afro," and the sound effect-laden "Books of Moses." Comparisons have been made to Syd Barrett, John Lennon, and Frank Zappa -- the latter especially for the intense sonic collage techniques displayed on albums such as Lumpy Gravy and Civilization Phase III. In 1999, Sundazed Music issued what is considered the final word on Oar, which has been remastered and boasts over 20 minutes of additional material prepared by Spence. The album's lasting legacy is also captured on an all-star tribute CD to Spence titled More Oar.

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