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Igra Staklenih Perli - Igra Staklenih Perli 1979, Serbia

Жанр: Space-psychedelic Rock
Год выпуска диска: 1979
Производитель диска: Serbia
Аудио кодек: FLAC
Тип рипа: image+.cue
Трэклист:
Studio Album, released in 1979

Track Listings

1. Gusterov trg (4:26)
2. Solarni modus (4:09)
3. Putovanje u plavo (6:52)
4. Pecurka (7:05)
5. Majestetski kraj (5:18)

Total Time: 27:50
Line-up/Musicians

- Joshua N'Goma (Vojkan Rakic) / guitars
- Pedja Vukovic / drums, percussions
- Drakula (Drasko Nikodijevic) / bass, vocals
- Svaba the Kraut (Zoran Lakic) / keyboards, vocals
Releases information

LP PGP RTB LP5339 (1979 Yugoslavia)
CD Second Harvest (2007) (Digipak re-issue including 8 bonus tracks taken from the LPs "Inner Flow" & "Soft Explosion Live")
Bonus tracks:
6. Flow Access (1:45)
7. Hotel Wave (4:57)
8. Magic Machine (7:58)
9. Lake of Lily (6:40
10. Dracula's Dance (6:57)
11. Inner Flow (12:02)
12: Balkan IV (4:05)
13. Gusterov Trg (5:30)
Доп. информация:
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007

EAC extraction logfile from 5. December 2007, 9:54

Igra Staklenih Perli / Igra Staklenih Perli

Used drive : LITE-ON DVDRW LH-20A1P Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 4:26.05 | 0 | 19954
2 | 4:26.05 | 4:07.25 | 19955 | 38504
3 | 8:33.30 | 6:53.10 | 38505 | 69489
4 | 15:26.40 | 7:05.23 | 69490 | 101387
5 | 22:31.63 | 5:19.52 | 101388 | 125364
6 | 27:51.40 | 1:45.45 | 125365 | 133284
7 | 29:37.10 | 4:57.12 | 133285 | 155571
8 | 34:34.22 | 7:58.20 | 155572 | 191441
9 | 42:32.42 | 6:40.36 | 191442 | 221477
10 | 49:13.03 | 6:57.43 | 221478 | 252795
11 | 56:10.46 | 12:02.09 | 252796 | 306954
12 | 68:12.55 | 4:05.58 | 306955 | 325387
13 | 72:18.38 | 5:30.54 | 325388 | 350191

Range status and errors

Selected range

Filename D:\flogger77\Igra Staklenih Perli - Igra Staklenih Perli.wav

Peak level 99.1 %
Range quality 100.0 %
Copy CRC 834AF6A0
Copy OK

No errors occurred

AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database
Track 13 not present in database

None of the tracks are present in the AccurateRip database

End of status report
IGRA STAKLENIH PERLI, the ultimate ex-Yugoslavian space/psychedelic rock band, was formed in 1976 in Belgrade, Serbia, having been named after the famous novel by Hermann Hesse - "Das Glasperlenspiel" (The Glass Beads Game). The original line-up consisted of: Zoran Lakic (keyboards), Vojkan Rakic (guitar), Predrag Vukovic (percussions) and Drasko Nikodijevic (bass & vocals). In late 1977 Dragan Soc joined the band as drummer while they played live concerts at Belgrade clubs, preparing to start recording their first album, which they did in mid 1978. Upon its release the next year, the band gained reputation for elaborated visual stage effects and light show directed by their friend Goran Cvetic. Nikodijevic was replaced by rock journalist Slobodan Trbojevic on bass prior to recording the second album in late 1979. After its release in 1980 the guitarist Ivan Pajevic replaced Rakic and Nikodijevic was back on bass, but shortly the band ceased to exist. Nikodijevic and Rakic later formed post-punk/neo-psych White Rabbit Band but in late 1980s moved to USA where they continued under the name White Rabbit Cult. The remaining members together with German publisher Thomas Werner released at the beginning of 1990s three albums of ISP old live material and album outtakes for the German-based label Kalemegdan Disk.

IGRA STAKLENIH PERLI labelled their music style as "stream of consciousness music". Their both studio albums, the first eponymous "Igra Staklenih Perli" from 1979 and the second "Vrt Svetlosti" from 1980, are pretty similar in sound and resemble the style from early PINK FLOYD and HAWKWIND psychedelia, to German kraut-rock (notably CAN and TANGERINE DREAM), to HILLAGE-era GONG among many. Interesting music effort especially considering the fact it was the new wave boom period when they tried to pursue a quite different music philosophy.

This very short debut album (two master tracks were destroyed before the pressing of the vinyl) is of an impressive quality, but it must’ve sound quite dated back then since this album could be the Yugo twin brother of Floyd’s Saucerful Of Secrets, or Ummagumma’s live disc with a wee bit of Hawkwind-chromosomes in the rhythm guitars. Recorded in Belgrade at a time where such things were now openly allowed (although Yugoslavia was still communist, it had chosen to never join the Soviet block, and was frequented by western tourists), even compared to other groups in the country, this record sounded a bit dated and borrowed.

This album is a pure joy for anyone who enjoys psych-laced prog, and we have here a superb example of a lost gem in the genre even if it is hardly groundbreaking. The album is actually very even with every track of a very high calibre if you can forget the very derivative songwriting/improvisation. This reviewer has no problem with this “flaw” on this album, and the album gets a rather fourth star even if it is not really essential.

IGRA STAKLENIH PERLI's debut might also be categorized as a Krautrock album. First of all the recordings of the songs suffered from some bad conditions. The studio crew normally produced folk and pop albums and was obviously overchallenged by this 'unusual' music. And then two songs got simply lost - the reason why the album is only 28 minutes long. But this half an hour is fabulous though - very impressive indeed.

We have various keyboard work with floydy references to the deep space/psychedelic mood of the Ummagumma live songs here and there. This can be pointed out with the opener Gusterov trg for example - additionally provided with a compelling guitar work. Furthermore the songs are mostly instrumental spacy near to Hawkwind with some english vocals. But the band is able to manage an independend style at large on this album - a special spirit. Several repetitive hypnotic patterns are even bringing the album into the reach of Kraut - on the other hand there are a lot of speed variations and effects within the songs.

Whilst I'm writing this review I noticed there is offered a re-release with 8 bonus tracks by the Second Harvest label but unfortunately couldn't find any further information. Hopefully with the digitally remastering the sound quality is enhanced. Anyhow - musically it's a big recommendation in any case.

Igra Staklenih Perlih could be considered as Yugoslavia's answer to PINK FLOYD, with a strong dose of HAWKWIND and close to Krautrock. These comparisons are immediately noticeable - for the curious, listen to the mp3 here of 'Pecurka' - totally spaced-out with a mysterious Farfisa Organ driven intro (recalling Rick Wright's early days with Floyd) and stoned vocals/whispers ( I noticed that the words sung here are nicked from the CAN track 'Mushroom' off Tago Mago) and morphs into a heavy and intense, ascending riff which builds to an amazing climax and jams out Hawkwind style. Being totally struck by this track, I managed to get a re-issue vinyl from Greg W's Syn-Phonic site, and I can say that the whole album is a brilliant example of psychedelic space-rock with some dreamy atmospheres. Opening track 'Gusterov Trg' sounds like psychedelic punk-rock. Regarding the rhythm section, the drum sound is a bit compressed, and the bass has a 'woody' tone to it, but suits the music perfectly. ISP may not be the most original sounding band, but operating in this mode from behind the 'iron curtain' is most certainly impressive. The downside to this album, it clocks in at under half an hour and leaves you wanting more. Superb !!
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