(Psychedelic/Space Rock) Vibravoid - Void Vibration - 2002, FLAC (image+.cue), lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 21. October 2009, 0:45

Vibravoid / Void Vibration

Used drive : PIONEER DVD-RW DVR-K16A Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : --best -V -T "date=%y" -T "genre=%m" %s

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 4:40.06 | 0 | 21005
2 | 4:40.06 | 4:32.32 | 21006 | 41437
3 | 9:12.38 | 3:20.57 | 41438 | 56494
4 | 12:33.20 | 5:29.24 | 56495 | 81193
5 | 18:02.44 | 3:34.59 | 81194 | 97302
6 | 21:37.28 | 0:58.66 | 97303 | 101718
7 | 22:36.19 | 12:50.19 | 101719 | 159487
8 | 35:26.38 | 4:37.31 | 159488 | 180293
9 | 40:03.69 | 4:22.59 | 180294 | 200002
10 | 44:26.53 | 3:34.39 | 200003 | 216091
11 | 48:01.17 | 5:07.09 | 216092 | 239125
12 | 53:08.26 | 6:25.43 | 239126 | 268043
13 | 59:33.69 | 13:41.65 | 268044 | 329683
14 | 73:15.59 | 4:41.73 | 329684 | 350831

Range status and errors

Selected range

Filename D:\Vibravoid - 2002 - Void Vibration.wav

Peak level 100.0 %
Range quality 99.9 %
Copy CRC 505EAA6A
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 1) [CFEF7FEE]
Track 2 accurately ripped (confidence 1) [0C2943C8]
Track 3 accurately ripped (confidence 1) [043E2278]
Track 4 accurately ripped (confidence 1) [AE9F136F]
Track 5 accurately ripped (confidence 1) [EF8DE1FF]
Track 6 accurately ripped (confidence 1) [B2F9C249]
Track 7 accurately ripped (confidence 1) [7EFC727A]
Track 8 accurately ripped (confidence 1) [8C2B53B3]
Track 9 accurately ripped (confidence 1) [77BBA067]
Track 10 accurately ripped (confidence 1) [3C9DEF41]
Track 11 accurately ripped (confidence 1) [0DFE81CB]
Track 12 accurately ripped (confidence 1) [4876B2E1]
Track 13 accurately ripped (confidence 1) [1D89BE5C]
Track 14 accurately ripped (confidence 1) [747AB168]

All tracks accurately ripped

End of status report

AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-

Path: ...\Vibravoid.-.2002.-.Void.Vibration[CUE.Log.tagged.within].repack.HQShare.NET

1 -=- Vibravoid.-.2002.-.Void.Vibration[CUE.Log.tagged.within].repack.HQShare.NET.flac -=- CDDA (100%)

266016580

The band sounds very much rooted in something which made Ozric Tentacles so strong in the nineties : they delivered strong contrasting sounds of rhythms (drums, bass, guitars), within a spacey flow (the oscillating and frequenced sounds of keyboards). This was, and for Vibravoid still is a perfect alternative to dance related events, so that you can equally and easily be hooked by it on live performances, because the boozed bass, guitars and sequencers vibrate hypnotically with a trance-enduing flow. Vibravoids’ clarity of sonic contrasts uses new production techniques for the best possible sound, with powerful contrasts but also lots of sonic peaks giving the best effect for worse equipment. But there are also post-sixties popsych song influences in some tracks (like a well recognisable version of a Strawberry Alarm Clock song, “Incense and peppermints”). Near the end however the trip takes over, with more 3-dimensional effects and experiences. This becomes associated (with original spoken word from 1967) with Timothy Leary’s “turn on, tune in and drop out”, a definition which became just like pure acid, no longer like a philosophical idea, but like an excuse to be wound up by mechanical vibrations. The last two bonus tracks are more rhythmical but less groovy and sound more like a computer arrangement than a live analogue synthesizer improvisation.