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Jozef Skrzek - Ojciec Chrzestny Dominika (1980)

Жанр: Progressive Rock
Дата записи: 1980
Дата выпуска: 2002
Производитель диска, страна: Golland 101, Poland

Аудио кодек: FLAC
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Источник: torrent

Трэклист:
1. Zacmienie Slonca (J.Skrzek - J.Matej)
2. Toczy sie kolo historii (J.Skrzek - J.Matej)

Состав:
Jozef Skrzek & J.Matej - piano, Fender, Clavinet D6, polymoog, minimoog, micromoog, sonicsixmoog, banjo, 6-strings & 12-strings guitar, Hammong organ, steel guitar, harmonic, bass, marimba, triangle, tambourine, cowbell, vocals

Рейтинги и премии:
Progarchives - 4.00

Издания:
LP 1980 Polskie Nagrania SX 1967
CD 2002 Golland 101

Мои раздачи на треккере - [/u]
J. Skrzek Ojciec Chrzestny Dominika is probably his most proud solo effort, right in a period of strengthening his old habits and fine tastes into an individual art. It’s a complex album, by default as well as by touch, giving a progressive satisfaction, but also showing that Skrzek’s music is not resumed to clear or steady tones – which means a more or less awe-inspiring and generous experience. The classic feeling of music and rock can’t un-relate, at least in some way, to S.B.B.’s full storm of music and classic prog (down the 70s), but Skrzek, the master-keyboardist and the visionary composer, writes, as soloist, in a good distinct way. Plus, right on this album, his means are vibrating quite different flavours every couple of minutes, reuniting afterwards the essential into a clean, mature, aroused (at times) and pronounced music – with lyrical inspiration from J.Matej, Skrzek himself offers a slick formidable range of instrumental music, with styles being a natural feeling of music and motion.

Ojciec Chrzestny Dominika deserves a walkthrough – most ideal, though, it’s an album to be fully discovered by each.

Zacmienie Slonca An organ introduction, with a pretty clear symphonic (or orchestral) surround and sound, propulses a first theme of lyrical and vocal qualities, being a lovely tune, but, as genre, a pop (with some kind of sense that could be called western) refined song.

There's a first climax, with some heavy guitars making the music heavy, rock (I even feel like Led Zep are riffing) and, generally, with an artistic incense.

After about 5 minutes since the beginning, the music's back in some strange, harmonic, heavy atmosphere, with windy voices, symph basses, a ragged harmonica and a general intermittent mood. Some orchestral harmonies are back, they can be called new-age, if you think of, let's say, Wakeman's classic (and well-produced) fantasies and concepts. But I'd call "something" from it a mixture of symphonic and art rock-ish.

8 and a half minutes past and there comes a first sample of more popular and suave rock, along new-age artificial small sense. A bit of vocal fantasy or amorality evolves again, keeping this movement as tight as possible within neo-symphonic and pop-fusion. A bit of Polish poetry is flourished, naturally (or, least to say, the lyrics and language are very consistent, it can occasionally find a simple folk dark root).

Nothing particularly happens till an abrupt "complication" and "rhythm spandle", mark 13 minutes, that can be called pop, rock slippery composition or a new-age powerful dance. But, yet again, it sounds more artistic. Or difficult, as to contrast the previous melancholic, oozy harmony melody.

The finale itself is not my favorite kind of an instrumental flabbergast, but it fits an Art Rock kind of composition - and it has all the common elements that, so far, shined; new-age, neo-symph, guitar emotional fizz, atmospheric fantasy and "drama sounding". Essentially, this first movement, very much into fantasy or simple intensities, is keen to the symphonic (or neo-symphonic) passionate compositions.

Toczy Sie Kolo Historii The first minutes start mildly with a flow, though in a way we can count it as artistic. A bit of synthesizer atmosphere does the trick, revising some new-wave with a bit of melody rock.

The main theme (or the first of the main themes) has, at first, a choral impulse, but then draws into a beat 'n' rich rock influence, something that, along with the vocals themselves, resembles Pink Floyd. In the background, there remain some melodic/artificial synthetic effects. This entire passage is, in my opinion, the most interesting when it is multi-layered or gives a more heavy impression. It is, therefore, not perfect, but only powerful, art rock mixing neo.

The intermezzo between these deep thoughts (here, it is marked 8 1/2 minutes) is already not surprising, generally it fits new-age and atmospheric rock. But right here I also hear a bit of personalized fusion, since within all the complex synthetic surround there's a guitar (or a bass guitar) gorgeousness. The fantasy lines are back, in heavy rhythms.

10 minutes mark brings the first Alan Parsonish moment that can be fully recognized, but all the music and melody idea(l)s could count for a neo-symph disusing tune. A second theme significantly arises, being full of harmonica rock, melody rock, powerful (but popular) lyrics and oozing dreamy fusion. In my opinion, the most unprogressive moment the album has.

The finale is something dolce, nothing spectacular, but again more artistic than usually taken or felt like. Some conceptual themes burn slowly one more time, other gearing melody express the end of a complex album. Variety is also a sole quality.

Not a masterpiece by regular patterns, Ojciec Chrzestny Dominika is nevertheless a huge album in Skrzek’s solo career. It can count often.
01 - Zacmienie slonca.flac
02 - Toczy sie kolo historii.flac
art
Jozef Skrzek - Ojciec Chrzestny Dominika.m3u
Ojciec Chrzestny Dominika.CUE
Ojciec Chrzestny Dominika.log
tau.txt
thumb.jpg
art\jsocd1.png
art\jsocd2.png
art\jsocd3.png
EAC extraction logfile from 12. November 2007, 13:18 for CD
Jozef Skrzek / Ojciec Chrzestny Dominika

Used drive : MATSHITADVD-RAM UJ-850S Adapter: 1 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 102
Overread into Lead-In and Lead-Out : No

Used output format : C:\Program Files\Exact Audio Copy\flac.exe (User Defined Encoder)
128 kBit/s
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface

Track 1
Filename D:\zzz-audio\01 - Zacmienie slonca.wav

Pre-gap length 0:00:02.10

Peak level 98.8 %
Track quality 100.0 %
Test CRC 37281156
Copy CRC 37281156
Copy OK

Track 2
Filename D:\zzz-audio\02 - Toczy sie kolo historii.wav

Pre-gap length 0:00:03.81

Peak level 98.8 %
Track quality 100.0 %
Test CRC 68E1920F
Copy CRC 68E1920F
Copy OK

No errors occured

End of status report
3720769708 205037996 01 - Zacmienie slonca.wav
2728926317 211642412 02 - Toczy sie kolo historii.wav

auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01 - Zacmienie slonca.wav]

------------------------------------------------------------
This track looks like CDDA with probability 100%

------------------------------------------------------------
Processing file: [02 - Toczy sie kolo historii.wav]

------------------------------------------------------------
This track looks like CDDA with probability 100%

------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
[b]Я не сидирую все свои раздачи подолгу, только новые (до 3х первых сидов)
Предлагаю скачавшим максимально долго оставаться на раздаче - весь рейтинг будет ваш
Я вернусь, если меня попросят в топике или в ПМ
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