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(Neo-Prog) Grace - Poppy - 1996, FLAC (image+.cue) lossless

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Grace / Poppy

Жанр: Neo-Prog
Страна-производитель диска: UK
Год издания диска: 1996
Издатель (лейбл): CYCLOPS
Номер по каталогу: CYCL044
Страна: UK
Аудио кодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 60:59
Источник (релизер): оригинал CD
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Burglars (3:43)
2. Sing Something Simple (3:41)
3. Anorak Of Fire (5:07)
4. Resurrection (3:50)
5. Oklahoma (5:26)
6. Heart And Soul (6:06)
7. Secret Garden (8:22)
8. Touch (4:51)
9. The Wolf (4:47)
10. Emily (4:53)
11. Rich Men Singing (3:10)
12. Court Of Despair (6:03)

Код:

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

Отчёт EAC об извлечении, выполненном 31. января 2011, 21:21

Grace / Poppy

Дисковод: HL-DT-STDVD-RAM GSA-E60L   Adapter: 2  ID: 0

Режим чтения                 : Достоверность
Использование точного потока : Да
Отключение кэша аудио        : Да
Использование указателей C2  : Нет

Коррекция смещения при чтении                     : 102
Способность читать области Lead-in и Lead-out     : Нет
Заполнение пропущенных сэмплов тишиной            : Да
Удаление блоков с тишиной в начале и конце        : Нет
При вычислениях CRC использовались нулевые сэмплы : Нет
Интерфейс                                         : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат          : Пользовательский кодировщик
Выбранный битрейт        : 1024 kBit/s
Качество                 : Высокий
Добавление ID3-тэга      : Нет
Утилита сжатия           : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Дополнительные параметры : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d

TOC извлечённого CD

     Трек |   Старт  | Длительность | Начальный сектор | Конечный сектор
    ---------------------------------------------------------------------
       1  |  0:01.00 |    3:42.18   |          75      |      16742
       2  |  3:43.18 |    3:37.39   |       16743      |      33056
       3  |  7:20.57 |    5:07.06   |       33057      |      56087
       4  | 12:27.63 |    3:49.48   |       56088      |      73310
       5  | 16:17.36 |    5:25.31   |       73311      |      97716
       6  | 21:42.67 |    6:06.00   |       97717      |     125166
       7  | 27:48.67 |    8:22.33   |      125167      |     162849
       8  | 36:11.25 |    4:50.24   |      162850      |     184623
       9  | 41:01.49 |    4:46.68   |      184624      |     206141
      10  | 45:48.42 |    4:52.55   |      206142      |     228096
      11  | 50:41.22 |    3:10.27   |      228097      |     242373
      12  | 53:51.49 |    6:01.30   |      242374      |     269478

Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

     Имя файла C:\Documents and Settings\юрий\Рабочий стол\GRACE\Grace - Poppy.wav

     Пиковый уровень 100.0 %
     Качество диапазона 100.0 %
     CRC копии 58C59AB7
     Копирование... OK

Ошибок не произошло

AccurateRip: сводка

Трек  1  точное извлечение (доверие 3)  [563FB282]
Трек  2  точное извлечение (доверие 3)  [C173241F]
Трек  3  точное извлечение (доверие 3)  [48912263]
Трек  4  точное извлечение (доверие 3)  [B1439E5B]
Трек  5  точное извлечение (доверие 3)  [3F01BD9F]
Трек  6  точное извлечение (доверие 3)  [8CA1D744]
Трек  7  точное извлечение (доверие 2)  [4D3D144B]
Трек  8  точное извлечение (доверие 2)  [CBC1AF6A]
Трек  9  точное извлечение (доверие 2)  [9B39B149]
Трек 10  точное извлечение (доверие 2)  [D7A5D05F]
Трек 11  точное извлечение (доверие 2)  [79B9B7DE]
Трек 12  точное извлечение (доверие 2)  [D7380429]

Все треки извлечены точно

Конец отчёта

GRACE was formed by a group of art students in the late '70s, and they toured the North Staffordshire area. The stage show was dominated by lead singer Mac Austin, and flautist / sax player Harry Davies, both vying for the front man position. They started out as sort of more pop version of Jethro Tull. In 1977, they released their first single, "Old Stories," on an independent label. GRACE signed with MCA in 1979, and released the single, "The Fire of London." This also led to the recording of their self-titled debut album. Appearing on the album were vocalist Mac Austin, flautist and sax player Harry Davies, guitarist David Edge, guitarist Alan Whiting, percussionist Phil Brown, guitarist Marshall Bereford, bass player Dave Rushton, and keyboardist Roger Jackson. The band released another single in 1980, and then a live album followed in 1981.
It would seem that GRACE was on the verge of great success, but it was not to be. Prog was on the outs at this time, and the band dynamic was not exactly stable. So, they broke up, and the band members went off to other projects. Mac and Harry stayed together, and formed White Door, with Harry's brother John on keyboards.
In 1988, back in Staffordshire, Mac Austin and Dave Rushton just happened to run into each other. As you would expect, talk of a reunion ensued. The band ended up playing three reunion shows during that Christmas season. This led to more reunion shows, and of course new music. In 1992, original members Mac, Harry, Dave Edge, and Dave Rushton, brought John Davies and percussionist Tony Hall into the studio, and recorded "The Poet, The Piper and the Fool." The second, and more prolific, phase of GRACE had begun. The old prog influences were still there, but the band's sound had now been transformed. It is obvious that they were being influenced more by Marillion than Jethro Tull.
Harry's brother John would not return for 1994's "Pulling Strings and Shiny Things." Mark Price became the new keyboard player. This lineup remained stable for their last studio release, 1996's "Poppy." A December 1997 show at The Wheatsheaf at The Kings Hall was recorded, and released as "Gathering in the Wheat." Ironically, this was also the night they announced that they were breaking up.

I have to confess to being extremely impressed with this 1996 album by British band Grace. At time of writing, "Poppy" is their fourth and latest studio album, the band having been around since 1979. I should say straightaway that this is more of a prog related album than a bona fide neo-prog album as such, but the music here is written and performed with an assured confidence which questions why Grace as not far better known than they appear to actually be. Anyone familiar with the band Dare will be pleased with what they find here. There are also distinct influences of bands such as Marillion and perhaps more specifically Fish, along with residual nuances of their early influence, Jethro Tull.
The six man line up commands an instrumental array which offers a diverse range of sounds including sax and flute in addition to the ubiquitous guitars and keyboards. The style is generally from the pop prog end of the spectrum, drawing in sound of bands such as Supertramp, It Bites and Stackridge. The opening "Burglars" is particularly reminiscent of the latter, being an upbeat, bouncy affair with whimsical lyrics.
"Sing something simple" takes us back to the pre Radio gaga days, the song sounding a bit like a hybrid of the Fish and Hogarth era Marillion. Mac Austin's vocal style varies considerably from track to track, but here he sounds rather like Pendragon's Nick Barrett.
These opening tracks set the scene for a succession of highly enjoyable sophisticated pop songs which are developed well through instrumental breaks and embellished arrangements. While the album is generally upbeat, occasionally the band will take on something more serious. "Oklahoma" sensitively examines the impact of the bombing there, especially in light of the "it could never happen here" attitude which prevails in most of us.
At a shade under 8½ minutes, "Secret garden" is the longest track. Its length is in part due to a pleasant acoustic guitar intro which stands apart from the rest of the track. The actual song is an acoustic number with strong flute, which develops through an anthemic chorus, the song celebrating the joys of parenthood.
"The wolf" and "Emily" seem to move the band more towards Roxy Music/ Bryan Ferry/ David Sylvian territories, the former featuring saxes and a quivering vocal, while the latter is a much moodier piece in the sparse style of Sylvian. "Rich men singing" is a mildly amusing rant about the use of lottery funds to underwrite the cultured arts such as Opera. "Hearing Italian without any rhyme sung by unpronounceable figures, but they're sure that they're having a wonderful time while the rich men behind them just snigger", says it all really.
In all, a very enjoyable album but one where the enjoyment mainly comes on the first listen. The arrangements are good, the songs are well written, and the performances are of a high standard, but there is perhaps a lack of underlying depth to the album as a whole. Worth a go though.

- Harry Davies / flute, sax, dustbins
- Dave Edge / guitars
- Tony Hall / drums, vocals
- Mac Austin / vocals
- Dave Rushton / bass
- Mark Price / keyboards

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