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(Psychedelic Folk, Progressive Folk) Lamb - Cross Between (1971) - 2009, FLAC (tracks+.cue), lossless

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Lamb / Cross Between (1971)

Жанр: Psychedelic Folk, Progressive Folk
Страна-производитель диска: USA
Год издания диска: 2009
Издатель (лейбл): Collector's Choice
Номер по каталогу: CCM-2082
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 39:28
Источник (релизер): indiffer
Наличие сканов в содержимом раздачи: да
Треклист:
01. Flying (2:36)
02. Now's Not the Time (3:37)
03. Cross Between (3:46)
04. Sleepwalkers (5:44)
05. Reach High (4:06)
06. Ku (5:01)
07. While Waiting (3:55)
08. Flotation (4:31)
09. Milo and the Travelers (6:13)

Код:

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 14. March 2011, 22:10

Lamb / Cross Between

Used drive  : SAMSUNG DVD-ROM SD-616T   Adapter: 1  ID: 0

Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No

Read offset correction                      : 1182
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track

Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j--picture="%i"%j %s -o %d

TOC of the extracted CD

     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  2:35.64 |         0    |    11688
        2  |  2:35.64 |  3:37.06 |     11689    |    27969
        3  |  6:12.70 |  3:46.34 |     27970    |    44953
        4  |  9:59.29 |  5:43.51 |     44954    |    70729
        5  | 15:43.05 |  4:05.68 |     70730    |    89172
        6  | 19:48.73 |  5:00.55 |     89173    |   111727
        7  | 24:49.53 |  3:54.45 |    111728    |   129322
        8  | 28:44.23 |  4:30.48 |    129323    |   149620
        9  | 33:14.71 |  6:13.29 |    149621    |   177624

Track  1

     Filename F:\Share2\Lamb\Cross Between\01. Flying.wav

     Pre-gap length  0:00:02.00

     Peak level 97.7 %
     Extraction speed 3.1 X
     Track quality 100.0 %
     Test CRC 94D8BC5C
     Copy CRC 94D8BC5C
     Accurately ripped (confidence 1)  [08B99931]
     Copy OK

Track  2

     Filename F:\Share2\Lamb\Cross Between\02. Now's Not the Time.wav

     Peak level 99.9 %
     Extraction speed 3.4 X
     Track quality 100.0 %
     Test CRC EBD3FDAA
     Copy CRC EBD3FDAA
     Accurately ripped (confidence 1)  [91E9FFEF]
     Copy OK

Track  3

     Filename F:\Share2\Lamb\Cross Between\03. Cross Between.wav

     Peak level 95.4 %
     Extraction speed 3.1 X
     Track quality 99.9 %
     Test CRC 2D8BC64B
     Copy CRC 2D8BC64B
     Accurately ripped (confidence 1)  [8EF6C06F]
     Copy OK

Track  4

     Filename F:\Share2\Lamb\Cross Between\04. Sleepwalkers.wav

     Peak level 77.7 %
     Extraction speed 3.5 X
     Track quality 99.9 %
     Test CRC AAA13E83
     Copy CRC AAA13E83
     Accurately ripped (confidence 1)  [32599575]
     Copy OK

Track  5

     Filename F:\Share2\Lamb\Cross Between\05. Reach High.wav

     Peak level 89.1 %
     Extraction speed 3.7 X
     Track quality 100.0 %
     Test CRC 4815EBA0
     Copy CRC 4815EBA0
     Accurately ripped (confidence 1)  [F36FD743]
     Copy OK

Track  6

     Filename F:\Share2\Lamb\Cross Between\06. Ku.wav

     Pre-gap length  0:00:02.00

     Peak level 99.9 %
     Extraction speed 3.8 X
     Track quality 100.0 %
     Test CRC 0BF429CD
     Copy CRC 0BF429CD
     Accurately ripped (confidence 1)  [06D44AA7]
     Copy OK

Track  7

     Filename F:\Share2\Lamb\Cross Between\07. While Waiting.wav

     Peak level 61.7 %
     Extraction speed 3.7 X
     Track quality 100.0 %
     Test CRC E2062360
     Copy CRC E2062360
     Accurately ripped (confidence 1)  [0533BF68]
     Copy OK

Track  8

     Filename F:\Share2\Lamb\Cross Between\08. Flotation.wav

     Peak level 72.5 %
     Extraction speed 3.3 X
     Track quality 99.9 %
     Test CRC 77DD19E7
     Copy CRC 77DD19E7
     Accurately ripped (confidence 1)  [524CFB21]
     Copy OK

Track  9

     Filename F:\Share2\Lamb\Cross Between\09. Milo and the Travelers.wav

     Peak level 78.8 %
     Extraction speed 3.9 X
     Track quality 100.0 %
     Test CRC C6279B69
     Copy CRC C6279B69
     Accurately ripped (confidence 1)  [DBC8F632]
     Copy OK

All tracks accurately ripped

No errors occurred

End of status report

==== Log checksum EEB5A10F8E57B4F41B0B973E75A1A3AD825410FC85B35C4AF292B84ABA09DB3D ====

Код:

REM GENRE Rock
REM DATE 1971
REM DISCID 79094009
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Lamb"
TITLE "Cross Between"
FILE "01. Flying.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Flying"
    PERFORMER "Lamb"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "02. Now's Not the Time.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Now's Not the Time"
    PERFORMER "Lamb"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "03. Cross Between.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Cross Between"
    PERFORMER "Lamb"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "04. Sleepwalkers.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Sleepwalkers"
    PERFORMER "Lamb"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "05. Reach High.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Reach High"
    PERFORMER "Lamb"
    FLAGS DCP
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Ku"
    PERFORMER "Lamb"
    FLAGS DCP
    INDEX 00 04:03:68
FILE "06. Ku.wav" WAVE
    INDEX 01 00:00:00
FILE "07. While Waiting.wav" WAVE
  TRACK 07 AUDIO
    TITLE "While Waiting"
    PERFORMER "Lamb"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "08. Flotation.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Flotation"
    PERFORMER "Lamb"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "09. Milo and the Travelers.wav" WAVE
  TRACK 09 AUDIO
    TITLE "Milo and the Travelers"
    PERFORMER "Lamb"
    FLAGS DCP
    INDEX 01 00:00:00

The minor San Francisco group Lamb tend to be remembered only for their appearance on the Fillmore: The Last Days concert album, where they were one of several non-star artists on a set dominated by bigger names like the Grateful Dead, Santana, and Boz Scaggs. The band did actually put out three albums in the early '70s, however, and were quite an interesting group. Not only were they not readily comparable to other acts on the San Francisco rock circuit, but it's debatable whether they could be fairly categorized as a rock band at all. Their music blended jazz, folk, singer/songwriter pop, gospel, and even some classical and avant-garde influences. Certainly the dominant figure was singer Barbara Mauritz, whose bluesy and earthy vocals had considerable resonance, but which could also traverse the band's frequently mystical, poetic lyrics with much delicacy and nuance. Reminiscent in spots of such varied artists as Tim Buckley, Judy Collins (in her art-song phase), David Ackles, and Savage Rose (in that band's most gospel-soaked period), their records were ultimately idiosyncratic enough to defy ready comparison to anyone. And they were, too, ultimately too inaccessible to make much commercial impact, despite plenty of tracks of considerable power, beauty, and enigma.

Lamb were formed by the duo of Texan singer Mauritz and multi-instrumentalist (though primarily guitarist) Bob Swanson. The two (writing both separately and together) was responsible for the band's material. They attracted attention in San Francisco when they opened for Crosby, Stills, Nash & Young for a few nights at Winterland in November 1969. Impresario Bill Graham became their manager, and producer David Rubinson, who had worked with notable groups such as Santana and Moby Grape, acted in that capacity for their first record. Their debut album on the Fillmore label, A Sign of Change, was perhaps their most uncompromising and experimental, relying largely on jazz-folk acoustic arrangements and spotlighting Mauritz's impressive voice on impressionistic, dream-like lyrics. They moved over to Warner Bros (while retaining Rubinson as executive producer) for the follow-up, Cross Between, which moved toward slightly more mainstream rock arrangements and a more pronounced gospel feel on several tracks. Yet others were throwbacks to the first album in their obscure but enchanting poesy, sometimes owing more to a classical-influenced art song tradition than conventional pop music.

Lamb went yet further toward gospel-rockish material on their third and final album, Bring Out the Sun, which was their most mainstream outing, though hardly mainstream overall, with a couple of tracks again giving vent to their more experimental jazz-folk-classical side. The LP was co-billed to Lamb and Barbara Mauritz, though Swanson was still involved as a composer and instrumentalist on much of the material. Whether or not this co-billing was intended as a transition from Lamb to a solo career, Mauritz was soon recording as a solo, putting out Music Box for Columbia. Her solo career didn't take off, however, although she continued to perform and write (composing the music for many commercials). In the mid-'80s, Bob Swanson returned full-time to photography. The Lamb founded by Swanson and Mauritz, incidentally, had no relation to either the Christian rock band Lamb that began to record later in the '70s, or the drum'n'bass duo Lamb that began recording in the late '90s.

Lamb's second album used some far more conventional elements of electric rock production than their starker debut had, which in some ways made this follow-up more mainstream and less striking. On the other hand, the songs themselves were more eclectic, and complemented well by the greater textural depth of the arrangements. Most importantly, the songwriting continued to be as inspired and unusual as it had been on A Sign of Change, and only slightly less abstract, again mixing jazz, folk, impressionistic singer/songwriter rock, gospel, and classical, though in different proportions. Barbara Mauritz's singing continued to be mighty impressive, as sort of a more hushed and nuanced spin on the uninhibited woman rock singers coming to the fore in Californian rock, though with as much bluesy soul. "I'll spin a web of visions with the spider of my mind" she sings on "While Waiting," which is a pretty good indicator of the sort of oblique lyrics that permeate the record. Some of the material sounds decidedly happier than the more haunting tunes of A Sign of Change, approaching earthy country-rock on "Flying" (by far the most normal and accessible song on either of Lamb's first two albums). Gospel asserted itself as more of an influence, too, on cuts like the title track and "Reach High," though the lyrics were far more stream-of-consciousness in their wordplay than they were in mainstream gospel, and the orchestration backing the piano possessed an almost classical ingenuity likewise uncommon in most gospel arrangements. If you wanted some of the more intriguing strangeness of the hauntingly dreaming yet biting jazz-folk of the first album, that was here too, particularly in "Sleepwalkers." Other songs, like "Ku," sound almost like the classically-influenced art song territory explored by Judy Collins in some of her late-'60s and early-'70s albums, though with more sensuality in the vocals. David Ackles might be another reference point in how the material and arrangements of some of the more ambitious tracks are, in some ways, more closely tied to classical and theatrical music than to rock, though this was ultimately targeted toward the singer/songwriter audience. Something like "Now's Not the Time," however, isn't easily comparable to anything, coming off like a mix of Native American incantational music with blues-gospel-rock. Like A Sign of Change, Cross Between is highly idiosyncratic yet rewarding music of considerable experimental integrity, and has mysteriously eluded rediscovery and cult recognition. Richie Unterberger

Personnel
Barbara Mauritz - guitar, keyboards, vocals
Bob Swanson - banjo, guitar
Ed Jang
Anne Kish

Ellen Dessier
Mitchell Howie
Robert Hughes
Ed Bogus - viola
Lawrence Sousa
Lawrence Duckles
Germaine Wallace
Dick Fenner - cello
David Hayes - bass
Bill Douglass - bass
Bill Atwood - trumpet
Tom Heimberg - viola
Kenneth Goldsmith - violin
Gordon Messick - trombone
special thanks to Jerry Garcia

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