(Prog Rock) Strife - Back To Thunder - 1978 - 2005, APE (image+.cue), lossless

Absolutely guitar-driven, a classic anyway in my humble opinion ! I’ll try to explain why.
A rasping, scratchy guitar starts “Shockproof” with a fast repeating riff which makes your boogie feet itch. John Reid is the man behind all the guitars on the album and, believe me, he’s busy here! And he takes care of all the lead vocals as well. He got a very pleasant voice, light and smooth but with the necessary power needed to cope with the music. A busy man is also the drummer David Williams, he pounds along with Gordon Rowley’s and keeping the track tight and meaty. A few bars with fat boogie is thrown in for good measure before John Reid lays on more guitars on top of the raspy riff who runs all the way through the track. I liked this track immediately, but when I heard the follower, “Let Me Down”, I was completely sold! Some fragile soft chords from John’s guitar starts the ball before a fat, bluesy guitar tops the easy riff in the background. And the bass of Gordon is far more at present here, heavy and slightly distorted. It’s powerful and full of hooks that sticks to your brain. A killer ! Much of the same is to said about “Feel So Good”, a short fast snappy tune, but with a tough wah-wah solo, which was very typical seventies. Goodie!
Don Airey is no novice when it comes to the art of keyboard playing (widely known for his work with Colosseum II, Rainbow and many others), and he’s the man hired to deal with the job on this album. We got a good feel of the man’s capabilities in “Sky” where he backs the band nicely with piano and has clever ideas when it comes to follow all John Reid’s guitars and tempo changes. Maybe the best track on the album !!
“You Are What You Are” is another track with several tempo changes, lots of guitars but where Gordon’s bass steals the show with his bending of the strings and where Don adds a few Hammond organ chords. Gordon has also written the follower, “Red Sun”, an instrumental with only his bass guitar as the only instrument. The track got this warm sound despite the fact that the bass is heavily fuzzed at times. The long “Fool Injected Overlap” opens with some nice acoustic guitar theme and some relaxed singing before both the power and tempo changes. And more tempo changes is to come, this one is a workout of dimensions for the whole band. Good one! Good is also the album closer “Weary Traveller”, a more quiet and subdued track with John’s voice full of soul and where Don’s keyboards is majestic and classical inspired. An absolutely worthy ending to a classy album!
Strife, and particularly on this album, was a band who knew a lot how to sound both heavy and simple, advanced and rocking!
So if you’re into records with tons of guitars, rocking and heavy, coupled up with shitloads of tempo changes and good songs, you could do a lot worse than get your hands on this one.
Strife released only two albums (this was their second and last) and one EP in their short career. Their debut “Rush” isn’t quite up to the standard of this one.
All I know is that when they called it a day, bass player Gordon Rowley started Nightwing.

SECOND OPINION:
The overall sound is original; excellant guitar riffs and solos from john reid strangly reminiciant of john mclaughnan witha slice of jan ackerman just for the taste. the drumming is tight and very well played I suppose that it would be very hard for dave williams trying to replace paul elson as the latter was an animal always with a big drum sound and I am told was the founder of the band. The bass playing is just the best I have heard, it takes over from the guitar actually playing shared guitar solo,s and the red sun track is a lesson to any bass player, sheer brilliance. Buy it this one it is a classic, Im off to listen to that bass solo again and try to figure out how a bass can make these sounds.

Paul H. Ellson - Drums
John Reid - Guitar, Vocals
Gordon Rowley - Bass, Vocals