(kraut, electronic) Roedelius (Hans-Joachim) - Tace! (1993), APE (image+.cue), lossless

EAC extraction logfile from 13. May 2006, 11:12 for CD
Roedelius / Tace!

Used drive : HL-DT-STDVDRAM GSA-H10A Adapter: 0 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 667
Overread into Lead-In and Lead-Out : No

Used output format : C:\Program Files\Exact Audio Copy\MAC.exe (Monkey's Audio Lossless Encoder)
High Lossless Compression

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface

Range status and errors
Selected range
Filename C:\Documents and Settings\M\Plocha\Roedelius [CD] Tace! (1993) [EAC-APE] by Ellery (Prag) [HQshare.net]\Roedelius - Tace!.wav.wav

Peak level 93.5 %
Range quality 100.0 %
CRC 404C7242
Copy OK

No errors occured

End of status report

From his early work with the pioneering Krautrock band Cluster to his later, more ambient solo recordings, Hans Joachim Roedelius remained one of the most innovative and prolific voices in contemporary electronic music. Born in Berlin in 1934, he drifted through a series of odd jobs before turning to music, later collaborating with conceptual artist Conrad Schnitzler in a series of experimental bands including Plus/Minus, Noises and the Human Being. In 1968, Roedelius and Schnitzler were among the co-founders of the Zodiak Free Arts Lab, a group of avant-garde artists from a variety of creative disciplines which quickly became one of the driving forces of the Berlin underground scene; with Dieter Moebius, they formed Kluster in 1969, performing extended improvisational live dates throughout West Germany.

Cluster released their debut LP Klopfzeichen in 1970; in the wake of their third album, 1971's Kluster und Eruption, Schnitzler exited to pursue a solo career, and Roedelius and Moebius continued on as Cluster. Working with famed producer Conrad Plank, the duo began to move increasingly towards more structured soundscapes — with 1974's Zuckerzeit, they even pursued an electronic pop sound similar in spirit to Kraftwerk. Roedelius and Moebius also teamed with Neu!'s Michael Rother in Harmonia, releasing a pair of mid-'70s LPs which caught the attention of Brian Eno, who in response collaborated with the trio on a legendary session (released much later as Harmonia 76) heralding a turn towards ambient textures (and influencing the sound of the 1976 Cluster album Sowiesoso). Roedelius and Moebius subsequently worked with Eno on 1977's Cluster and Eno and 1979's After the Heat as well.

In the interim, Roedelius made his solo debut with 1978's Durch die Wuste; after Cluster went on hiatus in the wake of 1981's Curiosum, he plunged fully into solo work, regularly releasing several new LPs each year. Although most of these projects pursued ambient paths — the multi-chapter Selbstportrait series, 1981's Lustwandel, 1987's Momenti Felici and 1992's Friendly Game all being good examples — others like 1982's Offene Türen and 1992's Sinfonia Contempora I explored more dissonant electronic soundscapes. Additionally, Roedelius worked in a series of mediums including theatre, dance and film, collaborating with everyone from Holger Czukay to Peter Baumann; in 1990, he and Moebius also reunited for Apropos Cluster, and the duo continued working together throughout the decade to follow.

Review by Jim Brenholts
Hans-Joachim Roedelius is one of the true pioneers and innovators in experimental and electronic music. He has collaborated with Brian Eno and Dieter Moebius on several CDs, including discs as Cluster. He also has several solo CDs out, all of which are cutting-edge. Tace is certainly on the edge and "sehr interrasant" (the liner notes are in German). Roedelius uses some eclectic styles and techniques on this recording. He uses dissonance and experimental effects to great advantage. The atmospheres have ambient textures. There are very few overt rhythms, so the album borders on minimalism as well. However, the eclectic and enigmatic overtones set this much closer to avant-garde and experimental electronica. It is an excellent album and will appeal to fans of Brian Eno, Robert Fripp, Robert Rich, and Jah Wobble.