(Post Punk, New Wave) [LP][24/96] Talking Heads - Talking Heads: 77 - 1977, Rhino/Warner Bros. - 2009, FLAC (tracks+.cue)

Talking Heads
David Byrne – guitar player and singer
Jerry Harrison – guitar and keyboard player, 2nd singer
Chris Frantz – drummer
Martina Weymouth – bass player
Recording personnel
Tony Bongiovi, Lance Quinn and Talking Heads – producers
Ed Stasium – engineer

TALKING HEADS: 77 is the debut album by Talking Heads. It peaked at #97 in the Billboard Pop Albums chart, and the single "Psycho Killer" made #92. In 2003, the album was ranked number 290 on Rolling Stone magazine's list of the 500 greatest albums of all time. In his 1995 book, "The Alternative Music Almanac", Alan Cross placed the album in the #5 spot on the list of '10 Classic Alternative Albums'.



Though they were the most highly touted new wave band to emerge from the CBGB's scene in New York, it was not clear at first whether Talking Heads' Lower East Side art rock approach could make the subway ride to the midtown pop mainstream successfully. The leadoff track of the debut album, Talking Heads: 77, "Uh-Oh, Love Comes to Town," was a pop song that emphasized the group's unlikely roots in late-'60s bubblegum, Motown, and Caribbean music. But the "Uh-Oh" gave away the group's game early, with its nervous, disconnected lyrics and David Byrne's strained voice. All pretenses of normality were abandoned by the second track, as Talking Heads finally started to sound on record the way they did downtown: the staggered rhythms and sudden tempo changes, the odd guitar tunings and rhythmic, single-note patterns, the non-rhyming, non-linear lyrics that came across like odd remarks overheard from a psychiatrist's couch, and that voice, singing above its normal range, its falsetto leaps and strangled cries resembling a madman trying desperately to sound normal. Talking Heads threw you off balance, but grabbed your attention with a sound that seemed alternately threatening and goofy. The music was undeniably catchy, even at its most ominous, especially on "Psycho Killer," Byrne's supreme statement of demented purpose. Amazingly, that song made the singles chart for a few weeks, evidence of the group's quirky appeal, but the album was not a big hit, and it remained unclear whether Talking Heads spoke only the secret language of the urban arts types or whether that could be translated into the more common tongue of hip pop culture. In any case, they had succeeded as artists, using existing elements in an unusual combination to create something new that still managed to be oddly familiar. And that made Talking Heads: 77 a landmark album.

RCM Hannl 'limited'
Music Hall MMF 5.1 Turntable
Goldring 1042GX reference Cartridge
Belari VP-129 Tube Phono PreAmp with Sylvania 12AX7WA
Tascam US-144 external USB 2.0 Audiointerface
Interconnections by "Goldkabel"
Wavelab 5 recording software

Vacuum cleaning > TT > Belari > Laptop > Wavelab 5.01 (24/96) > manual click removal
analyze (no clipping, no DC Bias offset) > split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.